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Diotimos Library · Greek Antiquity Collection · Bilingual Edition

Apollonius of Rhodes

The Argonautica

Ancient Greek with an independent metrical English translation

The ArgonauticaBook I · Lines 481–504

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English Page · Branch 21 of 245

Book I · Lines 481–504

Ancient Greek

p. 46
Line I.481: τοῖα φάτις καὶ τοὺς πρὶν ἐπιφλύειν μακάρεσσινLine I.482: υἷας Ἀλωιάδας, οἷς οὐδʼ ὅσον ἰσοφαρίζειςLine I.483: ἠνορέην· ἔμπης δὲ θοοῖς ἐδάμησαν ὀιστοῖςLine I.484: ἄμφω Λητοΐδαο, καὶ ἴφθιμοί περ ἐόντες.Line I.485: ὧς ἔφατʼ· ἐκ δʼ ἐγέλασσεν ἄδην Ἀφαρήιος ἼδαςLine I.486: καί μιν ἐπιλλίζων ἠμείβετο κερτομίοισιν·Line I.487: ἄγρει νυν τόδε σῇσι θεοπροπίῃσιν ἐνίσπες,Line I.488: εἰ καὶ ἐμοὶ τοιόνδε θεοὶ τελέουσιν ὄλεθρον,Line I.489: οἷον Ἀλωιάδῃσι πατὴρ τεὸς ἐγγυάλιξεν.Line I.490: φράζεο δʼ ὅππως χεῖρας ἐμὰς σόος ἐξαλέοιο,Line I.491: χρειὼ θεσπίζων μεταμώνιον εἴ κεν ἁλῴης.Line I.492: Χώετʼ ἐνιπτάζων· προτέρω δέ κε νεῖκος ἐτύχθη,Line I.493: εἰ μὴ δηριόωντας ὁμοκλήσαντες ἑταῖροιLine I.494: αὐτός τʼ Αἰσονίδης κατερήτυεν· ἂν δὲ καὶ ὈρφεὺςLine I.495: λαιῇ ἀνασχόμενος κίθαριν πείραζεν ἀοιδῆς.Line I.496: ἤειδεν δʼ ὡς γαῖα καὶ οὐρανὸς ἠδὲ θάλασσα,Line I.497: τὸ πρὶν ἐπʼ ἀλλήλοισι μιῇ συναρηρότα μορφῇ,Line I.498: νείκεος ἐξ ὀλοοῖο διέκριθεν ἀμφὶς ἕκαστα·Line I.499: ἠδʼ ὡς ἔμπεδον αἰὲν ἐν αἰθέρι τέκμαρ ἔχουσινLine I.500: ἄστρα σεληναίη τε καὶ ἠελίοιο κέλευθοι·Line I.501: οὔρεά θʼ ὡς ἀνέτειλε, καὶ ὡς ποταμοὶ κελάδοντεςLine I.502: αὐτῇσιν νύμφῃσι καὶ ἑρπετὰ πάντʼ ἐγένοντο.Line I.503: ἤειδεν δʼ ὡς πρῶτον Ὀφίων Εὐρυνόμη τεLine I.504: Ὠκεανὶς νιφόεντος ἔχον κράτος Οὐλύμποιο·
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The Argonautica: Book I

p. 47

Such, the tale says, the sons of Aloeus once blurted

against the blessed gods; yet you cannot nearly match

their manhood; nevertheless swift arrows struck down

both by Leto's son, though mighty in all their strength.

Thus he spoke; Aphareus' son Idas laughed without measure,

and eyeing him askance, replied with taunts that cut deep:

Come now, tell me this by means of your own prophecies:

whether for me too the gods shall fulfill such destruction,

such as your father once bestowed on the sons of Aloeus.

And see how safely you will escape alive from my hands,

if I catch you proclaiming a fate as vain as the idle wind.

He raged in his taunts; and the quarrel would have flared still further,

had not their comrades shouted both loud wranglers silent,

while Aeson's son himself restrained them; then Orpheus lifted

the lyre in his left hand, then made his trial of song.

He sang how earth and heaven and sea, in time's beginning,

once fitted one upon another, were joined in a single form,

then each was severed asunder, each by ruinous strife;

and how forever heavenly bodies hold appointed stations,

the stars and moon, with every course of the journeying sun;

how mountains rose, and how the loud-resounding rivers came forth

with their own nymphs, and every creature that crawls, were born.

He sang how first Ophion and Eurynome, Ocean's child,

held sovereign power together on snow-covered Olympus;

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About This Reading Edition

Apollonius’s Argonautica follows Jason and the Argonauts from their gathering at Pagasae through the voyage to Colchis and the difficult return home. This exact line-for-line edition pairs the Ancient Greek poem with an independent metrical English translation prepared by Diotimos Editions, preserving one English verse for every Greek reading line across all four books.

Discussion Questions

Historical Text and Translation

The Greek reading text follows the Perseus transcription derived from George W. Mooney’s 1912 edition, pinned to a stable canonical-greekLit commit. Mooney and LSJ provide the principal controls for Books I–III; Peter Hulse’s Dickinson commentary directly supports Book IV. Deleted records and canonical numbering gaps remain documented rather than being silently repaired. The supplied release identifies itself as a complete source-audited working edition and recommends independent classicist review before print publication.

About Diotimos Editions

Diotimos Editions prepared this independent translation directly from the Greek. Its six-beat English house form preserves the poem’s source order, imagery, learned names, narrative delays, shifts of register, and line-by-line correspondence while allowing syntax to move across adjacent verses where the Greek requires it.

Rights

Apollonius’s ancient Greek source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos. The pinned Perseus Greek transcription is reused under CC BY-SA 4.0.