Diotimos Library · Literary Fiction Collection · English Edition
The Keepers of the People
A Critical Edition of the 1898 Novel
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English Edition · Branch 88 of 254
Chapter IX · Althea Breaks With Her Mother · pp. 87–98
The Keepers of the People
p. 95Lady Hammersmith stood helpless, staring stupidly, utterly dumbfounded. It was indeed a fall: she the patroness of societies for the prevention of cruelty to animals, children, and aborigines, the firm opponent of the cat for ruffians, had struck her own child. But, besides, a clamorous, strange feeling was beating at her heart — a feeling which could not find expression. She had most likely never in her life spoken a tender word to the child; and without the habit of tenderness, she could not cope with the situation. Presently, she came forward, but the bared teeth of Alrasch drove her hurriedly back. His opposition, however, restored to her her natural, maternal acerbity, and she said, “Come, Althea; you are not hurt so badly as all that. This is temper — wicked, depraved temper!”
“Will you go away?” said Althea between her sobs. “I will never have anything to do with you again — you — you — unnatural parent!”
Lady Hammersmith could find no words; then a clock struck, and she remembered a meeting. She hurried away, glad to escape, and salved her conscience by telling Miss Blayne to go to the child. But as she drove to the meeting the remembrance of the desolate little figure clinging to the dog kept coming into her mind, and prevented almost a proper consideration of the heads of her speech.
Althea sobbed on for a while, then locked the door, bathed her face, and sat down in her easy chair, staring desolately before her. She could not think very clearly: the pain had been nothing, she would have endured ten times as much without wincing. But her pride had been grievously wounded: she, Althea Flodden had been struck, and every time the thought thrust itself afresh upon her, she quivered and flushed with a burning shame.
Presently, she was distracted from her unhappy thoughts by a knock at the door; and Miss Blayne called to her to open. Althea set her lips, and gave no answer. Miss Blayne knocked again; then she knocked and knocked, and called and called; and after a while a glimmering smile broke through the trouble on Althea’s face. Miss Blayne went away; Althea went into her bedroom; and, having locked the door, undressed herself, and crept into bed. Miss Blayne came back with Althea’s maid, and they knocked, and called by turn. Then Miss Blayne grew frightened; remembered that Lady Hammersmith had seemed disturbed; and sent for the butler. But knocking and calling were of no avail. Little by little most of the household gathered round the door, and frightened themselves, and one another, by the ingenious suggestion of dreadful things that might have befallen the child. Althea listened to their growing clamour; and it brought some comfort to her outraged pride.
Socrates
Reading The Keepers of the People · Book I, Chapter IX · Althea Breaks With Her Mother · Book I, Chapter IX · Althea Breaks With Her Mother · pp. 87–98
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Edgar Jepson’s The Keepers of the People begins as a late-Victorian lost-kingdom romance and becomes an unsettling political argument. Ralph Falcon moves from an English country house to the hidden state of Varandaleel, where laughter, secrecy, violence, education, and the duties of rulers are tested against one another.
Historical Text
The novel was first published in London in 1898 by C. Arthur Pearson. This reading text follows the owner-supplied critical edition, whose copy-text is the Methuen Colonial Library issue of the same year digitised by the Internet Archive. The supplied editorial note records the edition’s corrections, normalisations, limits, and unresolved textual risks.
About This Edition
This English Edition preserves the complete supplied text and apparatus: the introduction, reading guide, key words, plot outline, editorial note, both books and all thirty chapters, and the end notes. Its reader branches end at paragraph boundaries, with the original chapter structure and chapter page references mapped to the 1898 printing.
Rights
Edgar Jepson’s 1898 novel is in the public domain. The introduction, reader’s guide, key words, outline, editorial note, notes, editorial arrangement, and design of the supplied edition are © 2026 Diotimos Editions.