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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 15 Love of Learning or Excessive Study With a Digression on The…

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Facing Pages · Branch 298 of 1495

Subsection 15 Love of Learning or Excessive Study With a Digression on The…

1651 English

133–133–134

they are more beholden to Scholars, then Scholars to them; but they under-value themselves, and so by those great men are kept down. Let them have that Encyclopædian, all the learning in the world; they must keep it to themselves, live in base esteem, and starve, except they will submit, as Budæus well hath it, so many good parts, so many ensigns of Arts, vertues, be slavishly obnoxius to some illiterate Potentate, and live under his insolent Worship, or Honor, like Parasites, Qui tanquam mures alienum panem comedunt. For to say truth, artes hæ non sunt Lucrativæ, as Guido Bonat that great Astrologer could fore-see, they be not gainful Arts these, sed esurientes & famelicæ, but poor and hungry.

Dat Galenus opes, dat Iustinianus honores, Sed genus & species cogitur ire pedes:The rich Physitian, honor’d Lawyers ride, Whil’st the poor Scholar foots it by their side.

Poverty is the Muses Patrimony, and as that Poetical divinity teacheth us, when Iupiters daughters were each of them married to the Gods, the Muses alone were left solitary, Helicon forsaken of all Suters, and I believe it was, because they had no portion.

Calliope longum cælebs cur vixit in ævum? Nempe nihil dotis, quod numeraret, erat.Why did Calliope live so long a maid? Because she had no dowry to be paid.

Ever since all their followers are poor, forsaken and left unto themselves. In so much, that as Petronius argues, you shall likely know them by their clothes. There came, saith he, by chance into my company, a fellow not very spruce to look on, that I could perceive by that note alone he was a Scholar, whom commonly rich men hate: I asked him what he was, he answered; a Poet; I demanded again why he was so ragged, he told me this kinde of learning never made any man rich.

Qui Pelago credit, magno se fænore tollit, Qui pugnas & rostra petit, præcingitur auro: Vilis adulator picto jacet ebrius ostro, Sola pruinosis horret facundia pannis.A Marchants gain is great that goes to Sea, A Souldier embossed all in gold: A Flatterer lyes fox’d in brave array, A Scholar onely ragged to behold.

All which our ordinary Students, right well perceiving in the Universities, how unprofitable these Poeticall, Mathematical, and Philosophicall Studies are, how little respected, how few Patrons; apply themselves in all haste to those three commodious Professions of Law, Physick, and Divinity, sharing themselves between them, rejecting these Arts in the mean time, History, Philosophy, Philology, or lightly passing them over, as pleasant toyes fitting onely table talk, and to furnish them with discourse.

133–133–134

The Anatomy of Melancholy: Subsection 15 Love of Learning or Excessive Study With a Digression on The…

p. 298

Great men owe more to scholars than scholars owe to them. But scholars undervalue themselves and so are kept down by those great men. Let them possess the whole circle of knowledge, all the learning in the world: they must keep it to themselves, live despised and starve, unless they submit all their abilities, all their distinctions in arts and virtues, as Budé well puts it, to servile dependence on some unlearned ruler. They must live beneath his insolent Worship or Honour like parasites “who eat another’s bread like mice.” For, in truth, as that great astrologer Guido Bonatti could foresee, “these arts are not profitable”: these are no money-making arts, “but starving and famished”—poor and hungry.

Galen gives wealth, Justinian gives honours, But genus and species are forced to go on foot.

The rich physician and honoured lawyers ride, While the poor scholar walks beside them.

Poverty is the Muses’ inheritance. As poetic theology teaches us, when Jupiter’s daughters were each married to the gods, the Muses alone were left unmarried, Helicon abandoned by every suitor. I believe the reason was that they had no dowries.

Why did Calliope live unmarried for so long? Because she had no dowry to count out.

Why did Calliope remain so long a maid? Because she had no dowry to be paid.

Ever since, all their followers have been poor, abandoned and left to fend for themselves. So much so that, as Petronius argues, you will probably recognize them by their clothes. “A fellow happened to join me,” he says, “whose appearance was far from smart. That sign alone told me he was a scholar, one of those whom rich men commonly hate. I asked what he was; he answered, ‘A poet.’ I then asked why he was so ragged. He told me that this kind of learning had never made anyone rich.”

He who trusts the sea raises himself on great returns; He who seeks battles and the public platform is girded with gold. The worthless flatterer lies drunk in embroidered purple; Eloquence alone shivers in frost-covered rags.

A merchant earns great profits at sea; A soldier is covered in gold. A flatterer lies drunk in splendid clothes; Only a scholar is ragged to behold.

Our ordinary university students see all this very clearly: how unprofitable poetic, mathematical and philosophical studies are, how little respect they receive, how few patrons they have. They hasten into the three lucrative professions of law, medicine and divinity, dividing themselves among them. Meanwhile they reject these other arts—history, philosophy, philology—or pass lightly over them as amusing trifles fit only for table talk and material for conversation.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.