Ferment or leaven that one must keep in one’s mind as a principle of action, life and fertility.—Of action for the worker, life for the work and fertility for the mind, where seeds sleep. (Alias: the mind where seeds are brooded over; they brood over themselves.)
The shrill cry of the saw, and of wit working against the grain. This surprises. Surprise makes us laugh. But there is in this laughter some sort of backwardness and, if one may put it so, pleasure against the lie of the hair.
Form is the male, the ancients said, the generative principle. And indeed it is form that gives being and a sort of personality to all works of art. Through it a block of marble is a statue and outlines are a face, feet, hands and almost a soul... Through it also etc.
Words that detach themselves from the paper and sentences from one another,—and the play of harmony and colors in style. It is through forms that objects strike the eyes; through forms that the arts strike the attention, and words the memory.
March […]3.
Long rolled about in my mind.
Not to write, on such occasions, from one’s own resources.
To gather my clay. First it will have to be kneaded. Then there will be nothing left but to mold it.
To make work easy for oneself.
March 25.
There is something restless in the movements of this style. Its pulse seems to beat too fast.
The same feature that is pleasing when fleeting becomes hideous if it remains fixed. This is because mobility is of the essence of charm.
In how few years France passed from the language of the abbé de Marolles to that of Patru, d’Ablancourt and Pascal.
Friday, March 25.
Bourdaloue’s censure of Tartuffe. He wished, and rightly, that religion alone should decry hypocrisy. Indeed, religion alone can tear this mask from herself without wounding herself. “So many actions, so many speeches, so many manners are common to them,” this orator said very well. Profane hands etc. The Theater reforming the church etc.
March 26.
G[eo]ffr[oy], professor of gallantry.
March 27.
The oratorical (genre or style) partakes of the draped. The philosophical, of the nude or the molded. Thus: You drape and I mold; you paint and I sculpt; you write and I engrave. But, to make my cutting gentle...
March 27.
Anecdotes.—Mr. Piscatori was playing a shade in a proverb play in which Mme Hqrt [Hocquart?] played Proserpina. On seeing her, he exclaimed: “Ah! if I had my body on me!” The same man said of Mr. de L...’s...: “In his translation, he has removed only the coarsest part of the German.” And at the treasury, where he was paymaster general during the revolution, he had had this written on his office door: “Here we give only the title of citizen.”
Mme de La Ferté Imbault said of the two brothers Sᵗᵉ Palaye: “As long as they lived, I could never decide which of the two I loved more. Now that the other is dead, I see clearly that it is this one.”
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The Notebooks of Joseph Joubert, Volume I · Book Mode · Diotimos