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Diotimos Library · Journals, Notebooks & Fragments Collection · English Edition

Thomas Traherne

Centuries of Meditations

Annotated Edition · With an Introduction, Notes and an Outline.

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Centuries of MeditationsAfterword · Part 5

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English Edition · Branch 429 of 454

Afterword · Part 5

Centuries of Meditations

p. 429

The sun. The sun is the book’s measure of goodness because it is common, given to all, and therefore overlooked, and the long meditation of II.7-11 imagines it away, fixed, doubled and made infinite, and each time finds the real one best. A later meditation turns the thought inward, since “The sun in your eye is as much to you” as the sun in the sky, and the sun understood illuminates the soul (II.90). Two eclipses rhyme across the book. Christ is the “Sun of Righteousness, eclipsed on the Cross” (I.88), and the child’s first light was “totally eclipsed” by the customs of men (III.7). In the Fourth Century love itself becomes a universal sun (IV.80), and in the Fifth the soul, looking ahead into eternity, darts its rays before it like the sun (V.8).

The temple. The world God made was Adam’s temple before the Fall (I.7), and the soul becomes an “interminable Temple” (I.92), a temple without end, in which all ages and kingdoms are present. The church building is where these two temples meet, and the cancelled meditation to the friend says so plainly, “The joys of the Temple are the greatest joys were they understood” (I.80). The image moves outward again at the close, when God’s omnipresence is called “a transparent temple of infinite lustre” (V.9), a building made of light and open on every side. Traherne never sets inward devotion against public worship. The same image serves both.

The sphere. Traherne takes the medieval definition of God as an infinite sphere and transfers it first to the soul, an infinite sphere held in a point (II.80), then to love, which is “hid in a centre and nowhere at all” (IV.66). Finally he applies it to every person’s share in infinite space, “Every man is alone the centre and circumference of it” (V.3). The geometry resolves one of the book’s paradoxes. If each person is the centre of an infinite sphere, then millions of persons can each be sole heir of the world without crowding one another, since an infinite sphere has room for any number of centres.

The Cross as centre. The sphere needs a fixed point, and the First Century supplies one, for the Cross stands in the soul as the centre of eternity (I.54), and “There we enter into the heart of the universe” (I.56). All nations are drawn to it as heavy things are drawn to the centre of the earth, by a pull and not by a journey on foot. Two geometries meet here. If every soul is the centre of its own infinite sphere, every soul also finds the same centre in the Cross, and it is this shared centre that keeps the many heirs of the world from becoming so many separate kingdoms.

The heir. An heir holds his estate by birth, not by labour, and that is exactly why Traherne chose the word. The friend is to be made heir of the world (I.3), every person is sole heir of all, and Christ Himself, dying naked on the Cross, is heir of the whole world (I.60). The word comes from St Paul and from the Prayer Book Catechism, as the Key Words note, and what Traherne adds to it is time. An heir must come of age before he can take possession, and the book reads as the education of an heir who has already inherited and does not yet know it. In the Fourth Century even that title passes to love, which is “the only heir and benefactor of the world” (IV.61).

The Metaphysical Layer

Traherne’s system. Behind the praise there is a metaphysics, and it can be stated plainly. God is “a pure and simple act” (V.10), the scholastic actus purus, a being with no unrealised power, whose essence is knowledge and love in full operation. He made the world to be enjoyed, and He made souls as capacities, empty rooms of infinite size that become what they are meant to be only when they are filled with their objects. An object is most truly present not in the place that holds it but in the mind that knows it, since “the in-being of an object in a faculty is the best of all” (I.100). Hence the thought of the world in a soul is worth more to God than the world itself (II.90), and hence the soul is made perfect by knowing and loving everything, until it becomes, as God is, all act. Love is the hinge of the system. God is love, begets His Son by loving, and makes the soul free so that it may choose to become love in its turn (IV.80), which is the purpose for which it was made.

Plato. Traherne names Plato twice and read him chiefly in Ficino’s Latin. The plainest trace is in the Symposium, where Diotima, the priestess whose teaching Socrates reports, calls Love a great daimon, a spirit halfway between gods and men (202d-203a). The Fourth Century calls Love “the great Daemon of the world” (IV.67). But Traherne also argues with Diotima. She had taught that Love cannot be a god because it lacks what it desires, being the child of Poverty and Resource (200a-e, 203b-c), and so for ever between having and not having. The First Century answers her by placing lack in God Himself, who wants from eternity and has from eternity (I.41-44). Her ladder of love climbs from one beautiful body to beauty itself and leaves the lower rungs behind (210a-212a), but Traherne keeps every rung (II.67), for “O what a treasure is every sand when truly understood!”

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About This Reading Edition

Thomas Traherne’s Centuries explore felicity, childhood vision, love, and the soul’s capacity to enjoy the world. This annotated English edition presents all 410 meditations across five Centuries, with an introduction, explanatory notes, an outline, and textual apparatus.

Historical Text

The Centuries survive in Traherne’s manuscript and were first published by Bertram Dobell in London in 1908. The supplied edition follows the corrected Dobell text, with manuscript readings documented in its Note on the Text and Textual Notes. The four complete Centuries contain one hundred meditations each; the unfinished Fifth contains ten.

About This Edition

Diotimos Editions prepared the introduction, explanatory notes, glossary, reading guide, outline, and textual apparatus for this English original. Century and meditation numbers preserve the work’s structure, while verse line breaks, italics, and struck-through manuscript cancellations remain visible. Notes accompany their passages in the reader and Book Mode.

Rights

Thomas Traherne’s historical text and Bertram Dobell’s 1908 printing are in the public domain. The introduction, notes, and apparatus are © 2026 Diotimos Editions. Historical printing and transcription links identify the edition’s copy-text; manuscript corrections and unresolved readings are documented in the supplied editorial apparatus.