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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 2. Subsection 2. Other Causes of Love Melancholy: Sight; Beauty of The…

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1651 English Page · Branch 729 of 1495

Member 2. Subsection 2. Other Causes of Love Melancholy: Sight; Beauty of The…

1651 English

455–456

God and men, Heaven and Earth conspire to honour him; every one pities him above other, if he be in need, and all the world is willing to do him good. Chariclea fell into the hands of Pyrats, but when all the rest were put to the edge of the sword, she alone was preserved for her person. When Constantinople was sacked by the Turk, Irene escaped, and was so far from being made a captive, that she even captivated the grand Senior himself.

So did Rosamond insult over King Henry the second.

—— I was so fair an object, Whom fortune made my King, my love made subject, He found by proof the priviledge of beauty, That it had power to countermand all duty.

It captivates the very Gods themselves, Morosiora numina,

—— Deus ipse deorum Factus ob hanc formam bos, equus imber, olor.

And those mali genii are taken with it, as I have already proved. Formosam Barbari verentur, & ad aspectum pulchrum immanis animus mansuescit. (Heliodor. lib. 5.) The Barbarians stand in awe of a fair woman, and at a beautiful aspect a fierce spirit is pacified.

For when as Troy was taken, and the wars ended, (as Clemens Alexandrinus quotes out of Euripides) angry Menelaus with rage and fury armed, came with his sword drawn, to have killed Helena with his own hands, as being the sole cause of all those wars and miseries: but when he saw her fair face, as one amazed at her divine beauty, he let his weapon fall, and embraced her besides, he had no power to strike so sweet a creature.

Ergo hebetantur enses pulchritudine, the edge of a sharp sword (as the saying is) is dulled with a beautiful aspect, and severity it self is overcome. Hiperides the orator, when Phryne his client was accused at Athens for her lewdness, used no other defence in her cause, but tearing her upper garment, disclosed her naked breast to the Judges, with which comeliness of body and amiable gesture they were so moved and astonished, that they did acquit her forthwith, and let her go.

O noble piece of Justice, mine author exclaims, and who is he that would not rather lose his seat and robes, forfeit his office, then give sentence against the majesty of beauty? Such prerogatives have fair persons, and they alone are free from danger. Parthenopæus was so lovely and fair, that when he fought in the Theban wars, if his face had been by chance bare, no enemy would offer to strike or hurt him, such immunities hath beauty.

Beasts themselves are moved with it. Sinalda was a woman of such excellent feature, and a Queen, that when she was to be trodden on by wild horses for a punishment, the wild beasts stood in admiration of her person, (Saxo Grammaticus lib. 8. Dan. Hist.) and would not hurt her.

Wherefore did that royal virgin in Apuleius when she fled from the theeves den, in a desart, make such an Apostrophe to her Asse on whom she rode: (for what knew she to the contrary but that he was an Asse?) Si me parentibus & proco formoso reddideris, quas tibi gratias, quos honores habebo, quos cibos exhibebo?

455–456

The Anatomy of Melancholy: Member 2. Subsection 2. Other Causes of Love Melancholy: Sight; Beauty of The…

p. 729

God and men, heaven and earth combine to honour him. Everyone pities him more than others if he is in need, and the whole world is willing to help him. Chariclea fell into the hands of pirates, but when all the others were put to the sword, she alone was spared for her beauty. When Constantinople was sacked by the Turk, Irene escaped, and so far from being made a captive, she captivated the Grand Signor himself.

So Rosamond triumphed over King Henry II.

—— I was so fair a sight: The man whom fortune made my king, my love made subject. He learned through experience the privilege of beauty: It had the power to override all duty.

It takes even the gods themselves captive, those more exacting divinities:

—— The very god of gods, For beauty’s sake, became bull, horse, shower and swan.

And those evil spirits are captivated by it, as I have already shown. “Barbarians revere a beautiful woman, and at a beautiful sight a savage spirit grows gentle” (Heliodorus, book 5). Barbarians stand in awe of a beautiful woman, and a fierce spirit is calmed by a lovely face.

For when Troy had fallen and the wars were over, as Clement of Alexandria quotes from Euripides, angry Menelaus, armed with rage and fury, came with his sword drawn to kill Helen with his own hands, since she had been the sole cause of all those wars and miseries. But when he saw her beautiful face, astonished by her divine beauty, he let his weapon fall and even embraced her: he could not bring himself to strike so lovely a creature.

“Thus swords are blunted by beauty”: the edge of a sharp sword, as the saying goes, is dulled by a beautiful face, and severity itself is overcome. When the orator Hyperides’ client Phryne was accused at Athens of lewd behaviour, he used no other defence of her case: he tore her upper garment and exposed her bare breast to the judges. Her bodily beauty and lovely bearing so moved and astonished them that they immediately acquitted her and let her go.

O noble piece of justice, my author exclaims! Who would not rather lose his seat and robes, forfeit his office, than pass sentence against the majesty of beauty? Beautiful people enjoy such privileges, and they alone are free from danger. Parthenopaeus was so lovely and handsome that, when he fought in the Theban wars, if his face happened to be uncovered, no enemy would attempt to strike or hurt him. Such immunity beauty enjoys.

Even beasts are moved by it. Sinalda was a woman of such outstanding beauty, and a queen, that when she was condemned to be trampled by wild horses, “the wild beasts stood admiring her beauty and would not hurt her” (Saxo Grammaticus, History of the Danes, book 8).

Why did that royal maiden in Apuleius, when she fled from the thieves’ den in a wilderness, address the ass on which she rode in this way—for how could she know he was anything but an ass? “If you restore me to my parents and my handsome bridegroom, what thanks shall I give you, what honours shall I pay you, what food shall I offer you?”

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.