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Edgar Jepson

The Keepers of the People

A Critical Edition of the 1898 Novel

The Keepers of the PeopleChapter XI · The Council of War · pp. 236–246

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English Edition · Branch 177 of 254

Chapter XI · The Council of War · pp. 236–246

The Keepers of the People

p. 244

“I think — I think — that my affection for mamma must be founded on a purely intellectual basis,” said Althea demurely. “Besides, I have so many things to do.”

Lord Lisdor laughed, and said to the frowning Princess Agnes, “There you have it. That’s how your intellectual affection works out. It doesn’t wear.”

“Is this — this — intellectual affection one of the shadows at which you Westerns grasp?” said the old Prince.

“Not all of us, not all of us” said Lord Lisdor, with a laugh. “There’s very little nonsense about some of us.”

“Well, that is good hearing,” said the old Prince smiling. “I have grown to think you were all hag-ridden fools together.”

He was past politeness to his son’s wife. “All the same, Prince Ralph, your notion of thinning the people of five or six thousand fighting-men, because they are too close on the ground, seems to me a bit thick,” said Lord Lisdor.

“Again that disgraceful inhumanity!” cried the Princess Agnes; and Althea frowned at her.

“You certainly don’t seem to set much value on human life,” said Lord Lisdor.

“Why should I?” said Prince Ralph simply. “If you had human feelings; if you were not as cold-blooded as a butcher, you would never ask such a question!” cried the Princess Agnes, who wished to make it clear to these English friends that nothing in Varandaleel had her sympathy.

Prince Ralph looked at her with unchanging face, and said slowly, “I can afford no luxury of sentimental softness, if I would keep the people.”

“I knew you would say that!” cried the Princess Agnes. “Merely that you may act upon your odious, hateful, cruel principles, you do not care how much precious human blood may be shed! You do not care if you deliberately plunge a whole people into mourning!”

“I may not care: it is expedient,” said Prince Ralph.

Ruth had been listening thoughtfully, weighing their words, and she said, “I thought that the worst of war was that it cut off the flower of a people, that the bravest and strongest men fell in it. That surely makes it bad for the people.”

“You are a wise woman. You keep to the good of the people; that is the heart of the matter,” said the old Prince; and Ruth flushed at his praise.

“I thought of that,” said Prince Ralph. “And I have seen to it. I fight the enemy with the worse regiments. The flower of the people only come into the fight at the end, to crush them. They will not move from their camp till I have lost my six thousand men, and the Russians nearly three thousand. So I only lose from the worse. And after all, even those who die will die happy. How indeed, should they die happier than fighting for their country, Varandals for Varandaleel?”

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About This Reading Edition

Edgar Jepson’s The Keepers of the People begins as a late-Victorian lost-kingdom romance and becomes an unsettling political argument. Ralph Falcon moves from an English country house to the hidden state of Varandaleel, where laughter, secrecy, violence, education, and the duties of rulers are tested against one another.

Historical Text

The novel was first published in London in 1898 by C. Arthur Pearson. This reading text follows the owner-supplied critical edition, whose copy-text is the Methuen Colonial Library issue of the same year digitised by the Internet Archive. The supplied editorial note records the edition’s corrections, normalisations, limits, and unresolved textual risks.

About This Edition

This English Edition preserves the complete supplied text and apparatus: the introduction, reading guide, key words, plot outline, editorial note, both books and all thirty chapters, and the end notes. Its reader branches end at paragraph boundaries, with the original chapter structure and chapter page references mapped to the 1898 printing.

Rights

Edgar Jepson’s 1898 novel is in the public domain. The introduction, reader’s guide, key words, outline, editorial note, notes, editorial arrangement, and design of the supplied edition are © 2026 Diotimos Editions.