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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 842–865

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Facing Pages · Branch 36 of 245

Book I · Lines 842–865

Ancient Greek

p. 76
Line I.842: ἦ, καὶ δεξιτερῆς χειρὸς θίγεν· αἶψα δʼ ὀπίσσωLine I.843: βῆ ῥʼ ἴμεν, ἀμφὶ δὲ τόνγε νεήνιδες ἄλλοθεν ἄλλαιLine I.844: μυρίαι εἱλίσσοντο κεχαρμέναι, ὄφρα πυλάωνLine I.845: ἐξέμολεν. μετέπειτα δʼ ἐυτροχάλοισιν ἀμάξαιςLine I.846: ἀκτὴν εἰσαπέβαν, ξεινήια πολλὰ φέρουσαι,Line I.847: μῦθον ὅτʼ ἤδη πάντα διηνεκέως ἀγόρευσεν,Line I.848: τόν ῥα καλεσσαμένη διεπέφραδεν Ὑψιπύλεια·Line I.849: καὶ δʼ αὐτοὺς ξεινοῦσθαι ἐπὶ σφέα δώματʼ ἄγεσκονLine I.850: ῥηιδίως. Κύπρις γὰρ ἐπὶ γλυκὺν ἵμερον ὦρσενLine I.851: Ἡφαίστοιο χάριν πολυμήτιος, ὄφρα κεν αὖτιςLine I.852: ναίηται μετόπισθεν ἀκήρατος ἀνδράσι Λῆμνος.Line I.853: ἔνθʼ ὁ μὲν Ὑψιπύλης βασιλήιον ἐς δόμον ὦρτοLine I.854: Αἰσονίδης· οἱ δʼ ἄλλοι ὅπῃ καὶ ἔκυρσαν ἕκαστος,Line I.855: Ἡρακλῆος ἄνευθεν, ὁ γὰρ παρὰ νηὶ λέλειπτοLine I.856: αὐτὸς ἑκὼν παῦροί τε διακρινθέντες ἑταῖροι.Line I.857: αὐτίκα δʼ ἄστυ χοροῖσι καὶ εἰλαπίνῃσι γεγήθειLine I.858: καπνῷ κνισήεντι περίπλεον· ἔξοχα δʼ ἄλλωνLine I.859: ἀθανάτων Ἥρης υἷα κλυτὸν ἠδὲ καὶ αὐτὴνLine I.860: Κύπριν ἀοιδῇσιν θυέεσσί τε μειλίσσοντο.Line I.861: ἀμβολίη δʼ εἰς ἦμαρ ἀεὶ ἐξ ἤματος ἦενLine I.862: ναυτιλίης· δηρὸν δʼ ἂν ἐλίνυον αὖθι μένοντες,Line I.863: εἰ μὴ ἀολλίσσας ἑτάρους ἀπάνευθε γυναικῶνLine I.864: Ἡρακλέης τοίοισιν ἐνιπτάζων μετέειπεν·Line I.865: δαιμόνιοι, πάτρης ἐμφύλιον αἷμʼ ἀποέργει
76

The Argonautica: Book I

p. 77

He spoke and touched her right hand; swiftly he turned

and went back; around him, from side to side, young women

in countless numbers danced with joy till Jason passed

beyond the gates; afterward, borne on smooth-running wagons,

they came down to the shore, bearing many guest-gifts,

when Jason had told all the message from beginning to end

that Queen Hypsipyle had fully explained when she summoned Jason.

They readily led the men to their own homes as guests.

For Cypris stirred sweet longing through the women's hearts,

for sake of Hephaestus, wise god of manifold invention,

so Lemnos afterward might thrive again, unharmed, with men.

Then Aeson's son went toward Hypsipyle's royal house;

all other heroes went wherever chance assigned them,

apart from Heracles, who kept his place there with Argo,

by his own will, with a few companions chosen apart.

At once the city rejoiced in dance after dance and feasting,

fragrant burnt-offering smoke filled all the town;

above all gods, Hephaestus and Cypris herself

they propitiated both gods with chanted songs and sacrifices.

Always from one day into another came postponement

of sailing; long delay would hold them resting there,

had not Heracles gathered companions apart from the women

and sharply reproached all the men with scathing words:

Fools, does kindred murder bar our road back home?

77

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.