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Diotimos Library · Journals, Notebooks & Fragments Collection · English Edition

Thomas Traherne

Centuries of Meditations

Annotated Edition · With an Introduction, Notes and an Outline.

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Centuries of MeditationsThe Third Century · Meditation III.62

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English Edition · Branch 276 of 454

The Third Century · Meditation III.62

Centuries of Meditations

p. 276

62

Upon this I began to believe that all other creatures were such that God was Himself in their creation, that is Almighty Power wholly exerted: and that every creature is indeed as it seemed in my infancy, not as it is commonly apprehended. Every thing being sublimely rich and great and glorious. Every spire of grass is the work of His hand: And I in a world where everything is mine, and far better than the greater sort of children esteem diamonds and pearls to be. pearls. Gold and silver being the very refuse of Nature, and the worst things in God’s Kingdom: Howbeit truly good in their proper places.

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About This Reading Edition

Thomas Traherne’s Centuries explore felicity, childhood vision, love, and the soul’s capacity to enjoy the world. This annotated English edition presents all 410 meditations across five Centuries, with an introduction, explanatory notes, an outline, and textual apparatus.

Historical Text

The Centuries survive in Traherne’s manuscript and were first published by Bertram Dobell in London in 1908. The supplied edition follows the corrected Dobell text, with manuscript readings documented in its Note on the Text and Textual Notes. The four complete Centuries contain one hundred meditations each; the unfinished Fifth contains ten.

About This Edition

Diotimos Editions prepared the introduction, explanatory notes, glossary, reading guide, outline, and textual apparatus for this English original. Century and meditation numbers preserve the work’s structure, while verse line breaks, italics, and struck-through manuscript cancellations remain visible. Notes accompany their passages in the reader and Book Mode.

Rights

Thomas Traherne’s historical text and Bertram Dobell’s 1908 printing are in the public domain. The introduction, notes, and apparatus are © 2026 Diotimos Editions. Historical printing and transcription links identify the edition’s copy-text; manuscript corrections and unresolved readings are documented in the supplied editorial apparatus.