Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition
Intimate Journals
Flares and My Heart Laid Bare · French with an independent English translation.
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English Page · Branch 65 of 118
My Heart Laid Bare · LXIV
French
p. 129Le goût du plaisir nous attache au présent. Le soin de notre salut nous suspend à l’avenir.
Celui qui s’attache au plaisir, c’est-à-dire au présent, me fait l’effet d’un homme roulant sur une pente, et qui, voulant se raccrocher aux arbustes, les arracherait et les emporterait dans sa chute.
Intimate Journals: My Heart Laid Bare
p. 130The taste for pleasure binds us to the present. Concern for our salvation holds us suspended from the future.
Someone who clings to pleasure, that is, to the present, strikes me as a man rolling down a slope who, trying to catch hold of the bushes, would tear them out and carry them down in his fall.
Socrates
Reading Intimate Journals · My Heart Laid Bare · My Heart Laid Bare · LXIV
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Charles Baudelaire’s private fragments turn from art, love, and crowds to prayer, anger, work, and the discipline of writing. This complete bilingual edition presents all 117 sections of Flares and My Heart Laid Bare, including Hygiène, with an introduction and 104 explanatory notes.
Historical Text and Translation
The French follows Adolphe van Bever’s 1920 edition of Journaux intimes, printed pages 3–42 and 45–112. Its 117 Roman-numbered sections contain the complete Fusées and Mon cœur mis à nu, including Hygiène. These fragments were arranged after Baudelaire’s death; their printed sequence preserves that edition’s organization of loose sheets. The separate selection of maxims on love and the editor’s backmatter are outside this volume.
About Diotimos Editions
Diotimos Editions prepared this independent English translation directly from the French. Flares and My Heart Laid Bare retain the fragments’ abrupt turns, repetitions, images, and unfinished projects. French and English paragraphs remain paired, with verse, italics, and printed annotations preserved. The introduction places the notebooks in context; translator’s notes clarify references, ambiguities, and uncertain readings. All 104 notes meet the reader’s Essential criterion and remain available beside their passages.
Rights
Baudelaire’s historical French text and the 1920 printing are in the public domain in the United States. The independent English translation, introduction, and new editorial notes are © 2026 Diotimos Editions. The linked facsimile and catalogue identify the printed source, while a historical transcription supplies a comparison witness. Original annotations retain their attribution, and source references distinguish the printed arrangement from the surviving manuscript sheets.