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Diotimos Library · Esotericism & Spirituality Collection · Parallel Edition

Thomas Vaughan

Magia Adamica

The Antiquity of Magic · With the Complete Coelum Terrae

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Magia AdamicaNature in Motion · Modern English

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Nature in Motion · Modern English

Original English

then to make the like again. This is her Tick Tack, shee playes one Game, to begin another. The matter is placed before her like a peece of Wax, and shee shapes it to all formes, and figures. Now shee makes a Bird, now a Beast, now a Flowre, then a Frog and shee is pleas'd with her own Magicall performances, as men are with their own fansies. Hence shee is call'd of Orpheus, πολυμήχανος μήτηρ and ἀλλοτριομορφοδίαιτε the Mother that makes many Things, and ordaines strange shapes, or figures. Neither doth shee, as some sinfull Parents doe, who having their pleasure, care not for their Child; shee loves them still after shee hath made them, hath an eye over them all, and provides even for her Sparrowes. IT is strange to consider that shee workes as well privatly as publicly, not onely in Gardens where Ladyes may smell her perfumes, but in remote Solitudes and Deserts. The Truth is, shee seeks not to please others so much as her self, wherefore many of her works, and those the Choysest, never come to Light. Wee see little Children, who are newly come from under her hand, will be dabling in 'Dirt and Water, and other idle sports affected by none but Themselves. The Reason is, they are not as yet Captivated, which makes them seek their own pleasures; But when they come to Age, then Love or Profit makes them square

Modern English

then making their like again.” This is her tick-tack: she plays one game in order to begin another. Matter lies before her like a piece of wax, and she moulds it into every form and figure. Now she makes a bird, now a beast, now a flower, then a frog; she delights in her magical performances as people delight in their own fancies. Hence Orpheus calls her [New translation of the Greek epithets:] “the resourceful mother” and “she who dwells in ever-changing forms.” [Vaughan’s own English rendering:] “The mother who makes many things and ordains strange shapes or figures.” Nor does she behave like sinful parents who, having had their pleasure, care nothing for their child. She loves her children after making them, watches over them all, and provides even for her sparrows. It is strange to consider how she works privately as well as publicly, in remote solitudes and deserts as well as gardens where ladies smell her perfumes. In truth, she seeks to please herself more than others; hence many of her works, including the choicest, never come to light. Little children, newly come from her hands, dabble in dirt and water and other idle games enjoyed by no one but themselves. They are not yet captive, and therefore seek their own pleasures. But as they grow older, love or profit makes them shape

About This Reading Edition

Thomas Vaughan’s complete 1650 Magia Adamica publication, with all historical preliminaries and the complete appended Coelum Terrae, original and modern English, fresh translations of Latin, Greek and Hebrew, full poems, eight historical marginal notes, the complete recovered printed corrections, 312 annotations and the complete supplied Diotimos study apparatus.

Historical Text and Translation

Thomas Vaughan (Eugenius Philalethes), Magia Adamica: or The Antiquitie of Magic, with Coelum Terrae. London: T. W. for H. Blunden, 1650. Governing transcription: EEBO-TCP A64768.0001.001. The Getty Research Institute copy supplies surviving first-edition page images; the 1656 issue supplies explicitly disclosed missing or defective material. The complete shared 1650 errata are recovered from the Bibliotheca Philosophica Hermetica copy of The Man-Mouse.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The historical text is public domain; the EEBO-TCP Phase I transcription is released under CC0. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.