DiotimosReading Desk

Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook IV · Lines 1323–1346

Swipe or use the arrow keys.

Facing Pages · Branch 226 of 245

Book IV · Lines 1323–1346

Ancient Greek

p. 462
Line IV.1323: ἡρῷσσαι, Λιβύης τιμήοροι ἠδὲ θύγατρες.Line IV.1324: ἀλλʼ ἄνα· μηδʼ ἔτι τοῖον ὀιζύων ἀκάχησο·Line IV.1325: ἄνστησον δʼ ἑτάρους. εὖτʼ ἂν δέ τοι ἈμφιτρίτηLine IV.1326: ἅρμα Ποσειδάωνος ἐύτροχον αὐτίκα λύσῃ,Line IV.1327: δή ῥα τότε σφετέρῃ ἀπὸ μητέρι τίνετʼ ἀμοιβὴνLine IV.1328: ὧν ἔκαμεν δηρὸν κατὰ νηδύος ὔμμε φέρουσα·Line IV.1329: καί κεν ἔτʼ ἠγαθέην ἐς Ἀχαιίδα νοστήσαιτε.Line IV.1330: ὧς ἄρʼ ἔφαν, καὶ ἄφαντοι ἵνʼ ἔσταθεν, ἔνθʼ ἄρα ταίγεLine IV.1331: φθογγῇ ὁμοῦ ἐγένοντο παρασχεδόν. αὐτὰρ ἸήσωνLine IV.1332: παπτήνας ἀνʼ ἄρʼ ἕζετʼ ἐπὶ χθονός, ὧδέ τʼ ἔειπεν·Line IV.1333: Ἵλατʼ ἐρημονόμοι κυδραὶ θεαί· ἀμφὶ δὲ νόστῳLine IV.1334: οὔτι μαλʼ ἀντικρὺ νοέω φάτιν. ἦ μὲν ἑταίρουςLine IV.1335: εἰς ἓν ἀγειράμενος μυθήσομαι, εἴ νύ τι τέκμωρLine IV.1336: δήωμεν κομιδῆς· πολέων δέ τε μῆτις ἀρείων.Line IV.1337: ἦ, καὶ ἀναΐξας ἑτάρους ἐπὶ μακρὸν ἀύτει,Line IV.1338: αὐσταλέος κονίῃσι, λέων ὥς, ὅς ῥά τʼ ἀνʼ ὕληνLine IV.1339: σύννομον ἣν μεθέπων ὠρύεται· αἱ δὲ βαρείῃLine IV.1340: φθογγῇ ὑποτρομέουσιν ἀνʼ οὔρεα τηλόθι βῆσσαι·Line IV.1341: δείματι δʼ ἄγραυλοί τε βόες μέγα πεφρίκασινLine IV.1342: βουπελάται τε βοῶν· τοῖς δʼ οὔ νύ τι γῆρυς ἐτύχθηLine IV.1343: ῥιγεδανὴ ἑτάροιο φίλους ἐπικεκλομένοιο.Line IV.1344: ἀγχοῦ δʼ ἠγερέθοντο κατηφέες· αὐτὰρ ὁ τούσγεLine IV.1345: ἀχνυμένους ὅρμοιο πέλας μίγα θηλυτέρῃσινLine IV.1346: ἱδρύσας, μυθεῖτο πιφαυσκόμενος τὰ ἕκαστα·
462

The Argonautica: Book IV

p. 463

heroine guardians, Libya's own divine daughters.

Rise now; do not remain so stricken with grief.

Raise your companions now. When Amphitrite presently loosens

the swift-running chariot of her mighty husband, lord Poseidon,

then pay the due recompense back to your own mother

for her long travail in bearing every hero in her belly;

and still regain your home in sacred Achaean country.

They spoke, then vanished from sight at the same spot where they stood,

their voices and forms both disappearing together; but Jason

looked about, sat down upon the earth, and spoke:

Be gracious, glorious goddesses who range the lonely desert;

I cannot grasp the full meaning of your word of homecoming.

Surely I will gather all my comrades together and tell them,

Perhaps we can find some saving sign; many minds are better.

He spoke, sprang upward, and shouted afar to his comrades,

his shoulders dust-begrimed, like a lion roaming wild woodlands

seeking his mate, he roars with heavy, thunderous voice;

the mountain ravines tremble, even when they are far off,

and the cattle that graze in the fields shudder greatly in fear,

as do the herdsmen; but Jason's voice was in no way dreadful

to them: a dear comrade was calling his friends together.

They gathered close by him with downcast looks; then Jason

made the grieving men sit near the ship with the women

and spoke, unfolding every event in ordered sequence:

463

About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.