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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 7. a Collection of Other Events That Cause Melancholy: The Death Of…

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Facing Pages · Branch 341 of 1495

Subsection 7. a Collection of Other Events That Cause Melancholy: The Death Of…

1651 English

162–163

They that are most staid and patient, are so furiously carried headlong by the passion of sorrow in this case, that brave discreet men otherwise, oftentimes forget themselves, and weep like children many months together, as if that they to water would, and will not be comforted. They are gone, they are gone.

Abstulit atra dies & funere mersit acerbo, What shall I do?

Quis dabit in lachrymas fontem mihi? quis satis altos Accendet gemitus, & acerbo verba dolori? Exhaurit pietas oculos, & hiantia frangit Pectora, nec plenos avido sinit edere questus, Magna adeò jactura premit, &c.Fountains of tears who gives, who lends me groans, Deep sighs sufficient to express my moans? Mine eyes are dry, my breast in pieces torn, My loss so great, I cannot enough mourn.

So Stroza Filius that elegant Italian Poet in his Epicedium, bewailes his fathers death, he could moderate his passions in other matters (as he confesseth) but not in this, he yeelds wholly to sorrow,

Nunc fateor do terga malis, mens illa fatiscit, Indomitus quondam vigor & constantia mentis.

How doth Quintilian complain for the loss of his son, to despair almost: Cardan lament his only childe in his book de libris propriis, and elsewhere in many other of his tracts,

S. Ambrose his brothers death? an ego possum non cogitare de te, aut sine lachrymis cogitare? O amari dies, ô flebiles noctes, &c. Gregory Nazianzen that noble Pulcheria? O decorem, &c. flos recens, pullulans, &c.

Alexander, a man of a most invincible courage, after Ephestions death, as Curtius relates, triduum jacuit ad moriendum obstinatus, lay three daies together upon the ground, obstinate, to dye with him, & would neither eat, drink, nor sleep.

The woman that communed with Esdras (lib.2.cap.10.) when her son fell down dead, fled into the field, and would not return into the city, but there resolved to remain, neither to eat nor drink, but mourn and fast untill she died. Rachel wept for her children, and would not be comforted because they were not, Mat.2.18.

So did Adrian the Emperor bewaile his Antinous; Hercules, Hylas; Orpheus, Euridice; David, Absolon; (O my dear son Absolon) Austin his mother Monica, Niobe her children, insomuch, that the Poets faigned her to be turned into a stone, as being stupified through the extremity of grief.

Ægeus, signo lugubri filii consternatus, in mare se præcipitem dedit, impatient of sorrow for his sonnes death, drowned himself.

Our late Physicians are full of such examples. Montanus consil.242. had a patient troubled with this infirmitie, by reason of her husbands death many years together: Trincavelius l.1.c.14. hath such another, almost in despair, after his mothers departure, ut se fermè præcipitem daret; and ready through distraction to make away himself:

162–163

The Anatomy of Melancholy: Subsection 7. a Collection of Other Events That Cause Melancholy: The Death Of…

p. 341

Even the steadiest and most patient are swept headlong so violently by grief in such a case that men otherwise brave and sensible often forget themselves and weep like children for months together, as though they would dissolve into water, and refuse to be comforted. They are gone, they are gone.

“A black day carried them off and plunged them into an untimely grave.” What shall I do?

Who will give me a fountain for tears? Who will stir Groans deep enough, and words for bitter grief? Filial love drains my eyes and breaks my gaping Breast, nor lets me pour out all the lament I crave: So great a loss weighs upon me, and so on.

Who gives me fountains of tears, who lends me groans, Deep sighs enough to express my sorrow? My eyes are dry, my breast is torn apart; My loss is so great, I cannot mourn enough.

So Strozzi the younger, that elegant Italian poet, bewails his father’s death in his funeral lament. He could moderate his feelings in other matters, as he admits, but not in this: he yields himself wholly to sorrow.

Now, I confess, I turn my back before misfortune; that spirit fails, That once unconquerable strength and firmness of mind.

How Quintilian laments the loss of his son, almost to the point of despair! How Cardano mourns his only child in his book On His Own Books and elsewhere in many of his other writings!

How Saint Ambrose mourns his brother’s death! “Can I fail to think of you, or think of you without tears? O bitter days, O nights of weeping,” and so on. How Gregory of Nazianzus mourns that noble Pulcheria! “O beauty,” and so on; “a fresh flower, just budding,” and so on.

Alexander, a man of utterly indomitable courage, after Hephaestion’s death, as Curtius relates, “lay for three days, determined to die.” He lay on the ground for three days together, resolved to die with him, and would neither eat nor drink nor sleep.

When her son fell down dead, the woman who spoke with Ezra, 2 Esdras, chapter 10, fled into the field and would not return to the city. She resolved to remain there, neither eating nor drinking, but mourning and fasting until she died. “Rachel wept for her children and would not be comforted, because they were no more,” Matthew 2:18.

So the emperor Hadrian bewailed his Antinous; Hercules, Hylas; Orpheus, Eurydice; David, Absalom—“O my dear son Absalom!”—Augustine, his mother Monica; and Niobe, her children, so intensely that the poets imagined her turned to stone, as though numbed by the extremity of grief.

“Aegeus, appalled by the mournful signal of his son, threw himself headlong into the sea.” Unable to endure grief at his son’s death, he drowned himself.

Our recent physicians abound in such examples. Montanus, consultation 242, had a patient troubled by this disorder for many years following her husband’s death. Trincavelli, book 1, consultation 14, has another such patient, almost in despair after his mother’s death, “so that he nearly threw himself headlong,” and ready in his distraction to kill himself.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.