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Diotimos Library · Esotericism & Spirituality Collection · Bilingual Edition

Attributed to Jean d’Espagnet

The Secret Work of the Hermetic Philosophy

A Fresh English Translation from the Complete 1623 Latin Arcanum

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The Secret Work of the Hermetic PhilosophyThe 138 Canons · Latin

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The 138 Canons · Latin

Latin

Media sive signa demonstrativa sunt colores successivè & ex ordine materiam afficientes, eiusque affectiones & passiones demonstrantes, quorum tres praecipui, velut critici, notandi sunt, nonnulli quartum addunt: Primus est niger, qui caput corvi à summâ nigredine emergente dicitur, cuius crepusculum initium actionis ignis Naturae & solutionis, nox autem nigerrima perfectionem liquefactionis & confusionis elementorum indicat. Tunc granum putrescit & corrumpitur, quo generationi fiat aptius. Nigro colori succedit albus, in quo datur primi gradus & sulfuris albi perfectio. Hic lapis vocatur benedictus: haec terra est alba foliata in quâ philosophi aurum suum seminant. Tertius calor est citrinus, qui producitur in transitu albi ad rubeum, quasi medius & ex utroque mixtus, estque veluti croceis Aurora capillis Solis praenuncia. Quartus color rubeus sive sanguineus ab albo solo igne extrahitur: Albedo autem quia facilè à quovis alio colore alteratur, antelucano oriente statim à candore suo deficit: Rubedo autem fusca Solaris sulfuris opus complet, quod sperma masculinum, Ignis lapidis, Corona Regia, & filius Solis nuncupatur, in quo quiescit primus operantis labor.

English

The demonstrative intermediates or signs are colours that affect the matter successively and in order, showing its conditions and changes. Three principal ones must be noted as critical signs; some add a fourth. The first is black, called the crow's head from the deepest blackness that emerges. Its twilight indicates the beginning of the action of nature's fire and dissolution; its darkest night indicates the completion of liquefaction and the confusion of the elements. Then the grain putrefies and is corrupted, so that it becomes better fitted for generation. White succeeds black, and in it the first degree and white sulphur reach perfection. Here the stone is called blessed; this is the white, foliated earth in which philosophers sow their gold. The third colour is yellow, produced in the passage from white to red, intermediate, as it were, and mixed from both. It is like saffron-haired dawn heralding the sun. The fourth colour, red or blood-coloured, is drawn from white by fire alone. Whiteness, because it is easily altered by any other colour, loses its brightness as soon as the daybreak glow arises. Dark redness, however, completes the work of solar sulphur, which is called the male seed, the fire of the stone, the royal crown, and the son of the sun. In it the practitioner's first labour comes to rest.

About This Reading Edition

The complete anonymous 1623 Arcanum, conventionally attributed to Jean d’Espagnet, with Latin and a fresh English translation, 138 canons, original marginalia and errata, 88 modern annotations, separately identified historical reception documents, and the complete supplied Diotimos study apparatus.

Historical Text and Translation

Anonymous, Arcanum hermeticæ philosophiæ opus. Paris: Nicolas Buon, 1623. Bibliothèque municipale de Lyon copy, digitised by Google Books, uJNr_M9LDGgC. Conventionally attributed to Jean d’Espagnet; the original title page is anonymous.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

Historical texts are public-domain works. The supplied 2026 fresh English translation, Latin reading transcription and Diotimos editorial material are published with the site owner’s authorization. The historical Signifer is credited to the Getty Research Institute copy and Internet Archive.