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The River of Pearl · Original
Original English
Here wee have pourtray’d unto us the whole Philosophicall Laboratorie, Furnace, fire, and Matter, with the Mysterious Germinations thereof. But because the Termes are difficult, and not to bee understood by any, but such as have seen the thing it self, I will for the Readers Benefit, I cannot say satisfaction, put them into English. This is the worke (saith hee) which I have sometimes seen with a singular, and a most deare friend: who shewed to me certaine large Furnaces, and those crown’d with Cornues of Glasse. The Vessels were severall, having besides their Tripods their Sediments, or Caskets, and within them was a Holy Oblation, or present dedicated to the Ternarie. But why should I any longer conceale so divine a thing? within this Fabric was a certaine Masse moving Circularly, or driven round about, and representing the very Figure of the great world. For here the Earth was to be seen standing of it self in the middest of all, compassed about with most clear waters, rising up to severall Hillocks, and craggie Rocks, and bearing many sorts of Fruit, as if it had been watr’d with showers from the moyst Aire. It seem’d also to bee very fruitfull for wine, oile, and milk, with all kind of precious stones, and Metals. The waters themselves like those of the Sea, were full of a certaine transparent Salt, now white, now Red then Yellow and purpl’d, and as it were chamletted with various Colours, which did swell up to the face of the waters. All these things were actuated or stirr’d with their own appropriat fire, but in very truth imperceptible, and ethereall. But one thing above the rest forc’d me to an incredible admiration. Namely, that so many things, such divers and in their kind such perfect particulars should proceed from one only thing, and that with very small assistance, which being further’d and strengthned by degrees, the Artist faithfully affirmed to me that all those Diversities would settle at last to one Body. Here I observed that fusil kind of Salt to bee nothing different from a pumice-stone, and that Quick-silver which the ancient Authors of this Art call’d Mercury, to be the same with Lullies Lunaria, whose water gets up against the fire of Nature, and shines by night, but by day hath a glutinous, viscous faculty.
Modern English
Here we have the whole philosophical laboratory pictured for us: furnace, fire and matter, with its mysterious germinations. But because the terms are difficult, understood only by those who have seen the thing itself, I will put them into English for the reader’s benefit, though I cannot say satisfaction. “This is the work,” he says, “that I have sometimes seen with a singular and most dear friend, who showed me certain large furnaces crowned with glass retorts. There were several vessels, with their tripods and also their sediments or caskets; within was a holy offering or gift dedicated to the triad. But why conceal so divine a thing any longer? Within this fabric was a certain mass moving in a circle, or driven around, representing the very figure of the great world. Earth could be seen standing by itself at the centre of everything, surrounded by the clearest waters, rising in several hillocks and craggy rocks, and bearing many kinds of fruit, as if watered by showers from the moist air. It also seemed very fruitful in wine, oil and milk, with every kind of precious stone and metal. The waters themselves, like those of the sea, were full of a certain transparent salt, now white, now red, then yellow and purpled, and, as it were, watered with varied colours, swelling to the face of the waters. All these things were actuated or stirred by their own appropriate fire, though in truth it was imperceptible and ethereal. But one thing above the rest forced me into incredible wonder: that so many things, so diverse and so perfect in their several kinds, should proceed from one thing alone, with very little assistance. As that assistance was gradually increased and strengthened, the artist faithfully assured me that all these diversities would finally settle into one body. Here I observed that this fusible kind of salt differed in no way from a pumice-stone, and that the quicksilver called Mercury by this art’s ancient authors was the same as Lull’s Lunaria, whose water rises against nature’s fire and shines at night, while by day it has a glutinous, viscous faculty.”
Socrates
Reading Lumen de Lumine · The River of Pearl · Page 70 · Passage A
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Socrates will begin with this book and its sources.About This Reading Edition
The complete 1651 Lumen de Lumine, or A New Magical Light, by Thomas Vaughan (Eugenius Philalethes), with original and modern English, fresh translations of the Latin, Greek and Hebrew passages, the historical emblem and its inscriptions, all twelve Magical Aphorisms, 105 annotations and the complete supplied Diotimos study apparatus.
Historical Text and Translation
Thomas Vaughan (Eugenius Philalethes), Lumen de Lumine, or A New Magicall Light. London: H. Blunden, 1651. Governing witness: Wellcome Collection EPB/A/69096.4, digitisation b30340160, Wing V150, ESTC R146. Source credit: Wellcome Collection; Public Domain Mark.
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This historical edition credits Diotimos Editions as its English translator.
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The historical text and emblem are public domain. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.
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