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Facing Pages · Branch 802 of 1495
Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…
1651 English
520–521Stars, Suns, Moons, Metals, sweet smelling Flowers, Odours, perfumes, Colours, Gold, Silver, Ivory, Pearls, precious Stones, Snow, painted Birds, Doves, Hony, Suger, Spice, cannot expresse her; so soft so tender, so radiant, sweet, so fair is she.
—— Mollior cuniculi capillo, &c.Lydia bella, puella candida, Quæ benè superas lac, & lilium, Albamque simul rosam & rubicundam, Et expolitum ebur Indicum.Fine Lydia my Mistress white and fair, The milk, the Lilly do not thee come near; The Rose so white, the Rose so red to see, And Indian Ivory comes short of thee:Such a description our English Homer makes of a fair Lady.
That Emilia that was fairer to seen, Then is Lilly upon the stalk green: And fresher then May with flowers new, For with the Rose colour strove her hew, I not which was the fairer of the two.In this very phrase Polyphemus courts Galatea.
Candidior folio nivei Galatea ligustri, Floridior prato, longâ procerior alno, Splendidior vitro, tenero lascivior hædo, &c. Mollior & cygni plumis, & lacte coacto.Whiter Galet then the white withie-wind, Fresher then a field, higher then a tree, Brighter then glass, more wanton then a Kid, Softer then Swans down, or ought that may be.So she admires him again, in that conceited Dialogue of Lucian, which John Secundus, an Elegant Dutch modern Poet hath translated into verse. When Doris and those other Sea Nymphs, upbraided her with her ugly mishapen Lover Polyphemus; she replyes, they speak out of envy and malice,
Et planè invidia huc mera vos stimulare videtur, Quòd non vos itidem ut me Polyphemus amet;Say what they could, he was a proper man. And as Holoissa writ to her Sweet-heart Peter Abelhardus, Si me Augustus orbis imperator uxorem expeteret, mallem tuæ esse meretrix quam orbis imperatrix; she had rather be his vassal, his Quean, then the worlds Empresse or Queen.
—— non si me Iupiter ipse forte velit; ——she would not change her love for Jupiter himself.
To thy thinking she is a most loathsome creature; and as when a countrey fellow discommended once that exquisite Picture of Helena, made by Zeuxis, for he saw no such beauty in it; Nichomachus a love-sick spectator replyed, Sume tibi meos oculos & deam existimabis, take mine eyes, and thou wilt think she is a Goddess, dote on her forthwith, count all her vices, vertues; her imperfections, infirmities, absolute and perfect:
The Anatomy of Melancholy: Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…
p. 802More beautiful than Phoebus and Phoebus’s sister.
His Phoebe is so beautiful, so bright, She dims the sun’s brilliance and the moon’s light.
Stars, suns, moons, metals, fragrant flowers, scents, perfumes, colours, gold, silver, ivory, pearls, precious stones, snow, brightly coloured birds, doves, honey, sugar and spice cannot describe her: so soft, so tender, so radiant, sweet and beautiful is she.
Beautiful Lydia, fair girl, You far surpass milk and the lily, The white rose and the red alike, And polished Indian ivory.
Lovely Lydia, my mistress, white and fair, Neither milk nor lily comes near you; The rose so white, the rose so red to see, And Indian ivory fall short of you.
Our English Homer gives just such a description of a beautiful lady:
That Emily who was fairer to see Than a lily on its green stalk, And fresher than May with its new flowers— Her complexion rivalled the rose in colour; I do not know which of the two was fairer.
In just this language Polyphemus courts Galatea:
Galatea, whiter than the petal of snow-white privet, More blooming than a meadow, taller than a long alder, Brighter than glass, friskier than a tender young kid, Softer than swan’s down and curdled milk.
Galatea, whiter than white bindweed, Fresher than a field, taller than a tree, Brighter than glass, friskier than a kid, Softer than swan’s down or anything else.
And she admires him in return, in that witty dialogue of Lucian which Johannes Secundus, an elegant modern Dutch poet, translated into verse. When Doris and the other sea-nymphs reproached her for her ugly, misshapen lover Polyphemus, she replied that they spoke out of envy and malice:
And plainly it seems to be sheer envy that drives you to this: That Polyphemus does not love you as he loves me.
Whatever they might say, he was a handsome man. And as Heloise wrote to her sweetheart Peter Abelard, “If Augustus, emperor of the world, sought me as his wife, I would rather be your whore than empress of the world”: she would rather be his slave, his mistress, than the world’s empress or queen.
Not even if Jupiter himself should happen to desire me.
She would not exchange her lover for Jupiter himself.
To your mind she is a most loathsome creature. But once, when a country fellow disparaged Zeuxis’s exquisite painting of Helen because he saw no such beauty in it, Nicomachus, a lovesick spectator, replied, “Take my eyes and you will think her a goddess.” Take my eyes: you will immediately dote on her, count all her vices virtues, and think her imperfections and infirmities absolute perfection.
Socrates
Reading The Anatomy of Melancholy · Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
About Diotimos Editions
Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
Rights
Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
- PDF editionComplete annotated edition — PDF
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- Word editionComplete annotated edition — Word
- Markdown editionComplete annotated edition — Markdown
- Principal historical witnessMcGill University Library — 1651 edition
- Supplied 1651 openingBavarian State Library — supplied opening
- Independent local comparison witnessIndependent 1651 microfilm — comparison opening