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Diotimos Library · Esotericism & Spirituality Collection · Parallel Edition

Thomas Vaughan

Magia Adamica

The Antiquity of Magic · With the Complete Coelum Terrae

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Magia AdamicaEgypt, Greece and the Transmission of the Art · Original

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Original English Page · Branch 163 of 318

Egypt, Greece and the Transmission of the Art · Original

Original English

represents Phtha, or the Second Person, who is the first Light, as wee have told you in our Anthroposophia. Hee is said to forme all Things out of the Egg, because in him, as it were in a Glasse, are certain Types or Images, namely the Distinct Conceptions of the Paternall Deitie, according to which by Cooperation of the Spirit, namely the Holy Ghost, the Creatures are formed. The Inferiour part of this Figure signifies the Matter or Chaos, which they call the Egg of Emepht. That you may the better know it, wee will teach you something not Common. The Body of the Serpent tells you it is a fierie Substance, for a Serpent is full of heat and fire, which made the Egyptians esteem him Divine: This appears by his quick motion without feet or finns, much like that of the Pulse, for his impetuous hot spirit shootes him on like a Squib. There is also another Analogie, for the Serpent renewes his youth so strong is his natural heat, and casts off his old skin. Truely the Matter is a very Serpent, for shee renews her self a thousand wayes, and is nèver a perpetuall Tenant to the same Forme. The wings tell you this Subject or Chaos is Volatile, and in the outward Complexion Arrie, and Waterie. But to teach you the most Secret Resemblance of this Hieroglyphic. The Chaos is a certain Creeping Substance, for it moves like a

Modern English

represents Phtha, or the second Person, who is the first light, as we explained in our Anthroposophia. He is said to form everything from the egg because in him, as in a mirror, are certain types or images—the Father’s distinct conceptions—according to which creatures are formed through the Spirit’s cooperation, namely the Holy Ghost. The figure’s lower part signifies matter or chaos, called Emepht’s egg. To help you know it, we shall teach you something uncommon. The serpent’s body tells you it is a fiery substance: a serpent is full of heat and fire, which led the Egyptians to consider it divine. This appears in its swift movement without feet or fins, rather like the pulse, for its impetuous hot spirit propels it like a squib. There is another analogy: so strong is its natural heat that the serpent renews its youth and casts its old skin. Matter is truly a serpent, renewing herself in a thousand ways and never dwelling perpetually in the same form. The wings show that this subject or chaos is volatile and, in its outward constitution, airy and watery. To teach you the hieroglyph’s most secret likeness: chaos is a certain creeping substance, moving like a

About This Reading Edition

Thomas Vaughan’s complete 1650 Magia Adamica publication, with all historical preliminaries and the complete appended Coelum Terrae, original and modern English, fresh translations of Latin, Greek and Hebrew, full poems, eight historical marginal notes, the complete recovered printed corrections, 312 annotations and the complete supplied Diotimos study apparatus.

Historical Text and Translation

Thomas Vaughan (Eugenius Philalethes), Magia Adamica: or The Antiquitie of Magic, with Coelum Terrae. London: T. W. for H. Blunden, 1650. Governing transcription: EEBO-TCP A64768.0001.001. The Getty Research Institute copy supplies surviving first-edition page images; the 1656 issue supplies explicitly disclosed missing or defective material. The complete shared 1650 errata are recovered from the Bibliotheca Philosophica Hermetica copy of The Man-Mouse.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The historical text is public domain; the EEBO-TCP Phase I transcription is released under CC0. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.