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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook II · Lines 145–168

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Book II · Lines 145–168

Ancient Greek

p. 134
Line II.145: Φράζεσθʼ ὅττι κεν ᾗσιν ἀναλκείῃσιν ἔρεξαν,Line II.146: εἴ πως Ἡρακλῆα θεὸς καὶ δεῦρʼ ἐκόμισσεν.Line II.147: ἤτοι μὲν γὰρ ἐγὼ κείνου παρεόντος ἔολπαLine II.148: οὐδʼ ἂν πυγμαχίῃ κρινθήμεναι· ἀλλʼ ὅτε θεσμοὺςLine II.149: ἤλυθεν ἐξερέων, αὐτοῖς ἄφαρ οἷς ἀγόρευενLine II.150: θεσμοῖσιν ῥοπάλῳ μιν ἀγηνορίης λελαθέσθαι.Line II.151: ναὶ μὲν ἀκήδεστον γαίῃ ἔνι τόνγε λιπόντεςLine II.152: πόντον ἐπέπλωμεν· μάλα δʼ ἡμέων αὐτὸς ἕκαστοςLine II.153: εἴσεται οὐλομένην ἄτην, ἀπάνευθεν ἐόντος.Line II.154: ὧς ἄρʼ ἔφη· τὰ δὲ πάντα Διὸς βουλῇς ἐτέτυκτο.Line II.155: καὶ τότε μὲν μένον αὖθι διὰ κνέφας, ἕλκεά τʼ ἀνδρῶνLine II.156: οὐταμένων ἀκέοντο, καὶ ἀθανάτοισι θυηλὰςLine II.157: ῥέξαντες μέγα δόρπον ἐφώπλισαν· οὐδέ τινʼ ὕπνοςLine II.158: εἷλε παρὰ κρητῆρι καὶ αἰθομένοις ἱεροῖσιν.Line II.159: ξανθὰ δʼ ἐρεψάμενοι δάφνῃ καθύπερθε μέτωπαLine II.160: ἀγχιάλῳ, τῇ, ἀκτῇ ἔπι, πρυμνήσιʼ ἀνῆπτο,Line II.161: Ὀρφείῃ φόρμιγγι συνοίμιον ὕμνον ἄειδονLine II.162: ἐμμελέως· περὶ δέ σφιν ἰαίνετο νήνεμος ἀκτὴLine II.163: μελπομένοις· κλεῖον δὲ Θεραπναῖον Διὸς υἷα.Line II.164: ἦμος δʼ ἠέλιος δροσερὰς ἐπέλαμψε κολώναςLine II.165: ἐκ περάτων ἀνιών, ἤγειρε δὲ μηλοβοτῆρας,Line II.166: δὴ τότε λυσάμενοι νεάτης ἐκ πείσματα δάφνης,Line II.167: ληίδα τʼ εἰσβήσαντες ὅσην χρεὼ ἦεν ἄγεσθαι,Line II.168: πνοιῇ δινήεντʼ ἀνὰ Βόσπορον ἰθύνοντο.
134

The Argonautica: Book II

p. 135

“Think what their cowardice might yet have made them do

if some god had brought Heracles here as well.

For this I believe: had that man stood here present,

boxing would never have settled the issue; once Amycus

came forth to state the very laws that he proclaimed,

the club would make him soon forget his pride and laws.

Yes, we left that man uncared for, there on the land,

and sailed across the sea; now each man among us

will know his fatal folly, with Heracles far away.”

So he spoke; yet all had come to pass by Zeus's counsels.

Then all through night they stayed, tending the wounds of fighters

wounded by weapons; they burned sacrificial gifts to immortals,

and made a mighty supper ready; sleep caught no one

beside the great bowl of wine and blazing sacrificial fires.

They wreathed their golden brows with laurel grown beside the sea--

the headland tree where they fastened cables to Argo's stern--

and to Orpheus' lyre they sang one concordant hymn

in measured harmony; the windless beach grew warm around them

as they sang; their praise acclaimed Zeus's Therapnaean son.

The sun's first light then struck the dew-wet hills,

rising from the world's far edge, awakening shepherds,

then from the laurel's lowest trunk they loosed the cables,

and loaded plunder, every prize they meant to carry;

by wind they steered their onward course through eddying Bosporus.

135

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.