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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyPersistence and Opportunity of Time and Place; Meetings, Conversation…

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Modern English Page · Branch 772 of 1495

Persistence and Opportunity of Time and Place; Meetings, Conversation…

1651 English

493–494

The Sun and Moon (some say) dance about the earth, the three upper Planets about the Sun as their center, now stationary, now direct, now retrograde, now in Apogæo then in perigæo, now swift then slow, occidentall, orientall, they turn round, jumpe and trace, ♀ and ☿ about the Sun with those thirty three Maculæ or Burbonian planet, circa Solem saltantes Cytharedum, saith Fromundus.

Four Medicean stars dance about Jupiter, two Austrian about Saturn, &c. and all (belike) to the musick of the Sphears.

Our greatest Counsellors, and staid Senators, at sometimes dance, as David before the Ark, 2 Sam. 6. 14. Miriam Exod. 15. 20. Judith 15. 13. (though the devil hence perhaps hath brought in those bawdy Bacchanals) and well may they do it.

The greatest Souldiers, as Quintilianus, Æmilius Probus, Cælius Rhodiginus have proved at large, still use it in Greece, Rome, and the most worthy Senators, cantare, saltare. Lucian, Macrobius, Libanus, Plutarch, Julius, Pollux, Athenæus, have written just tracts in commendation of it. In this our age it is in much request in those countries, as in all civill Common-wealths, as Alexander ab Alexandro, lib. 4. cap. 10. & lib. 2. cap. 25. hath proved at large, amongst the Barbarians themselves nothing so pretious; all the World allows it.

Divitias contemno tuas, rex Crœse, tuamque Vendo Asiam, unguentis, flore, mero, Choreis.

Plato in his Common-wealth, will have dancing-schools to be maintained, that young folks might meet, be acquainted, see one another, and be seen; nay more, he would have them dance naked; and scoffs at them that laugh at it.

But Eusebius præpar. Evangel. lib. 13. cap. 11. and Theodoret lib. 9 curat. græc. affect. worthily lash him for it; and well they might: for as one saith, The very sight of naked parts, causeth enormous, exceeding concupiscences, and stirs up both men and women to burning lust.

There is a mean in all things: this is my censure in brief; Dancing is a pleasant recreation of body and mind, if sober and modest, (such as our Christian dances are) if tempestively used; a furious motive to burning lust, if as by Pagans heretofore, unchastely abused. But I proceed.

If these allurements do not take place, for Simierus, that great master of dalliance shall not behave himself better, the more effectually to move others, and satisfie their lust, they will swear and lye, promise, protest, forge, counterfeit, brag, bribe, flatter and dissemble of all sides.

493–494

The Anatomy of Melancholy: Persistence and Opportunity of Time and Place; Meetings, Conversation…

p. 772

The sun and moon, some say, dance around the earth, and the three outer planets around the sun as their centre: now stationary, now moving forwards, now backwards; now at apogee, then at perigee; now swift, then slow; westward, eastward. They turn, leap and tread their figures. Venus and Mercury dance around the sun with those thirty-three spots or Bourbonian planets, “dancing around the sun, the lyre-player,” as Fromundus says.

Four Medicean stars dance around Jupiter, two Austrian ones around Saturn, and so on; and all, presumably, to the music of the spheres.

Our greatest counsellors and most dignified senators sometimes dance, as David did before the Ark, in 2 Samuel 6:14; Miriam, in Exodus 15:20; and Judith, in Judith 15:13. Perhaps the Devil took his cue from this to introduce those bawdy bacchanals, but they may rightly dance.

The greatest soldiers, as Quintilian, Aemilius Probus and Caelius Rhodiginus have shown at length, continually practise it in Greece and Rome, as do the worthiest senators: “singing and dancing.” Lucian, Macrobius, Libanius, Plutarch, Julius, Pollux and Athenaeus have written full discussions in its praise. In our own age it is much sought after in those countries, as in all civilized commonwealths, as Alexander ab Alexandro has demonstrated at length in book 4, chapter 10, and book 2, chapter 25. Even among the barbarians nothing is more prized; the whole world approves it.

I scorn your wealth, King Croesus, and would sell Your Asia for perfumes, flowers, wine and dances.

Plato, in his Republic, would have dancing schools maintained so that young people could meet, become acquainted, see one another and be seen. More than that, he would have them dance naked, and mocks those who laugh at it.

But Eusebius, in Preparation for the Gospel, book 13, chapter 11, and Theodoret, in book 9 of his Cure of the Greek Maladies, rightly lash him for it; and well they may. As one writer says, “The very sight of naked parts causes immoderate and excessive desires, and stirs both men and women to burning lust.”

There is a proper measure in everything. This is my judgment in brief: dancing is a pleasant recreation for body and mind when it is sober and modest, as our Christian dances are, and practised at the proper time; but it is a fierce incitement to burning lust when unchastely abused, as it once was by the pagans. But I proceed.

If these enticements fail—for even Simierus, that great master of dalliance, could do no better—they will swear and lie, promise, protest, fabricate, counterfeit, boast, bribe, flatter and dissemble on every side, to move others more effectively and satisfy their own lust.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.