Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition
Swipe or use the arrow keys.
1651 English Page · Branch 737 of 1495
Member 2. Subsection 2. Other Causes of Love Melancholy: Sight; Beauty of The…
1651 English
463–464Although for the greater part this beauty be most eminent in the face, yet many times those other members yeeld a most pleasing grace, and are alone sufficient to enamor. An high brow like unto the bright heavens, cæli pulcherrima plaga, Frons ubi vivit honor, frons ubi ludit amor, white and smooth like the polished alabaster, a pair of cheeks of Vermilian colour, in which love lodgeth; Amor qui mollibus genis puellæ pernoctas: A corall lip, suaviorum delubrum, in which
Basia mille patent, basia mille latent,gratiarum sedes gratissima; a sweet smelling flowre, from which Bees may gather hony, Mellilegæ volucres quid adhuc cava thyma, rosasque, &c.
Omnes ad dominæ labra venite meæ, Illa rosas spirat, &c.A white and round neck, that via lactea, dimple in the chin, black eye-brows, Cupidinis arcus, sweet breath, white and even teeth, which some call the sale-piece, a fine soft round pap, gives an excellent grace,
Quale decus tumidis Pario de marmore mammis!and make a pleasant valley lacteum sinum, between two chaulkie hills, Sororiantes papillulas, & ad pruritum frigidos amatores solo aspectu excitantes. Unde is,
Forma papillarum quam fuit apta premi!Again Urebant oculos duræ stantesque mamillæ.A flexen hair; golden hair was even in great account, for which Virgil commends Dido, Nondum sustulerat flavum Proserpina crinem, Et crines nodantur in aurum. Apollonius (Argonaut. lib. 4. Iasonis flava coma incendit cor Medeæ) will have Iasons golden haire, to be the main cause of Medea’s dotage on him.
Castor and Pollux were both yellow hair’d. Paris, Menelaus, and most amorous young men have been such in all ages, molles ac suaves, as Baptista Porta infers Physiog. lib. 2. lovely to behold. Homer so commends Helena, makes Patroclus and Achilles both yellow hair’d: Pulchricoma Venus, and Cupid himself was yellow hair’d, in aurum coruscante & crispante capillo, like the neat picture of Narcissus in Callistratus; for so Psyche spied him asleep,
Briseis, Polixena, &c. flavicomæ omnes,——and Hero the fair, Whom young Apollo courted for her hair.Leland commends Guithera King Arthurs wife for a fair flaxen hair: Paulus Æmilius sets out Clodoveus that lovely King of France. Synesius holds every effeminate fellow or adulterer is fair hair’d: and Apuleius adds that Venus her self, Goddess of Love, cannot delight, Though she come accompanied with the Graces, and all Cupids train to attend upon her, girt with her own girdle, and smell of Cynamon and Bawm, yet if she be bald or bad hair’d, she cannot please her Vulcan.
The Anatomy of Melancholy: Member 2. Subsection 2. Other Causes of Love Melancholy: Sight; Beauty of The…
p. 737Although this beauty is generally most conspicuous in the face, other parts often have a most pleasing grace and are enough by themselves to inspire love. A high forehead like the bright heavens, “the loveliest region of the sky; a brow where honour lives, a brow where love plays,” white and smooth as polished alabaster; a pair of vermilion cheeks where love lodges: “Love, who spends the night on a girl’s soft cheeks.” A coral lip, “the shrine of kisses,” in which
A thousand kisses lie revealed, a thousand lie hidden,
“the Graces’ most delightful dwelling”: a sweet-smelling flower from which bees may gather honey. “Honey-gathering winged creatures, why still seek hollow thyme-blossoms and roses?” and so on,
Come, all of you, to my mistress’s lips: She breathes roses, and so on.
A white, rounded neck, that “Milky Way”; a dimple in the chin; black eyebrows, “Cupid’s bow”; sweet breath; white, even teeth, which some call the feature that sells the whole; a lovely, soft, rounded breast: these lend exquisite grace.
What beauty in swelling breasts of Parian marble!
And they form a pleasant valley, “a milky hollow,” between two chalk-white hills: “little sister breasts, rousing cold lovers to lust by the mere sight of them.” Hence this line:
How well the shape of those breasts invited a caress!
Again: Firm, upright breasts set the eyes on fire.
Flaxen hair: golden hair was held in high esteem, and Virgil praises Dido for it—“Proserpina had not yet taken away the golden lock,” and “her hair is tied up in gold.” Apollonius, in Argonautica, book 4—“Jason’s golden hair set Medea’s heart on fire”—makes Jason’s golden hair the chief cause of Medea’s infatuation with him.
Castor and Pollux were both blond. Paris, Menelaus and most amorous young men in every age have been so: “soft and charming,” as Giambattista della Porta concludes in Physiognomy, book 2, lovely to behold. Homer praises Helen in this way, and makes Patroclus and Achilles both blond. There is “beautiful-haired Venus,” and Cupid himself was blond, “his hair gleaming and curling into gold,” like the exquisite image of Narcissus in Callistratus; for so Psyche saw him sleeping.
Briseis, Polyxena, and so on, all golden-haired,
——and beautiful Hero, Whom young Apollo courted for her hair.
Leland praises Guithera, King Arthur’s wife, for her beautiful flaxen hair; Paulus Aemilius describes Clovis, that handsome king of France. Synesius holds that every effeminate man or adulterer is fair-haired; and Apuleius adds that Venus herself, goddess of love, cannot give delight, even if she comes accompanied by the Graces and all Cupid’s attendants, wearing her own girdle and smelling of cinnamon and balm: if she is bald or has ugly hair, she cannot please her Vulcan.
Socrates
Reading The Anatomy of Melancholy · Member 2. Subsection 2. Other Causes of Love Melancholy: Sight; Beauty of The…
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
About Diotimos Editions
Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
Rights
Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
- PDF editionComplete annotated edition — PDF
- EPUB editionComplete annotated edition — EPUB
- Word editionComplete annotated edition — Word
- Markdown editionComplete annotated edition — Markdown
- Principal historical witnessMcGill University Library — 1651 edition
- Supplied 1651 openingBavarian State Library — supplied opening
- Independent local comparison witnessIndependent 1651 microfilm — comparison opening