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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

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1651 English Page · Branch 801 of 1495

Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

1651 English

519–520–520

he had rather have her then any woman in the world. If he were a King, she alone should be his Queen, his Empresse. O that he had but the wealth and treasure of both the Indies to endow her with, a carrack of Diamonds, a chain of Pearl, a carcanet of Jewels (a pair of calf-skin gloves of four pence a pair were fitter) or some such toy, to send her for a token, she should have it with all his heart; he would spend myriads of crowns for her sake. Venus her self, Panthea, Cleopatra, Tarquins Tanaquil, Herods Mariamne, or Mary of Burgundy if she were alive, would not match her.

Vincet vultus hæc Tyndarios, Qui moverunt horrida bella.

Let Paris himself be judge; renowned Helena comes short; that Rodopeian Phillis, Larissæan Coronis, Babylonian Thysbe, Polixena, Laura, Lesbia, &c. your counterfeit Ladies were never so fair as she is.

Quicquid erit placidi, lepidi, grati, atque faceti, Vivida cunctorum retines Pandora deorum,What e’re is pretty, pleasant, facete, well, What e’re Pandora had, she doth excell.Dicebam Triviæ formam nihil esse Dianæ.

Diana was not to be compar’d to her, nor Juno, nor Minerva, nor any Goddess. Thetis feet were as bright as silver, the ancles of Hebe clearer then Chrystall, the arms of Aurora as ruddy as the Rose, Juno’s brests as white as snow, Minerva wise, Venus fair; but what of this? dainty come thou to me. She is all in all,

—— Cælia ridens Est Venus, incedens Iuno, Minerva loquens.Fairest of fair, that fairnesse doth excell.

Ephemerus in Aristænetus, so far admires his Mistress good parts, that he makes proclamation of them, and challengeth all comers in her behalf. Who ever saw the beauties of the East, or of the West, let them come from all quarters, all, and tell truth, if ever they saw such an excellent feature as this is. A good fellow in Petronius cryes out, no tongue can tell his Ladies fine feature, or expresse it. quicquid dixeris minus erit, &c.

No tongue can her perfections tell, In whose each part, all tongues may dwell.

Most of your Lovers are of his humour and opinion. She is nulli secunda, a rare creature, a Phœnix, the sole commandress of his thoughts, Queen of his desires, his only delight: as Triton now feelingly sings, that Love-sick Sea-God.

Candida Leucothe placet, & placet atra Melæne, Sed Galatea placet longe magis omnibus una.Fair Leucothe, black Melæne please me well, But Galatea doth by ods the rest excell.

All the gracious Elogies, Metaphors, Hyperbolicall comparisons of the best things in the world, the most glorious names; whatsoever, I say, is pleasant, amiable, sweet, gratefull, and delicious, are too little for her.

519–520–520

The Anatomy of Melancholy: Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

p. 801

He would rather have her than any woman in the world. If he were a king, she alone would be his queen, his empress. If only he had the wealth and treasure of both the Indies to bestow upon her, a shipload of diamonds, a chain of pearls, a jewelled necklace—a pair of calfskin gloves costing fourpence would be more fitting—or some such trinket to send as a love-token! She would have it with all his heart. He would spend tens of thousands of crowns for her sake. Venus herself, Panthea, Cleopatra, Tarquin’s Tanaquil, Herod’s Mariamne or Mary of Burgundy, if she were alive, could not match her.

She will surpass the face of Tyndareus’s daughter, Which set dreadful wars in motion.

Let Paris himself judge: renowned Helen falls short. That Rhodopean Phyllis, Larissaean Coronis, Babylonian Thisbe, Polyxena, Laura, Lesbia and the rest—your imagined ladies were never as beautiful as she is.

Whatever there is of gentleness, charm, grace and wit, You embody, a living Pandora of all the gods.

Whatever is pretty, pleasant, witty, good, Whatever Pandora possessed, she surpasses.

I used to say that the beauty of Diana of the crossroads was nothing.

Diana could not compare with her, nor Juno, Minerva or any goddess. Thetis’s feet were bright as silver, Hebe’s ankles clearer than crystal, Aurora’s arms rosy as the rose, Juno’s breasts white as snow; Minerva was wise, Venus beautiful. But what of that? Come to me, my sweet one. She is everything in one:

Celia laughing Is Venus; walking, Juno; speaking, Minerva.

Fairest of the fair, surpassing beauty itself.

Ephemerus in Aristaenetus so admires his mistress’s fine qualities that he proclaims them and challenges all comers on her behalf. “Whoever has seen the beauties of the East or West, let them come from every quarter, all of them, and say truthfully whether they ever saw beauty as excellent as this.” A fellow in Petronius cries out that no tongue can describe or express his lady’s lovely appearance: “Whatever you say will fall short.”

No tongue can describe her perfections; On each part of her all tongues could dwell.

Most of your lovers share his disposition and opinion. She is “second to none,” a rare creature, a phoenix, the sole ruler of his thoughts, queen of his desires, his only delight—as the lovesick sea-god Triton now sings with feeling:

Fair Leucothe pleases me, and dark Melaene pleases me, But Galatea alone pleases me far more than all the rest.

Fair Leucothe and dark Melaene please me well, But Galatea far surpasses all the rest.

All the flattering praises, metaphors and extravagant comparisons with the best things in the world, all the most glorious names—everything, I say, that is pleasant, lovable, sweet, delightful and delicious—are too little for her:

801

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.