DiotimosReading Desk

Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

Explore the Lexicon
The Anatomy of MelancholyMember 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

Swipe or use the arrow keys.

Modern English Page · Branch 794 of 1495

Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

1651 English

513–514

I adore Melebæa, saith Love-sick Calisto, I believe in Melebæa, I honour, admire and love my Melebæa; His soul was soused, imparadised, imprisoned in his Lady. When Thais took her leave of Phædria,

—— mi Phædria, & nunquid aliud vis?

Sweet heart (she said) will you command me any further service? he readily replied, and gave this in charge;

—— egone quid velim? Dies noctesque ames me, me desideres, Me somnies, me expectes, me cogites, Me speres, me te oblectes, mecum tota sis, Meus fac postremo animus, quando ego sum tuus.Dost ask (my dear) what service I will have? To love me day and night is all I crave, To dream on me, to expect, to think on me, Depend and hope, still covet me to see; Delight thy self in me, be wholly mine, For know my love, that I am wholly thine.

But all this needed not, you will say, if she affect once, she will be his, settle her love on him, on him alone,

—— illum absens absentem Auditque videtque ——

she can, she must think and dream of nought else but him, continually of him, as did Orpheus on his Euridice,

Te dulcis conjux, te solo in littore mecum, Te veniente die, te discedente canebam.On thee sweet wife was all my song, Morn, Evening, and all along.

And Dido upon her Æneas;

—— & quæ me insomnia terrent, Multa viri virtus, & plurima currit Imago.And ever and anon she thinks upon the man That was so fine, so fair, so blith, so debonair.

Clitophon in the first book of Achilles Tatius, complaineth how that his Mistress Leucippe tormented him much more in the night, then in the day. For all day long he had some object or other to distract his senses, but in the night all ran upon her: All night long he lay awake and could think of nothing else but her, he could not get her out of his mind, towards morning sleep took a little pity on him, he slumbred a while, but all his dreams were of her.

—— te nocte sub atrâ Alloquor, amplector, falsaque in imagine somni, Gaudia solicitam palpant evanida mentem.In the dark night I speak, embrace and finde, That fading joys deceive my careful mind.

The same complaint Eurialus makes to his Lucretia, day and night I think of thee, I wish for thee, I talk of thee, call on thee, look for thee, hope for thee, delight my self in thee, day and night I love thee.

Nec mihi vespere Surgente decedunt amores, Nec rapidum fugiente solem;

Morning, Evening, all is alike with me, I have restless thoughts,

Te vigilans oculis, animo te nocte requiro.

Still I think on thee. Anima non est ubi animat, sed ubi amat; I live and breath in thee, I wish for thee.

O niveam quæ te poterit mihi reddere lucem, O mihi felicem terque quaterque diem.
513–514

The Anatomy of Melancholy: Member 4 Subsection 1 Symptoms or Signs of Love Melancholy in Body and Mind…

p. 794

“I adore Melibea,” says lovesick Calisto. “I believe in Melibea; I honour, admire and love my Melibea.” His soul was steeped in his lady, placed in paradise in her, imprisoned in her. When Thais took her leave of Phaedria:

My Phaedria, is there anything else you wish?

“Sweetheart,” she said, “is there any further service you require of me?” He readily replied with these instructions:

What do I wish? Love me day and night; long for me, Dream of me, wait for me, think of me, Hope for me, delight in me, be wholly with me; In short, be my very soul, since I am yours.

Do you ask, my dear, what service I desire? To love me day and night is all I ask; To dream of me, await me, think of me, Depend on me and hope, still long to see me; Delight in me, be wholly mine, For know, my love, that I am wholly yours.

But none of this was needed, you will say: once she falls in love, she will be his and fix her love on him alone:

Though apart, she hears And sees him in his absence.

She can—she must—think and dream of nothing else but him, constantly of him, as Orpheus did of his Eurydice:

Of you, sweet wife, of you upon the lonely shore, I sang to myself; Of you at the coming of day, of you at its departure.

Of you, sweet wife, was all my song, Morning, evening and throughout the day.

And Dido of her Aeneas:

And what dreams terrify me! The man’s great excellence, and his image again and again, run through my mind.

Again and again she thinks of the man Who was so fine, so handsome, so cheerful, so gracious.

In the first book of Achilles Tatius, Clitophon complains that his mistress Leucippe tormented him much more by night than by day. During the day he had one object or another to distract his senses, but at night everything centred on her. He lay awake all night, unable to think of anything else or put her out of his mind. Towards morning, sleep took a little pity on him: he slumbered for a while, but all his dreams were of her.

In the dark night I speak to you, Embrace you, and in the false image of a dream Fleeting joys caress my anxious mind.

In the dark night I speak, embrace, and find That fleeting joys deceive my anxious mind.

Euryalus makes the same complaint to his Lucretia: “Day and night I think of you, wish for you, speak of you, call upon you, look for you, hope for you and delight in you; day and night I love you.”

My love does not depart When evening rises, Nor when it flees the swift sun.

Morning and evening are alike to me; my thoughts find no rest:

Waking, I seek you with my eyes; at night, with my mind.

I think of you constantly. “The soul is not where it gives life, but where it loves.” I live and breathe in you; I long for you.

Oh, the radiant light that can restore you to me! Oh, the day that will be three and four times happy for me!

794

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.