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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 529–552

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Facing Pages · Branch 23 of 245

Book I · Lines 529–552

Ancient Greek

p. 50
Line I.529: ὡς ἐδάσαντο πάροιθεν ἐρεσσέμεν ᾧ ἐνὶ χώρῳ,Line I.530: εὐκόσμως σφετέροισι παρʼ ἔντεσιν ἑδριόωντο.Line I.531: μέσσῳ δʼ Ἀγκαῖος μέγα τε σθένος ἩρακλῆοςLine I.532: ἵζανον· ἄγχι δέ οἱ ῥόπαλον θέτο, καί οἱ ἔνερθενLine I.533: ποσσὶν ὑπεκλύσθη νηὸς τρόπις.· εἵλκετο δʼ ἤδηLine I.534: πείσματα, καὶ μέθυ λεῖβον ὕπερθʼ ἁλός. αὐτὰρ ἸήσωνLine I.535: δακρυόεις γαίης ἀπὸ πατρίδος ὄμματʼ ἔνεικεν.Line I.536: οἱ δʼ, ὥστʼ ἠίθεοι Φοίβῳ χορὸν ἢ ἐνὶ ΠυθοῖLine I.537: ἤ που ἐν Ὀρτυγίῃ, ἢ ἐφʼ ὕδασιν ἸσμηνοῖοLine I.538: στησάμενοι, φόρμιγγος ὑπαὶ περὶ βωμὸν ὁμαρτῇLine I.539: ἐμμελέως κραιπνοῖσι πέδον ῥήσσωσι πόδεσσιν·Line I.540: ὧς οἱ ὑπʼ Ὀρφῆος κιθάρῃ πέπληγον ἐρετμοῖςLine I.541: πόντου λάβρον ὕδωρ, ἐπὶ δὲ ῥόθια κλύζοντο·Line I.542: ἀφρῷ δʼ ἔνθα καὶ ἔνθα κελαινὴ κήκιεν ἅλμηLine I.543: δεινὸν μορμύρουσα ἐρισθενέων μένει ἀνδρῶν.Line I.544: στράπτε δʼ ὑπʼ ἠελίῳ φλογὶ εἴκελα νηὸς ἰούσηςLine I.545: τεύχεα· μακραὶ δʼ αἰὲν ἐλευκαίνοντο κέλευθοι,Line I.546: ἀτραπὸς ὣς χλοεροῖο διειδομένη πεδίοιο.Line I.547: πάντες δʼ οὐρανόθεν λεῦσσον θεοὶ ἤματι κείνῳLine I.548: νῆα καὶ ἡμιθέων ἀνδρῶν μένος, οἳ τότʼ ἄριστοιLine I.549: πόντον ἐπιπλώεσκον· ἐπʼ ἀκροτάτῃσι δὲ νύμφαιLine I.550: Πηλιάδες κορυφῇσιν ἐθάμβεον εἰσορόωσαιLine I.551: ἔργον Ἀθηναίης Ἰτωνίδος, ἠδὲ καὶ αὐτοὺςLine I.552: ἥρωας χείρεσσιν ἐπικραδάοντας ἐρετμά.
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The Argonautica: Book I

p. 51

as earlier they allotted each man's place for rowing,

they sat in good order, each with his own battle-gear.

Midship, Ancaeus and Heracles in all his great strength

sat; Heracles laid his club there, close beside him;

beneath his feet the ship's keel plunged; already they drew in

the hawsers, pouring wine on the sea; meanwhile Jason

weeping, turned both his eyes away from his fatherland.

And just as young men form a dance for Phoebus at Pytho,

or perhaps Ortygia, or else Ismenus' flowing waters,

and under the lyre stand round the altar all together,

then strike the ground in rhythm with swiftly moving feet:

so, to Orpheus' lyre, all struck with their oars

the sea's rushing water; over the blades the surges washed.

On either side black brine spouted white with foam,

seething terribly, driven by those mighty heroes' strength.

Under the sun their armor flashed like flame as Argo went,

and long wake-paths kept whitening far behind the ship,

like a path showing clearly through the meadow's green grass.

All the gods looked down from heaven upon them that day,

on Argo and the demigods' strength, those men who then were best

as they sailed the broad sea; on the loftiest summits the nymphs

of Pelion, astonished, watched the wonder spread below,

the handiwork of Itonian Athena, and also the heroes themselves

swinging the oars with driving strokes from powerful hands.

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About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.