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Diotimos Library · Journals, Notebooks & Fragments Collection · English Edition

Thomas Traherne

Centuries of Meditations

Annotated Edition · With an Introduction, Notes and an Outline.

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Centuries of MeditationsThe Third Century · Meditation III.61

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English Edition · Branch 275 of 454

The Third Century · Meditation III.61

Centuries of Meditations

p. 275

61

The Image of God is the most perfect creature. Since there cannot be two Gods the utmost endeavour of Almighty Power is the Image of God. It is no blasphemy to say that God cannot make a God: the greatest thing that He can make is His Image: a most perfect creature, to enjoy the most perfect treasures, in the most perfect manner. A creature endued with the most divine and perfect powers, for measure, kind, number, duration, and excellency is the most perfect creature: able to see all eternity with all its objects, and as a mirror to contain all that it seeth: able to love all it contains, and as a Sun to shine upon its caves: able by shining to communicate itself in beams of affection and to illustrate all it illuminates with beauty and glory: able to be wise, holy, glorious, blessed in itself, as God is; being adorned inwardly with the same kind of beauty, and outwardly superior to all creatures.

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About This Reading Edition

Thomas Traherne’s Centuries explore felicity, childhood vision, love, and the soul’s capacity to enjoy the world. This annotated English edition presents all 410 meditations across five Centuries, with an introduction, explanatory notes, an outline, and textual apparatus.

Historical Text

The Centuries survive in Traherne’s manuscript and were first published by Bertram Dobell in London in 1908. The supplied edition follows the corrected Dobell text, with manuscript readings documented in its Note on the Text and Textual Notes. The four complete Centuries contain one hundred meditations each; the unfinished Fifth contains ten.

About This Edition

Diotimos Editions prepared the introduction, explanatory notes, glossary, reading guide, outline, and textual apparatus for this English original. Century and meditation numbers preserve the work’s structure, while verse line breaks, italics, and struck-through manuscript cancellations remain visible. Notes accompany their passages in the reader and Book Mode.

Rights

Thomas Traherne’s historical text and Bertram Dobell’s 1908 printing are in the public domain. The introduction, notes, and apparatus are © 2026 Diotimos Editions. Historical printing and transcription links identify the edition’s copy-text; manuscript corrections and unresolved readings are documented in the supplied editorial apparatus.