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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

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1651 English Page · Branch 800 of 1495

Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

1651 English

519
Rex fueram, sic crista docet, sed sordida vita Immundam e tanto culmine fecit avem.I was a King, my Crown a witnesse is, But by my filthinesse am come to this.

Their blindnesse is all out as great, as manifest as their weaknesse and dotage, or rather an inseparable companion, an ordinary sign of it. Love is blind, as the saying is, Cupid’s blind, and so are all his followers.

Quisquis amat ranam, ranam putat esse Dianam.

Every Lover admires his Mistress, though she be very deformed of her self, ill-favored, wrinkled, pimpled, pale, red, yellow, tand, tallow-faced, have a swoln Juglers platter face; or a thin, lean, chitty face; have clouds in her face, be crooked, dry, bald, goggle-eyed, blear-ey’d or with staring eys, she looks like a squis’d cat, hold her head still awry, heavy, dull, hollow-eyed, black or yellow about the eyes; or squint-eyed, sparrow-mouthed, Persean hook-nosed, have a sharp Fox nose, a red nose, China flat, great nose, nare simo patuloque, a nose like a promontory, gubber-tushed, rotten teeth, black, uneven, brown teeth, beetle-browed, a Witches beard, her breath stink all over the room, her nose drop winter and summer,

with a Bavarian poke under her chin, a sharp chin, lave eared, with a long cranes neck, which stands awry too, pendulis mammis, her dugs like two double jugs, or else no dugs, in that other extream, bloody-faln-fingers, she have filthy long unpared nailes, scabbed hands or wrists, a tand skin, a rotten carkass, crooked back, she stoops, is lame, splea-footed, as slender in the middle as a cow in the wast, gowty legs, her ankles hang over her shooes, her feet stink, she breed lice, a meer changeling, a very monster, an aufe imperfect, her whole complexion savours,

an harsh voyce, incondite gesture, vile gate, a vast virago, or an ugly tit, a slug, a fat fustilugs, a trusse, a long lean rawbone, a skeleton, a sneaker (si qua latent meliora puta) and to thy judgement looks like a mard in a lanthorn, whom thou couldst not fancy for a world, but hatest, loathest, and wouldst have spit in her face, or blow thy nose in her bosome, remedium amoris to another man, a dowdy, a slut, a scold, a nasty, rank, rammy, filthy, beastly quean, dishonest peradventure, obscene, base, beggerly, rude, foolish, untaught, peevish, Irus’ daughter, Thirsite sister, Grobians scholler; if he love her once, he admires her for all this, he takes no notice of any such errours, or imperfections of body or mind.

Ipsa hæc —— delectant, veluti Balbinum Polypus Agnæ,
519

The Anatomy of Melancholy: Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

p. 800

I was a king, as this crest shows; but a filthy life Cast me down from that height and made me an unclean bird.

I was a king—my crown bears witness— But my filthiness has brought me to this.

Their blindness is every bit as great and apparent as their weakness and infatuation—or rather, it is an inseparable companion and a usual sign of it. Love is blind, as the saying goes. Cupid is blind, and so are all his followers.

Whoever loves a frog thinks that frog is Diana.

Every lover admires his mistress, though in herself she may be utterly misshapen, ugly, wrinkled, pimply, pale, red, yellow, tanned or tallow-faced; have a swollen face like a juggler’s platter, or a thin, lean, pinched face; have blemishes on her face; be crooked, dried up, bald, goggle-eyed, bleary-eyed or staring like a squeezed cat; always hold her head crookedly; look heavy, dull and hollow-eyed, with black or yellow around her eyes; or be cross-eyed, sparrow-mouthed, Persian hook-nosed, with a sharp fox’s nose, a red nose, a great flat Chinese nose, “a snub and spreading nose,” a nose like a promontory; have jutting teeth, rotten teeth, black, uneven or brown teeth; beetling brows, a witch’s beard, breath that stinks throughout the room and a nose that drips winter and summer;

with a Bavarian goitre beneath her chin, a sharp chin, hanging ears and a long crane’s neck that also stands crookedly; “with hanging breasts,” her teats like two double-sized jugs—or, at the opposite extreme, no breasts at all; have fingers swollen with blood, filthy long untrimmed nails, scabby hands or wrists, tanned skin, a rotten body and a crooked back; stoop, limp, turn her feet out; be as slim in the middle as a cow at the waist; have gouty legs, ankles bulging over her shoes, stinking feet and lice; be an outright changeling, a monster, a malformed changeling, her whole body reeking;

have a harsh voice, uncouth gestures and an ugly walk; be a huge virago or an ugly little creature, a sluggish lump, a fat lumbering woman, a squat bundle, a long lean bag of bones, a skeleton or a sneaking thing (“if anything is hidden, imagine it better”); and in your judgement look like a turd in a lantern, someone you could not fancy for the world, but hate and loathe, in whose face you would spit or whose bosom you would blow your nose in—“a cure for love” to another man—a dowdy, a slattern, a scold, a nasty, rank hussy, stinking like a ram, filthy and beastly, perhaps unchaste, obscene, low, beggarly, rude, foolish, ignorant, perverse, a daughter of Irus, sister of Thersites, pupil of Grobian: once he loves her, he admires her despite all this, noticing none of these faults or imperfections of body or mind.

These very things delight him, as Agna’s nasal polyp delighted Balbinus.

800

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.