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1651 English Page · Branch 738 of 1495
Member 2. Subsection 2. Other Causes of Love Melancholy: Sight; Beauty of The…
1651 English
464–465Which belike makes our Venetian Ladies at this day, to counterfeit yellow hair so much, great women to calimistrate and curle it up, vibrantes ad gratiam crines, & tot orbibus in captivitatem flexos, to adorn their heads with spangles, pearls, and made flowers; and all Courtiers to affect a pleasing grace in this kind. In a word, The hairs are Cupids nets, to catch all comers, a brushie wood, in which Cupid builds his nest, and under whose shadow all Lovers a thousand several ways sport themselves.
A little soft hand, pretty little mouth, small, fine, long fingers,
Gratia quæ digitis—— tis that which Apollo did admire in Daphne, ——laudat digitosque manusque;a straight and slender body, a small foot, and well proportioned leg, hath an excellent lustre, Cui totum incumbit corpus uti fundamento ædes. Clearchus vowed to his friend Amyander in Aristænetus, that the most attractive part in his Mistris, to make him in love and like her first, was her pretty leg and foot: a soft and white skin, &c. have their peculiar graces, Nebula haud est mollior ac hujus cutis est, ædipol papillam bellulam.
Though in men these parts are not so much respected; a grim Sarazan sometimes,
——nudus membra Pyracmon,a Martiall hirsute face pleaseth best; a black man is a pearle in a fair womans eye, and is as acceptable as lame Vulcan was to Venus; for he being a sweaty fuliginous black-smith, was dearly beloved of her, when fair Apollo, nimble Mercury were rejected, and the rest of the sweet-fac’d gods forsaken.
Many women (as Petronius observes) sordibus calent (as many men are more moved with kitchin wenches, and a poor market maid, then all these illustrious Court and City dames) will sooner dote upon a slave, a servant, a Dirt-dawber, a Brontes, a Cooke, a Player, if they see his naked legs or arms, thorosaque brachia, &c. like that Huntsman Meleager in Philostratus, though he be all in raggs, obscene and dirty, besmeared like a ruddleman, a gypsie, or a chimny-sweeper, then upon a Noble Gallant, Nireus, Ephestion, Alcibiades, or those embroidered Courtiers full of silk and gold.
Justines wife, a Citizen of Rome, fell in love with Pylades a Player, and was ready to run mad for him, had not Galen himself helped her by chance. Faustina the Empress doted on a Fencer.
Not one of a thousand falls in love, but there is some peculiar part or other which pleaseth most, and inflames him above the rest. A company of young Philosophers on a time, fell at variance, which part of a woman was most desireable and pleased best? some said the forehead, some the teeth, some the eyes, cheeks, lips, neck, chin, &c. the controversie was referred to Lais of Corinth to decide, but she smiling said, they were a company of fools; for suppose they had her where they wished, what would they first seek?
Yet this notwithstanding I do easily grant, neque quis vestrum negaverit opinor, All parts are attractive, but especially the eys
——(videt igne micantes, Syderibus similes oculos)——The Anatomy of Melancholy: Member 2. Subsection 2. Other Causes of Love Melancholy: Sight; Beauty of The…
p. 738This, probably, is why our Venetian ladies nowadays so often imitate blond hair, why great ladies crimp and curl it—“waving locks for beauty, twisted into so many coils to take captives”—and adorn their heads with spangles, pearls and artificial flowers, and why all courtiers cultivate an attractive appearance in this respect. In a word, hair is Cupid’s net, to catch everyone who comes near: a thicket where Cupid builds his nest, and in whose shade all lovers amuse themselves in a thousand different ways.
A small, soft hand, a pretty little mouth, slender, delicate, long fingers,
“What grace in those fingers!”——this is what Apollo admired in Daphne: “——he praises her fingers and hands.”
An upright, slender body, a small foot and a well-proportioned leg have an exquisite beauty: “on which the whole body rests, as a house upon its foundation.” Clearchus assured his friend Amyander in Aristaenetus that the most attractive part of his mistress, which first made him like her and fall in love, was her pretty leg and foot. Soft, white skin and so on have their particular charms: “A cloud is no softer than her skin. By Pollux, what a lovely little breast!”
In men, however, these parts are less admired. Sometimes a fierce Saracen,
a martial, hairy face pleases best. A dark man is a pearl in a fair woman’s eye, and as welcome as lame Vulcan was to Venus. Though he was a sweaty, sooty blacksmith, she loved him dearly, while handsome Apollo and nimble Mercury were rejected, and the rest of the sweet-faced gods abandoned.
Many women, as Petronius observes, “are inflamed by dirt”—just as many men are more stirred by kitchen girls and a poor market girl than by all these splendid ladies of court and city. They will fall in love sooner with a slave, a servant, a mud-plasterer, a Brontes, a cook or an actor, if they see his bare legs or arms, “his muscular arms,” and so on, like the hunter Meleager in Philostratus—even if he is dressed in rags, filthy and dirty, smeared like a red-ochre worker, a gypsy or a chimney-sweep—than with a noble gentleman, a Nireus, a Hephaestion, an Alcibiades, or those embroidered courtiers covered in silk and gold.
Justine’s wife, the wife of a citizen of Rome, fell in love with Pylades, an actor, and would have gone mad for him if Galen himself had not happened to help her. The empress Faustina was infatuated with a gladiator.
Not one person in a thousand falls in love without finding some particular part more pleasing and more inflaming than all the rest. Once a group of young philosophers quarrelled over which part of a woman was most desirable and pleasing. Some said the forehead, some the teeth, some the eyes, cheeks, lips, neck, chin, and so on. They referred the dispute to Lais of Corinth for a decision; but she smiled and said they were a pack of fools. For suppose they had her where they wanted her: what would they reach for first?
Nevertheless, I readily grant—and “none of you, I think, will deny”—that every part is attractive, but especially the eyes:
Socrates
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
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Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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