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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyDemocritus Junior to the Reader

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Facing Pages · Branch 108 of 1495

Democritus Junior to the Reader

1651 English

72

they rake over all those rubbish and dunghils, and prefer a manuscript many times before the Gospel it self, thesaurum criticum, before any treasure, and with their deleaturs, alii legunt sic, meus codex sic habet, with their postremæ editions, annotations, castigations, &c. make books dear, themselves ridiculous, and do no body good,

yet if any dare oppose or contradict, they are mad, up in arms on a sudden, how many sheets are written in defence, how bitter invectives, what apologies? Epiphillides hæ sunt ut meræ nugæ. But I dare say no more of, for, with, or against them, because I am liable to their lash, as well as others.

Of these and the rest of our Artists and Philosophers, I wil generally conclude they are a kind of mad men, as Seneca esteems of them, to make doubts & scruples, how to read them truly, to mend old authors, but will not mend their own lives, or teach us ingenia sanare, memoriam officiorum ingerere, ac fidem in rebus humanis retinere, to keep our wits in order or rectifie our manners.

Nunquid tibi demens videtur, si istis operam impenderit? is not he mad that draws lines with Archimedes, whiles his house is ransacked, and his city besieged, when the whole world is in combustion, or we whilst our souls are in danger, mors sequitur, vita fugit, to spend our time in toyes, idle questions, and things of no worth?

That Lovers are mad, I think no man will deny, Amare simul & sapere, ipsi Iovi non datur, Jupiter himself cannot intend both at once, Non bene conveniunt, nec in unâ sede morantur Majestas & amor.

Tully when he was invited to a second marriage, replied, he could not simul amare & sapere, be wise and love both together. Est orcus ille, vis est immedicabilis, est rabies insana, Love is madnesse, a hell, an incurable disease; impotentem & insanam libidinem Seneca cals it, an impotent and raging lust. I shall dilate this subject apart: in the mean time let Lovers sigh out the rest.

Nevisanus the Lawyer holds it for an axiome, most women are fools, consilium fæminis invalidum; Seneca men, be they yong or old; who doubts it, youth is mad as Elius in Tully, Stulti adolescentuli, old age little better, deliri senes, &c.

Theophrastes in the 107. year of his age, said he then began to be wise, tum sapere cæpit, and therefore lamented his departure. If wisdom come so late, where shall we finde a wise man? our old ones dote at threescore and ten. I would cite more proofs, and a better Author, but for the present, let one fool point at another.

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The Anatomy of Melancholy: Democritus Junior to the Reader

p. 108

they rake through all that rubbish and those dungheaps, often valuing a manuscript above the Gospel itself and a treasury of textual criticism above any treasure. With their “delete this,” “others read it this way,” “my manuscript has this,” their latest editions, annotations, corrections, and so on, they make books expensive and themselves ridiculous, and benefit nobody;

yet if anyone dares oppose or contradict them, they go mad and spring to arms. How many sheets they write in their defence, what bitter attacks, what apologies! These are mere gleanings, sheer trifles. But I dare say no more about them, for them, with them, or against them, since I am as exposed to their lash as anyone.

Of these men and the rest of our learned practitioners and philosophers, I will conclude in general that they are a kind of madmen, as Seneca judges them. They raise doubts and quibbles over how to read old authors correctly, and amend their texts, yet will not amend their own lives or teach us to heal our minds, remember our duties, and maintain good faith in human affairs: to keep our wits in order or correct our conduct.

Does someone seem mad to you if he devotes his efforts to these things? Is he not mad who draws geometrical figures with Archimedes while his house is being plundered and his city besieged, while the whole world is ablaze? Or are we not mad, while our souls are in danger—death pursues us, life escapes—to waste our time on trifles, idle questions, and worthless things?

That lovers are mad, I think no one will deny. Even Jupiter is not granted the power to love and be wise at once: Jupiter himself cannot attend to both together. Majesty and love do not agree, Nor dwell together in one place.

When Cicero was urged to marry again, he answered that he could not love and be wise at the same time: be wise and love together. Love is a hell, an incurable force, a mad frenzy; love is madness, a hell, an incurable disease. Seneca calls it ungovernable and insane desire, an uncontrolled and raging lust. I shall discuss this subject separately; meanwhile, let lovers sigh out the rest.

Nevizanus the jurist treats it as an axiom that most women are fools: women’s judgement is weak. Seneca says as much of men, young or old. Who doubts it? Youth is mad, as Elius says in Cicero: foolish young men; old age is scarcely better: doting old men, and so on.

Theophrastus, in his hundred and seventh year, said that he was only then beginning to be wise—only then did his wisdom begin—and therefore lamented his departure. If wisdom comes so late, where shall we find a wise man? Our old people dote at seventy. I would cite more proofs and a better authority, but for now let one fool point at another.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.