Candida Phoenix Philosophica

Outline

Outline of the original work

This outline follows the 1680 sequence and printed pagination. Short labels condense original headings. Square brackets identify editorial descriptions where an original heading is only a number or where a descriptive grouping is added for orientation. The unnumbered conclusion is retained as such.

Part I: seven theorems

Proem (pp. 3–4). Gerlandus/Hortulanus and Sendivogius introduce the art as imitation of creation. The author states a theoretical intention: explaining rainwater’s mystery and the Hermetic subject through the first chapter of Genesis, while keeping theory and practice related.

Theorem I: God first created water (pp. 4–6). The author interprets Schamaym through the waters and the subsequently created firmament. The argument establishes the claimed priority of water and distinguishes its original creation from the later division above and below.

Theorem II: all things were created from water (pp. 6–9). Scriptural interpretation is joined to observations of putrefaction and resolution. Earth, air and hidden fire are traced to water; the return of visible things to their beginnings supports the proposed common origin.

Theorem III: water contains the powers of all nature (pp. 9–10). Particular natures are related to particular spoken commands, water to God’s universal Word. Proof from principles is distinguished from proof through effects, which the second part promises to develop.

Theorem IV: universal medicine requires a universal and catholic subject (pp. 10–14). Animals, plants and minerals supply particular powers. The author denies that reducing or combining them provides the universal starting matter. Objections concerning the present division of the original waters are introduced.

Theorem V: divided waters differ without changing their nature (pp. 14–17). Separation gives waters different degrees of subtlety, transparency, power and position. Their differentiation is made compatible with the underlying uniformity of the original water.

Theorem VI: [definition and properties of rainwater] (pp. 17–27). A long definition is explained clause by clause: rainwater’s artful making, subtle and spiritual character, colours, generative and medicinal powers, and residence in the air. Its lack of a particular creative blessing is central.

Theorem VII: [the efficient cause and the spirit over the waters] (pp. 27–52). The world-spirit’s activity and its qualified designation as efficient cause are explained. Two kinds of separation and the bond among elements lead to the extended inquiry, beginning on p. 38, whether the spirit is created or divine. The author concludes that it is created and closes with a Trinitarian confession.

Part II: fourteen chapters and conclusion

Proem (pp. 55–56). A quotation from Sendivogius contrasts the multiplication of laboratory operations with failure to achieve the Stone. False labour arises from false theory. The author promises further indications of operations while maintaining the work’s theoretical purpose.

I. Nature (pp. 56–84). Nature is defined through substance and essence, then understood in relation to the universal and uttered Word. The chapter contrasts universal and particular powers, insists that art follow natural order, distinguishes rainwater from the Hermetic subject and criticizes fruitless work on particulars.

II. The three philosophical principles (pp. 84–92). Mercury, Sulphur and Salt are related to air, fire, water and earth. The visible vehicle of a threefold spirit makes operations possible. All three principles must come from one subject; legitimate particular tinctures likewise flow from a universal source.

III. [Comets and other meteors] (pp. 93–106). Original subheadings address comets (93), thunder, lightning and rain (94), earthquakes (95), wind (97), dew (103), and the sea’s ebb and flow (104). The author disputes independent natural agency and witchcraft explanations, and distinguishes lunar concordance from the cause of tides.

IV. Generation of metals in the earth (pp. 106–114). Competing theories are reviewed as conjectural accounts of hidden processes. Mine vapours, moisture, sulphur and prepared earth are discussed. The author rejects taking laboratory colour sequences as a literal natural succession of metals and explains his qualified preference among the accounts.

V. Generation of precious stones in the earth and mines (pp. 114–121). Scriptural ornaments and a Saint John hymn introduce the subject. Metals and stones share an origin, while warmth and cold are assigned different roles in solidification. Reported artificial stones and colour changes illustrate the operative theory.

VI. The origin of metals and precious stones, and foundations defending the Hermetic art (pp. 121–156). Rainwater’s mineral power completes the argument for its universality. Objections concerning creation, metallic seeds and gold’s nobility are answered. Ordinary metallic substances and extracts are distinguished from philosophical matter and living gold.