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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 11. the Concupiscible Appetite: Desires and Ambition as Causes.

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Facing Pages · Branch 272 of 1495

Subsection 11. the Concupiscible Appetite: Desires and Ambition as Causes.

1651 English

112 [122]–113–113

still cogging and collogueing, embracing, capping, cringing, applauding, flattering, fleering, visiting, waiting at mens doors, with all affability, counterfeit honesty and humility. If that will not serve, if once this humor (as Cyprian describes it) possess his thirsty soul, ambitionis salsugo ubi bibulam animam possidet, by hooke and by crook he will obtain it, and from his hole he will clime to all honors and offices, if it be possible for him to get up, flattering one, bribing another, he will leave no meanes unassay’d to win all.

It is a wonder to see how slavishly these kinde of men subject themselves, when they are about a sute, to every inferior person: what pains they will take, run, ride, cast, plot, countermine, protest and swear, vow, promise, what labors undergo, earely up, down late; how obsequious and affable they are, how popular and courteous, how they grin and fliere upon every man they meet; with what feasting and inviting, how they spend themselves and their fortunes, in seeking that many times, which they had much better be without, as Cyneas the Orator told Pyrrhus:

with what waking nights, painful houres, anxious thoughts, and bitterness of minde, inter spemque metumque, distracted and tired, they consume the interim of their time. There can be no greater plague for the present. If they do obtain their sute, which with such cost and solicitude they have sought, they are not so freed, their anxiety is anew to begin, for they are never satisfied, nihil aliud nisi imperium spirant, their thoughts, actions, endeavors are all for Soveraignty and Honor,

like Lues Sforzia that huffing Duke of Milan, a man of singular wisdom, but profound ambition, borne to his own, and to the destruction of Italy, though it be to their own ruin, and friends undoing, they will contend, they may not cease, but as a dog in a wheele, a bird in a cage, or a squirrel in a chain, so Budæus compares them; they climbe and climbe still, with much labor, but never make an end, never at the top.

A Knight would be a Baronet, and then a Lord, and then a Vicount, and then an Earl, &c. a Doctor, a Dean, and then a Bishop: from Tribune to Prætor: from Bailiffe, to Maior: first this office, and then that; as Pyrrhus in Plutarch, they will first have Greece, then Africk, and then Asia, and swell with Æsops frog so long, till in the end they burst, or come down with Sejanus, ad Gemonias scalas, and break their own necks:

or as Evangelus the piper in Lucian, that blew his his pipe so long, till he fell down dead. If he chance to miss, and have a canvas, he is in a hell on the other side; so dejected, that he is ready to hang himself, turn Heretick, Turk, or Traitor in an instant. Enraged against his enemies, he railes, swears, fights, slanders, detracts, envies, murders:

112 [122]–113–113

The Anatomy of Melancholy: Subsection 11. the Concupiscible Appetite: Desires and Ambition as Causes.

p. 272

They are always lying and wheedling, embracing, doffing their caps, bowing and scraping, applauding, flattering, smiling ingratiatingly, visiting and waiting at people’s doors, all affability, feigned integrity and humility. If that will not do—if once this disposition possesses his thirsty soul, as Cyprian describes it, “when the brine of ambition possesses a soul eager to drink”—he will gain his object by hook or by crook. He will climb from his hole to every honour and office, if he can get up at all: flattering one person, bribing another, leaving no means untried to win everything.

It is astonishing how slavishly such men submit to every subordinate when pursuing a petition: the pains they take, running, riding, calculating, plotting, counterplotting, protesting and swearing, vowing and promising; the labours they undergo, up early and down late. How obliging and affable, how friendly and courteous they are; how they grin and smile ingratiatingly at everyone they meet! With all their feasts and invitations, they exhaust themselves and their fortunes in seeking what they would often be much better without, as the orator Cineas told Pyrrhus.

What sleepless nights, painful hours, anxious thoughts and bitterness of mind consume the time they spend waiting, distracted and exhausted “between hope and fear”! There can be no greater present torment. If they do obtain the object of their petition, sought at such expense and with such anxiety, they are still not free. Their anxiety must begin again, for they are never satisfied: “they breathe nothing but power.” Their thoughts, actions and efforts are all directed towards sovereignty and honour.

Like Ludovico Sforza, that swaggering Duke of Milan, a man of exceptional wisdom but deep ambition, born to his own destruction and Italy’s, they will struggle on even at the cost of their own ruin and their friends’ undoing. They cannot stop. Like a dog in a wheel, a bird in a cage or a squirrel on a chain—Budé’s comparisons—they climb and climb with great effort, but never finish, never reach the top.

A knight would become a baronet, then a lord, then a viscount, then an earl, and so on; a doctor, a dean, then a bishop; from tribune to praetor, from bailiff to mayor: first this office, then that. Like Pyrrhus in Plutarch, they must first have Greece, then Africa, then Asia. They swell like Aesop’s frog until at last they burst, or come down with Sejanus “to the Gemonian Steps” and break their own necks.

Or they are like Evangelus the piper in Lucian, who blew his pipe until he fell down dead. If the ambitious man happens to fail and suffer a rebuff, he finds a hell on the other side: so dejected that he is ready to hang himself, become a heretic, a Muslim or a traitor in an instant. Enraged against his enemies, he rails, swears, fights, slanders, disparages, envies and murders.

272

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.