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Arthur Machen

The White People

An Annotated Edition

The White PeoplePrologue · Part 4

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Prologue · Part 4

The White People

p. 4

'I am glad you have come back to that comparison,' said Cotgrave, 'because I wanted to ask you what it is that corresponds in humanity to these imaginary feats of inanimate things. In a word—what is sin? You have given me, I know, an abstract definition, but I should like a concrete example.'

'I told you it was very rare,' said Ambrose, who appeared willing to avoid the giving of a direct answer. 'The materialism of the age, which has done a good deal to suppress sanctity, has done perhaps more to suppress evil. We find the earth so very comfortable that we have no inclination either for ascents or descents. It would seem as if the scholar who decided to "specialize" in Tophet, would be reduced to purely antiquarian researches. No palæontologist could show you a live pterodactyl.'

'And yet you, I think, have "specialized," and I believe that your researches have descended to our modern times.'

'You are really interested, I see. Well, I confess, that I have dabbled a little, and if you like I can show you something that bears on the very curious subject we have been discussing.'

Ambrose took a candle and went away to a far, dim corner of the room. Cotgrave saw him open a venerable bureau that stood there, and from some secret recess he drew out a parcel, and came back to the window where they had been sitting.

Ambrose undid a wrapping of paper, and produced a green pocket-book.

'You will take care of it?' he said. 'Don't leave it lying about. It is one of the choicer pieces in my collection, and I should be very sorry if it were lost.'

He fondled the faded binding.

'I knew the girl who wrote this,' he said. 'When you read it, you will see how it illustrates the talk we have had to-night. There is a sequel, too, but I won't talk of that.'

'There was an odd article in one of the reviews some months ago,' he began again, with the air of a man who changes the subject. 'It was written by a doctor—Dr. Coryn, I think, was the name. He says that a lady, watching her little girl playing at the drawing-room window, suddenly saw the heavy sash give way and fall on the child's fingers. The lady fainted, I think, but at any rate the doctor was summoned, and when he had dressed the child's wounded and maimed fingers he was summoned to the mother. She was groaning with pain, and it was found that three fingers of her hand, corresponding with those that had been injured on the child's hand, were swollen and inflamed, and later, in the doctor's language, purulent sloughing set in.'

Ambrose still handled delicately the green volume.

'Well, here it is,' he said at last, parting with difficulty, it seemed, from his treasure.

'You will bring it back as soon as you have read it,' he said, as they went out into the hall, into the old garden, faint with the odour of white lilies.

There was a broad red band in the east as Cotgrave turned to go, and from the high ground where he stood he saw that awful spectacle of London in a dream.

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About This Reading Edition

Arthur Machen’s The White People follows forbidden knowledge through an unsettling conversation and a girl’s private manuscript. This complete annotated English edition preserves the Prologue, The Green Book, and Epilogue, with 32 explanatory notes and sources for further reading.

Historical Text

The reading text follows The House of Souls as transcribed in Project Gutenberg ebook 25016. Machen composed the story in 1899, and it first appeared in Horlick’s Magazine in 1904. The supplied edition preserves the complete three-part story, its original paragraph divisions, spelling, punctuation, italics, and five verse couplets. Diotimos page numbers identify this reading edition.

About This Edition

Diotimos Editions prepared 32 explanatory notes for this English original. They clarify unfamiliar words, historical references, and details of Machen’s imagined rituals, while distinguishing a character’s account from an established explanation. Each note remains attached to its passage. The reading text retains the original paragraph divisions, spelling, punctuation, italics, and verse, including the long paragraphs of The Green Book.

Rights

Arthur Machen’s original English text is in the public domain in the United States. The editorial notes are © 2026 Diotimos Editions. The linked Gutenberg transcription identifies the reading text, while the 1904 magazine supplies an early historical witness. This is an annotated reading edition; it does not claim a complete collation of variants between printings.