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Egypt, Greece and the Transmission of the Art · Page 72 · Passage A
Original English
might for that very Relation receive a better Doctrine from him. But this is not all I could say of this Nation, and their Secret Learning, if I were dispos'd to bee their Mercurie. There is not any I believe who praetend to Antiquitie or Philosophie, but have seen that famous Monument, which Paul the Third bestow'd on his Cardinal Petrus Bombus, and was ever since called the Bembixe Table. No doubt but the Hieroglyphics therein contained, were they all reduced into Letters, would make a Volume as ample, as Mysterious. But 'tis not my Designe to comment on Mcmphis, that were to make Brick, and look out the straw withall, AEgypt having no compleat Table but the World, over which her Monuments are Scatter'd. This place then was the Pitcher to the Fountain, for they received their Mysteries immediatly from the Hebrewes, but their Doctrine, like their Nilus, swelling above its private Chanel, did at last over-run the Universe. Jamblicus the Divine, in that excellent Discourse of his de Mysterus, tells us that Pythagoras and Plato had all their learning ex Columnis Mercurii out of the Pillars, or Hieroglyphicall Monuments of Trisinegistus. But the Ancient orpheus in his Poem de Verbo Sacro. where hee speakes of God, hath these words.
Modern English
may for that very relationship have received a better doctrine from him. This is not all I could say about this nation and its secret learning, were I disposed to be its Mercury. I believe no one claiming knowledge of antiquity or philosophy can have failed to see that famous monument Paul III gave his cardinal Petrus Bembus, ever since called the Bembine Table. Undoubtedly its hieroglyphs, if all reduced to letters, would make a volume as ample as it was mysterious. But I do not intend to comment on Memphis: that would mean making bricks and finding the straw as well, for Egypt has no complete table except the world, across which its monuments are scattered. This place, then, was the pitcher to the fountain, receiving its mysteries directly from the Hebrews. But its doctrine, like its Nile, swelled beyond its private channel and eventually overran the universe. In his excellent discourse On the Mysteries, the divine Iamblichus tells us that Pythagoras and Plato received all their learning [New translation of the Latin:] “from Mercury’s pillars”; [Vaughan’s English:] from Trismegistus’s pillars or hieroglyphic monuments. But ancient Orpheus, speaking of God in his poem On the Sacred Word, has these words:
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Reading Magia Adamica · Egypt, Greece and the Transmission of the Art · Page 72 · Passage A
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Socrates will begin with this book and its sources.About This Reading Edition
Thomas Vaughan’s complete 1650 Magia Adamica publication, with all historical preliminaries and the complete appended Coelum Terrae, original and modern English, fresh translations of Latin, Greek and Hebrew, full poems, eight historical marginal notes, the complete recovered printed corrections, 312 annotations and the complete supplied Diotimos study apparatus.
Historical Text and Translation
Thomas Vaughan (Eugenius Philalethes), Magia Adamica: or The Antiquitie of Magic, with Coelum Terrae. London: T. W. for H. Blunden, 1650. Governing transcription: EEBO-TCP A64768.0001.001. The Getty Research Institute copy supplies surviving first-edition page images; the 1656 issue supplies explicitly disclosed missing or defective material. The complete shared 1650 errata are recovered from the Bibliotheca Philosophica Hermetica copy of The Man-Mouse.
About Diotimos Editions
This historical edition credits Diotimos Editions as its English translator.
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The historical text is public domain; the EEBO-TCP Phase I transcription is released under CC0. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.
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