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§ 14.—How I vainly tried to explain the nature of Flatland · Part 3
Flatland: A Romance of Many Dimensions
p. 55At the word I began to move my body out of Lineland. As long as any part of me remained in his dominion and in his view, the King kept exclaiming, “I see you, I see you still; you are not moving.” But when I had at last moved myself out of his Line, he cried in his shrillest voice, “She is vanished; she is dead.” “I am not dead,” replied I; “I am simply out of Lineland, that is to say, out of the Straight Line which you call Space, and in the true Space, where I can see things as they are. And at this moment I can see your Line, or side—or inside as you are pleased to call it; and I can also see the Men and Women on the North and South of you, whom I will now enumerate, describing their order, their size, and the interval between each.”

When I had done this at great length, I cried triumphantly, “Does this at last convince you?” And, with that, I once more entered Lineland, taking up the same position as before.
But the Monarch replied, “If you were a Man of sense—though, as you appear to have only one voice I have little doubt you are not a Man but a Woman—but, if you had a particle of sense, you would listen to reason. You ask me to believe that there is another Line besides that which my senses indicate, and another motion besides that of which I am daily conscious. I, in return, ask you to describe in words or indicate by motion that other Line of which you speak. Instead of moving, you merely exercise some magic art of vanishing and returning to sight; and instead of any lucid description of your new World, you simply tell me the numbers and sizes of some forty of my retinue, facts known to any child in my capital. Can anything be more irrational or audacious? Acknowledge your folly or depart from my dominions.”
Socrates
Reading Flatland: A Romance of Many Dimensions · § 14.—How I vainly tried to explain the nature of Flatland · § 14.—How I vainly tried to explain the nature of Flatland · Part 3
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Edwin A. Abbott’s mathematical romance of a Square in a two-dimensional world, in the revised text of 1884, with an introduction, full notes and a chapter outline.
Historical Text
Edwin A. Abbott, Flatland: A Romance of Many Dimensions, first published by Seeley and Co., London, in 1884 under the pseudonym A Square. This supplied annotated edition follows the revised second edition of 1884, established from a modern transcription collated against that printing.
About This Edition
Revised second edition, Seeley and Co., London, 1884; supplied annotated Diotimos edition, 2026
Rights
Edwin A. Abbott’s historical text is in the public domain. Introduction, notes and apparatus © 2026 Diotimos Editions.