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Diotimos Library · Journals, Notebooks & Fragments Collection · English Edition

Thomas Traherne

Centuries of Meditations

Annotated Edition · With an Introduction, Notes and an Outline.

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Centuries of MeditationsThe Second Century · Meditation II.67

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English Edition · Branch 181 of 454

The Second Century · Meditation II.67

Centuries of Meditations

p. 181

67

Suppose a river, or a drop of water, an apple or a sand, an ear of corn, or an herb: God knoweth infinite exellencies in it more than we: He seeth how it relateth to angels and men; how it proceedeth from the most perfect Lover to the most perfectly Beloved; how it representeth all His attributes; how it conduceth in its place, by the best of means to the best of ends: and for this cause it cannot be beloved too much. God the Author and God the End is to be beloved in it; Angels and men are to be beloved in it; and it is highly to be esteemed for all their sakes. O what a treasure is every sand when truly understood! Who can love anything that God made too much? His infinite goodness and wisdom and power and glory are in it. What a world would this be, were everything beloved as it ought to be!

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About This Reading Edition

Thomas Traherne’s Centuries explore felicity, childhood vision, love, and the soul’s capacity to enjoy the world. This annotated English edition presents all 410 meditations across five Centuries, with an introduction, explanatory notes, an outline, and textual apparatus.

Historical Text

The Centuries survive in Traherne’s manuscript and were first published by Bertram Dobell in London in 1908. The supplied edition follows the corrected Dobell text, with manuscript readings documented in its Note on the Text and Textual Notes. The four complete Centuries contain one hundred meditations each; the unfinished Fifth contains ten.

About This Edition

Diotimos Editions prepared the introduction, explanatory notes, glossary, reading guide, outline, and textual apparatus for this English original. Century and meditation numbers preserve the work’s structure, while verse line breaks, italics, and struck-through manuscript cancellations remain visible. Notes accompany their passages in the reader and Book Mode.

Rights

Thomas Traherne’s historical text and Bertram Dobell’s 1908 printing are in the public domain. The introduction, notes, and apparatus are © 2026 Diotimos Editions. Historical printing and transcription links identify the edition’s copy-text; manuscript corrections and unresolved readings are documented in the supplied editorial apparatus.