Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition
The Notebooks of Joseph Joubert, Volume II
Complete Notebooks · French with an independent English translation.
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French Page · Branch 4527 of 4529
UNDATED · Entry 8308
French
p. 905368
Du chevalier Roger Coverly. — « Aimé de tous ceux qui sont autour de lui, ses domestiques ne pensent pas à le quitter. De là vient qu’ils sont tous avancés en âge, et qu’ils ont vieilli avec leur maître. Vous prendriés son valet de chambre pour son frère; le someïller a les cheveux tout gris, le palfrenier est l’homme le plus grave que j’aie vu de ma vie et le cocher a l’air d’un sénateur. La bonté du maître paroit jusques dans le vieux chien qui garde la maison, et une vieille haquenée grise qu’on nourrit avec beaucoup de soin pour les services qu’elle a rendus autrefois, quoiqu’elle ne soit plus en état d’en rendre aucun depuis bien des années. » Il y a une chose que je n’ai vue presque aucune autre part qu’ici. Une certaine allégresse à s’acquitter de leur devoir fait le caractère distinctif de tous les domestiques de cette maison. Lorsqu’un valet y est appelé devant son maître, il ne vient pas dans la crainte de s’entendre gronder pour quelque légère faute ou menacé d’être dépouillé de ses habits et chassé; ou accabler de grosses injures que d’indignes maîtres ne disent que trop souvent à de bons valets; mais c’est plutôt pour savoir de lui quel chemin il a pris pour être sitôt revenu de son message : s’il a passé près d’une telle ferme, si le bon vieillard qui la tient est en bonne santé, ou s’il l’a salué de la part du chevalier, etc. Ses manières douces et honnêtes lui gagnent si bien le cœur de tout son monde, qu’il n’en raille jamais aucun que tous les autres ne paroissent de bonne humeur, surtout celui avec lequel il badine; mais s’il tousse, ou s’il fait paroître quelque infirmité de la vieillesse, on ne peut qu’appercevoir dans les ieux de tous ses domestiques une secrète douleur. Pour conclusion, je parlerai d’un tableau qui est au bout de sa galerie. On y voit dans une rivière deux jeunes hommes dont l’un paroît tout nud et l’autre en habit de livrée. Le premier, qui semble demi mort, retient assés de vie pour marquer une joie extraordinaire dans son visage et la bienveillance qu’il a pour l’autre. Je crus que la figure mourante avoit quelque air de mon ami et, sur ce que je regardai le someiller qui m’accompagnoit, afin qu’il m’en donnât l’explication, il me dit que l’homme en habit de livrée étoit un domestique du chevalier; qu’il se trouva sur le bord de la rivière pendant que son maître y nageoit, qu’à la vuë d’une faiblesse qui l’avoit surpris tout d’un coup et qui l’entraînoit sous l’eau il s’y étoit jetté lui-même et avoit sauvé la vie au chevalier. Il ajouta que ce dernier, de retour à la maison, lui fit quitter la livrée et lui donna en propre cette jolie maison de campagne que nous avions apperçue de loin en arrivant ici. Je me souvins alors que le chevalier m’avoit dit qu’un très honnête homme y demeuroit, et qu’il lui étoit fort redevable, sans s’expliquer davantage. Sur ce que je parus un peu mécontent de certaines choses qu’il y avoit dans ce tableau, mon interprète me dit que cela s’étoit fait contre l’intention du chevalier; mais que l’honnête domestique avoit demandé en grâce d’être peint avec le même habit qu’il portoit lorsqu’il avoit eu le bonheur de sauver son maître. — Aux fêtes de Noël, il tenoit table ouverte, suivant la coutume de ses ancêtres, distribuoit plusieurs jambons à ses voisins, et ne manquoit pas d’envoyer un chapelet de pumpluding et un jeu de cartes à chaque pauvre famille de sa paroisse.
The Notebooks of Joseph Joubert, Volume II: UNDATED
p. 905468
Of Sir Roger Coverly. — “Loved by everyone around him, his servants have no thought of leaving him. Hence they are all advanced in years and have grown old with their master. You would take his valet for his brother; the butler’s hair is quite gray, the groom is the gravest man I have seen in my life, and the coachman has the air of a senator. The master’s goodness shows even in the old dog that guards the house, and an old gray hackney fed with great care for the services she once rendered, though for many years she has no longer been able to render any.” There is something I have seen almost nowhere but here. A certain cheerfulness in fulfilling their duty is the distinguishing character of all the servants in this house. When a servant is called before his master, he does not come fearing to hear himself scolded for some slight fault, or threatened with being stripped of his clothes and dismissed, or overwhelmed with the gross insults unworthy masters utter only too often to good servants; instead, it is so that his master may learn from him which road he took to return so soon from his errand; whether he passed by such and such a farm, whether the good old man who keeps it is in good health, or whether he greeted him on the knight’s behalf, etc. His gentle and courteous manners so win the hearts of all his people that he never teases any one of them without all the others appearing in good humor, especially the one he is bantering with; but if he coughs, or shows some infirmity of old age, one cannot help perceiving a secret sorrow in the eyes of all his servants. To conclude, I shall speak of a painting at the end of his gallery. In it one sees two young men in a river, one of whom appears wholly naked and the other in livery. The first, who seems half dead, retains enough life to show extraordinary joy in his face and his goodwill toward the other. I thought the dying figure bore some resemblance to my friend and, when I looked at the butler accompanying me for an explanation, he told me that the man in livery was a servant of the knight’s; that he had been on the riverbank while his master was swimming, and that, seeing a faintness which had suddenly overcome him and was drawing him underwater, he had thrown himself in and saved the knight’s life. He added that the latter, on returning home, had made him give up his livery and had given him outright that pretty country house we had seen in the distance on our arrival here. I then remembered that the knight had told me a very worthy man lived there, to whom he was greatly indebted, without explaining further. When I appeared a little displeased with certain things in the painting, my interpreter told me that it had been done against the knight’s intention, but that the worthy servant had begged as a favor to be painted in the same clothes he had worn when he had the happiness of saving his master. — At Christmas he kept open table, following his ancestors’ custom, distributed several hams to his neighbors, and never failed to send a string of plum puddings and a pack of cards to every poor family in his parish.
Socrates
Reading The Notebooks of Joseph Joubert, Volume II · UNDATED · Entry 8308
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Joubert’s notebooks return to the work of thinking and writing, the demands of friendship, and questions of faith, beauty and conduct. This edition pairs the French with a new English translation, preserving the order of the chosen source and the unfinished character of its fragments. Dates and source references allow readers to follow a thought through time or return to its printed context.
Historical Text and Translation
The French text follows André Beaunier’s 1938 edition of Les Carnets de Joseph Joubert, published by Gallimard from Joubert’s autograph manuscripts. Volume II continues the notebooks and includes seventy undated pieces. French and English are aligned paragraph by paragraph, retaining the source order, printed dates and page references so readers can return to the facsimile.
About Diotimos Editions
Diotimos Editions prepared this new English translation directly from the French, preserving Joubert’s distinctions, recurring images, ambiguities and unfinished thoughts. Translator’s notes clarify wording, references and uncertain readings: Essential keeps notes that help explain a passage, while All includes technical detail. Annotations from the 1938 source edition remain distinct from the new translator’s notes.
Rights
The linked facsimile records identify the French source as public domain in the United States. The new English translation and editorial notes are © 2026 Diotimos, with source annotations and new editorial contributions credited separately. This edition pairs the complete French notebooks with an independent English translation, preserving the distinction between Joubert’s text and its accompanying notes.