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Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition

Charles Baudelaire

Intimate Journals

Flares and My Heart Laid Bare · French with an independent English translation.

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Intimate JournalsMy Heart Laid Bare · LXXXIII

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Facing Pages · Branch 84 of 118

My Heart Laid Bare · LXXXIII

Book Mode

French

p. 167

La jeune fille des éditeurs.

La jeune fille des rédacteurs en chef.

La jeune fille épouvantail, monstre, assassin de l’art.

La jeune fille, ce qu’elle est en réalité.

Une petite sotte et une petite salope ; la plus grande imbécillité unie à la plus grande dépravation.

Il y a dans la jeune fille toute l’abjection du voyou et du collégien.

167

Intimate Journals: My Heart Laid Bare

p. 168

The young girl of the publishers.

The young girl of the editors in chief.

The young girl, scarecrow, monster, murderer of art.

The young girl, what she is in reality.

A little fool and a little slut; the greatest imbecility united with the greatest depravity.

In the young girl there is all the abjectness of the street tough and the schoolboy.

168

About This Reading Edition

Charles Baudelaire’s private fragments turn from art, love, and crowds to prayer, anger, work, and the discipline of writing. This complete bilingual edition presents all 117 sections of Flares and My Heart Laid Bare, including Hygiène, with an introduction and 104 explanatory notes.

Historical Text and Translation

The French follows Adolphe van Bever’s 1920 edition of Journaux intimes, printed pages 3–42 and 45–112. Its 117 Roman-numbered sections contain the complete Fusées and Mon cœur mis à nu, including Hygiène. These fragments were arranged after Baudelaire’s death; their printed sequence preserves that edition’s organization of loose sheets. The separate selection of maxims on love and the editor’s backmatter are outside this volume.

About Diotimos Editions

Diotimos Editions prepared this independent English translation directly from the French. Flares and My Heart Laid Bare retain the fragments’ abrupt turns, repetitions, images, and unfinished projects. French and English paragraphs remain paired, with verse, italics, and printed annotations preserved. The introduction places the notebooks in context; translator’s notes clarify references, ambiguities, and uncertain readings. All 104 notes meet the reader’s Essential criterion and remain available beside their passages.

Rights

Baudelaire’s historical French text and the 1920 printing are in the public domain in the United States. The independent English translation, introduction, and new editorial notes are © 2026 Diotimos Editions. The linked facsimile and catalogue identify the printed source, while a historical transcription supplies a comparison witness. Original annotations retain their attribution, and source references distinguish the printed arrangement from the surviving manuscript sheets.