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Facing Pages · Branch 110 of 1495
Democritus Junior to the Reader
1651 English
73–74Covetous men amongst others, are most mad, they have all the Symptoms of melancholy, fear, sadnesse, suspition, &c. as shall be proved in his proper place, Danda est Hellebori multo pars maxima avaris.
And yet me thinks prodigals are much madder then they, be of what condition they will, that bear a publick, or private purse; as a Dutch writer censured Richard the rich Duke of Cornwal, suing to be Emperor, for his profuse spending, qui effudit pecuniam ante pedes principum Electorum sicut aquam, that scattered mony like water;
I do censure them, Stulta Anglia (saith he) quæ tot denariis sponte est privata, stulti principes Alemaniæ, qui nobile jus suum pro pecuniâ vendiderunt: spend-thrifts, bribers, and bribe takers are fools, and so are all they that cannot keep, disburse, or spend their moneys well.
I might say the like of angry, peevish, envious, ambitious; Anticyras melior sorbere meracas; Epicures, Atheists, Schismaticks, Hereticks; omnes habent imaginationem læsam (saith Nymannus) and their madnesse shall be evident, 2 Tim. 3.9.
Sabatus an Italian, holds sea-faring men all mad; the ship is mad, for it never stands still: the mariners are mad, to expose themselves to such imminent dangers: the waters are raging mad, in perpetual motion: the winds are as mad as the rest, they know not whence they come, whither they would go: and those men are maddest of all that go to sea; for one fool at home, they finde forty abroad. He was a mad man that said it, and thou peradventure as mad to reade it.
Felix Platerus is of opinion all Alchemists are mad, out of their wits; Atheneus saith as much of Fidlers, & musarum luscinias, Musicians, omnes tibicines insaniunt, ubi semel efflant, avolat illico mens, in comes musick at one ear, out goes wit at another.
Proud and vain glorious persons are certainly mad; and so are lascivious; I can feel their pulses beat hither, horn mad some of them, to let others lie with their wives, and wink at it.
To insist in all particulars, were an Herculean task, to reckon up insanas substructiones, insanos labores, insanum luxum, mad labors, mad books, endeavors, cariages, grosse ignorance, ridiculous actions, absurd gestures; insanam gulam, insaniam villarum, insana jurgia, as Tully terms them, madnesse of villages,
The Anatomy of Melancholy: Democritus Junior to the Reader
p. 110Among all these, the avaricious are the maddest. They have all the symptoms of melancholy—fear, sadness, suspicion, and so on—as will be demonstrated in its proper place. By far the largest dose of hellebore must go to the greedy.
And yet I think spendthrifts are much madder, whatever their station, whether they manage public money or their own. A German writer censured Richard, the rich Duke of Cornwall, when he sought to become emperor, for his lavish spending: he poured money like water at the feet of the prince-electors; he scattered money like water;
I condemn them. “Foolish England,” he says, “which willingly deprived herself of so much money; foolish princes of Germany, who sold their noble right for money.” Spendthrifts, those who offer bribes, and those who take them are fools; so are all who cannot save, disburse, or spend their money properly.
I might say the same of the angry, ill-tempered, envious, and ambitious: better for them to swallow undiluted Anticyra; of sensualists, atheists, schismatics, and heretics. All have disordered imaginations, says Nymannus, and their madness shall be evident, 2 Timothy 3:9.
Sabatus, an Italian, considers all seafarers mad. The ship is mad because it never stands still; the sailors are mad to expose themselves to such immediate dangers; the waters are raging mad, perpetually moving; the winds are as mad as the rest, knowing neither where they come from nor where they want to go; and maddest of all are those who go to sea, for they find forty fools abroad for every one at home. The man who said it was mad, and perhaps you are just as mad to read it.
Felix Platter thinks all alchemists mad, out of their wits. Athenaeus says as much of fiddlers and the Muses’ nightingales, musicians: all pipers go mad; the moment they blow, their minds fly away. Music comes in at one ear and wit goes out at the other.
The proud and vain are certainly mad, and so are the lustful. I can feel their pulses beating from here. Some are mad enough to wear cuckolds’ horns: they let others sleep with their wives and turn a blind eye.
To dwell on every particular would be a Herculean task: to enumerate mad building works, mad exertions, mad luxury; mad labours, mad books, undertakings and conduct, gross ignorance, ridiculous actions, absurd gestures; mad gluttony, the madness of country houses, mad quarrels, as Cicero calls them: the madness of villages;
Socrates
Reading The Anatomy of Melancholy · Democritus Junior to the Reader
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
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Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
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