There are lower truths that serve life and its usages; middle truths that exercise the mind and give it some satisfaction (and unfortunately satisfaction with itself); finally, sublime truths, higher truths, that illuminate the soul, nourish it and make it happy. The first must always be linked to the last, that is to say, the lower to the higher through the middle.
April 23.
Nothing is so clear as banter, nothing so nimble and so merry as libertinage of mind. The banter of the Comte de Grammont and Hamilton is less clear and less elegant, however, than Voltaire’s; but it is more exquisite, more agreeable, more perfect. Molière is less amusing than he, but comic in quite another way. Voltaire has the grace of the monkey, Rivarolle that of the cat. This Rivarolle is softer, he scratches less, his cunning is deeper, his play gives a gentler pleasure. There is always in Voltaire, at the end of a skillful hand, an ugly face. (Ex abrupto.)
April 24.
For towers can be built there, so that (I speak seriously) every empty place may be [filled] with great towers. (Heard in dreams.)
The father and the grandfather: the king and the law. The grandfather and the father: the law and the king.
April 25.
One must be a pebble in the torrent, keep one’s veins and roll without being dissolved (or dissolute).
April […].
(In Plato.) Fathers, images of God; old men, images of [fathers]. And among old men the wisest are the most similar [to the] gods, if only through a greater participation in duration.
April […]0.
All our voluptuous pleasures come to us from some weakness. All [come about] through some outflow. All cause us some [loss]. All are only a movement and a moment that is followed [by] some moments. “They are always in a state of [formation]” (Plato said) “and never in a true state of existence” [properly] so called. Time too, according to the same. But what difference does [that] make? The pleasures of the mind come from our strength, from our [magnanimity].
March […]0.
When one paints something inward, one paints something recessed. [Now] a recess, however illuminated it may be, can never [offer] the uniform and vivid brightness of a surface.
The opinion that “literal terms were originally metaphorical [expressions].” And indeed vivid brightness, above.
To write well one must mix overly vivid metaphors with extinguished [metaphors]; and likewise marked symmetries with effaced [symmetries].
May 1.
Novelty, daughter of time that brings developments; and the other novelty, daughter of movement, daughter of men, of passions, of whims, that confuses everything, disarranges everything, and allows nothing to last and to be completed, that destroys all antiquity. She is the mother of disorder, destructions and misfortune.
Distinction between soul and body. Is all philosophy, as they have said, and even more than they have thought. All metaphysics consists in assigning their differences, all morality in following them.
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The Notebooks of Joseph Joubert, Volume II · Book Mode · Diotimos