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Diotimos Library · Esotericism & Spirituality Collection · Parallel Edition

Thomas Vaughan

Magia Adamica

The Antiquity of Magic · With the Complete Coelum Terrae

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Magia AdamicaEgypt, Greece and the Transmission of the Art · Original

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Original English Page · Branch 181 of 318

Egypt, Greece and the Transmission of the Art · Original

Original English

dayes of Tiberius, and the miraculous Olybian Lamp. But these Times wherein I am now, and those thorough which I have past, are like some Tempestuous Day, they have more clouds, than Light. I will therefore enter Christendome, and here I shall find the Art in her Infancie: True indeed, The Cradle is but in some private hands, few know where, and many believe there is no such Thing. The Schoole-men are high in point of Noyse, and condemne all, but what Themselves professe: It is Aristotet's Almodena, they expose his Errors to the sale, and this continnes for a long time. But every Thing (as the Spaniard saith) hath its Quando; Many years are past over, and now the Child begins to lisp, and peeps abroad in the fustian of Arnold, and Lullie. I need not tell you how he hath thrived since, doe but look upon his Traine, for at this Day who praetends not to Magic, and that so magisterially, as if the Regalos of the Art were in his powers? I know not any Refragans, except some sickly Galenists, whose pale tallow faces speak more Disease, than Physic. These indeed complaine their Lives are too short, Philosophie too taedious, and so fill their Mouths with Ars longa, Vita brevis. This is true (saith the Spanish Picaro) for they cure either late, or never, which makes

Modern English

Tiberius’s days, and the miraculous Olybian lamp. But these times I now inhabit and those through which I have passed resemble a tempestuous day, having more clouds than light. I shall therefore enter Christendom, where I shall find the art in infancy. Its cradle is admittedly held in a few private hands; few know where, and many believe it does not exist. The schoolmen make a mighty noise and condemn everything except their own profession. It is Aristotle’s auction: they expose his errors for sale, and this continues a long time. Yet everything, as the Spaniard says, has its “when.” Many years pass; now the child begins to lisp and peers abroad in Arnold’s and Lull’s fustian. I need not tell you how it has since thrived: simply look at its following. Who today does not claim magic, and with such mastery, as though the art’s delights were in his power? I know no dissenters except certain sickly Galenists, whose pale, tallow faces speak more disease than medicine. They complain that their lives are too short and philosophy too tedious, filling their mouths with “art is long, life is short.” “True,” says the Spanish rogue, “for they cure either late or never, making

About This Reading Edition

Thomas Vaughan’s complete 1650 Magia Adamica publication, with all historical preliminaries and the complete appended Coelum Terrae, original and modern English, fresh translations of Latin, Greek and Hebrew, full poems, eight historical marginal notes, the complete recovered printed corrections, 312 annotations and the complete supplied Diotimos study apparatus.

Historical Text and Translation

Thomas Vaughan (Eugenius Philalethes), Magia Adamica: or The Antiquitie of Magic, with Coelum Terrae. London: T. W. for H. Blunden, 1650. Governing transcription: EEBO-TCP A64768.0001.001. The Getty Research Institute copy supplies surviving first-edition page images; the 1656 issue supplies explicitly disclosed missing or defective material. The complete shared 1650 errata are recovered from the Bibliotheca Philosophica Hermetica copy of The Man-Mouse.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The historical text is public domain; the EEBO-TCP Phase I transcription is released under CC0. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.