Continuous elegance. Must elegance absolutely be continuous? It must be dominant. But must one not sometimes break it in discourse to bring out its value, as one breaks it in sounds, in colors, in the lines of architecture.
“But (he says) that produces feelings...” The rest produces ideas; and what produces ideas, etc. Add: — And what produces dispositions —. Greatness of mind is the constant disposition in which Corneille’s works place the soul of his readers.
Does one not sometimes grow bored oneself with one’s own elegance; can one not bore others with it? Would a continuous elegance not arise from care, attention, ambition and artifice that are too continual? A great question!
And note well that V.’s elegance is often only pomp.
One must put care where care is needed, and an appearance of negligence where negligence is needed. “Negligence, so necessary to my taste,” says Lafontaine. And indeed negligence is sometimes necessary.
This “continuous elegance” is only an agreed-upon elegance, an elegance one has prescribed for oneself, that one aspires to. Nature ceases to be there.
Even Fontanes’s elegance became too continuous.
In this continuous elegance, the ear is consulted more than thought.
“An enlightened mind.” Enlightened! One must be so, and feel that one is so, to understand fully the force of this expression.
August 8.
I had seen rightly 37 years ago: some do indeed paint or write to rid their minds of what torments them, and others to bring to light what has long been their delight. — I have said all this better elsewhere. (See the Pigal...)
August 16.
Those were not new dogmas; but a new and, if one wishes, a bad explanation of the old dogmas.
August 18.
Of Mme de Staël’s “strike-at-once.” In actors, in paintings, in music, in style. The “strike-at-once” is an exordium that precedes all exordiums.
August 24.
Write: of agriculture, with good nature; of law, with simplicity and probity; of politics, with gravity; of finances, with solidity; of morals, etc., with greatness; and of spiritual things, with spirit. Or rather, write of everything that is matter with solidity, and of everything that is spiritual with spirit.
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The Notebooks of Joseph Joubert, Volume II · Book Mode · Diotimos