Diotimos Library · Renaissance Collection · Bilingual Edition
Marsilio Ficino’s Platonic Theology, Volume I
Proem and Books I–IV · Latin with an independent English translation
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English Page · Branch 108 of 174
Book II · Chapter 13 · §§ 4–7
Latin
p. 218Elementa membraque mundi, contraria sua inter se natura formae virtutisve pugnantia, quo pacto coirent in unum ac manerent tamdiu invicem copulata, mutuarentque sibi vicissim naturas motusque et mutuarentur, nisi ab una aliqua excellentiori virtute connecterentur? Porro si mundi gubernatio his membris eius inter se contrariis relinquatur, haec ponderibus librata suis locisque disiuncta invicem non miscebuntur.
Ac si misceantur, nihil aliud agent quam calida, frigida, sicca, humida, rara vel densa et reliqua generis eiusdem; ordinem vero formarum, figurarum, revolutionum nullum constituent. Siquidem et in artibus huiusmodi ordinem non materia facit, non instrumenta, sed sola artificis cogitatio. Et si caelum quodammodo elementa regit, non tamen ita regit quin ipsum aliunde regatur.
Tanta enim in ipso diversitas formarum, virtutum, motionum non ab ipsis caeli corporibus suapte natura diversis mobilibusque, sed a virtute quadam superiore per se una prorsus et stabili in ordinem unum stabilemque dirigitur.
Denique naturale agens, sive elementale sive caeleste, tum quia mobile est ideoque egenum imperfectumque, semper aliunde dependet; tum quia necessitate naturae se toto agit quicquid agit, ideo mensuram modumque agendi per certos gradus certo fini convenientem a rectore quodam superno sortitur. Calidum enim seu secundum formam sive secundum virtutem simpliciter ubique et omnino dissolvit, frigidum vero condensat.
Marsilio Ficino’s Platonic Theology, Volume I: Book II
p. 219The elements and members of the world are contrary in nature and struggle against one another in form or power. How could they come together as one, remain joined for so long, and exchange natures and motions with one another—both giving and receiving—unless some one higher power bound them together? If the governance of the world were left to these mutually opposed members, each would be held in balance by its own weight and separated in its own place, and they would never mingle.
Even if they mingle, they will produce nothing beyond things hot and cold, dry and moist, rare and dense, and others of the same kind; they will establish no order of forms, figures, or revolutions. In the arts, likewise, such order is made neither by the material nor by the tools, but by the artist's thought alone. And although heaven in some measure governs the elements, it cannot govern them without itself being governed from elsewhere.
For the great diversity within heaven—of forms, powers, and motions—is directed into a single stable order, not by the heavenly bodies, which are of their own nature diverse and mobile, but by a higher power that is in itself wholly one and stable.
Finally, every natural agent, whether elemental or heavenly, always depends upon something else: first, because it is mobile and therefore needy and imperfect; and second, because whatever it does, it does with its whole being under the necessity of nature. It must therefore receive from some higher ruler the measure and manner of action that, through definite degrees, accords with a definite end. Heat, whether as form or as power, simply dissolves everywhere and without qualification, while cold condenses.
Socrates
Reading Marsilio Ficino’s Platonic Theology, Volume I · Book II · II.13.4–II.13.7
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Socrates will begin with this book and its sources.About This Reading Edition
Marsilio Ficino’s Platonic Theology places the immortality of the soul at the center of an extended philosophical ascent through body, soul, angel, and God. This exact page-aligned Renaissance edition presents the authorial Proem and Books I–IV in a newly established Latin reading text with an independent English translation prepared by Diotimos Editions.
Historical Text and Translation
The Latin reading text is based on the Florence editio princeps printed by Antonio Miscomini on 7 November 1482 and principally collated against the Paris 1559 printing, with a 1641 Opera printing used only as a late control and OCR aid. Abbreviations are expanded, spelling and punctuation are conservatively normalized, and substantive departures among the witnesses are documented in the edition’s apparatus.
About Diotimos Editions
Diotimos Editions prepared this independently worded English translation in house. It aims for a dignified but readable modern register while preserving Ficino’s argumentative sequence, metaphors, technical distinctions, repetitions, conditions, purpose clauses, and direct appeals; long periods are divided only where clarity requires it.
Rights
Ficino’s Latin source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.