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The Law, the Letters and the Book of Nature · Modern English
Original English
figured and painted yet no man could ever have been able to understand it, without being well skill'd in their Cabala, which goeth by Tradition and without having well studied their Bookes. The Fourth and fifth leafe therefore was without any writing all full of faire Figures inlightned or as it were inlightned, for the work was very Exquisit. First hee painted a young man, with wings at his Ancles having in his hand a Caducean Rod writhen about with two Serpents, wherewith hee strooke upon a Helmet which covered his head; hee seemed to my small judgement to be Mercurie the Pagan Gad. Against him there came running, and flying with open wings, a great old man, who upon his head had an Houre-glasse fastned, and in his hands a Hooke or Sithe like Death, with the which in terrible and furicus Maner, he would have cut off the feet of Mercurie. On the other side of the fourth Leafe, hee painted a faire Flower on the top of a very high Mountaine, which was sore shaken with the North wind; it had the Root blew the Flowers white and red, the leaves shining like fine Gold; And round about it the Dragons and Grisfons of the North made their nests. On the Fifth leafe shere was a faire Rose tree flowred in the middest
Modern English
represented and painted, no one could ever have understood it without being well skilled in their Kabbalah, passed down by tradition, and without having closely studied their books. The fourth and fifth leaves therefore had no writing, but were filled with beautiful illuminated figures—or apparently illuminated, for the workmanship was exquisite. First he painted a young man with wings at his ankles, holding a caduceus entwined with two serpents and striking with it a helmet covering his head. To my limited judgement, he seemed to be Mercury, the pagan god. Towards him came running and flying, with open wings, a great old man with an hourglass fastened on his head, holding a hook or scythe like Death’s, with which he meant, terribly and furiously, to cut off Mercury’s feet. On the other side of the fourth leaf he painted a beautiful flower on the summit of a very high mountain, violently shaken by the north wind. Its root was blue, its flowers white and red, its leaves shining like fine gold. Around it the dragons and griffins of the north made their nests. On the fifth leaf was a beautiful flowering rosebush in the midst
Socrates
Reading Magia Adamica · The Law, the Letters and the Book of Nature · Page 57 · Passage A
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Socrates will begin with this book and its sources.About This Reading Edition
Thomas Vaughan’s complete 1650 Magia Adamica publication, with all historical preliminaries and the complete appended Coelum Terrae, original and modern English, fresh translations of Latin, Greek and Hebrew, full poems, eight historical marginal notes, the complete recovered printed corrections, 312 annotations and the complete supplied Diotimos study apparatus.
Historical Text and Translation
Thomas Vaughan (Eugenius Philalethes), Magia Adamica: or The Antiquitie of Magic, with Coelum Terrae. London: T. W. for H. Blunden, 1650. Governing transcription: EEBO-TCP A64768.0001.001. The Getty Research Institute copy supplies surviving first-edition page images; the 1656 issue supplies explicitly disclosed missing or defective material. The complete shared 1650 errata are recovered from the Bibliotheca Philosophica Hermetica copy of The Man-Mouse.
About Diotimos Editions
This historical edition credits Diotimos Editions as its English translator.
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The historical text is public domain; the EEBO-TCP Phase I transcription is released under CC0. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.
- Governing historical text and transcriptionEEBO-TCP: governing 1650 textual witness
- First-edition image witness with disclosed lacunaeGetty Research Institute: surviving 1650 comparison copy
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