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Facing Pages · Branch 72 of 1495
Democritus Junior to the Reader
1651 English
43A third argument may be derived from the precedent, all men are carried away with passion, discontent, lust, pleasures, &c. they generally hate those vertues they should love, and love such vices they should hate. Therefore more then melancholy, quite mad, bruit beasts, and void of reason, so Chrysostome contends; or rather dead and buried alive, as Philo Judæus concludes it for a certainty, of all such that are carried away with passions, or labour of any disease of the minde.
Where is fear and sorrow, there Lactantius stiffely maintains, wisdom cannot dwell. ——qui cupiet, metuet quoque porro, Qui metuens vivit, liber mihi non erit unquam. Seneca & the rest of the Stoicks are of opinion, that where is any the least perturbation, wisdom may not be found.
What more ridiculous, as Lactantius urgeth, then to hear how Xerxes whipped the Hellespont, threatened the Mountain Athos, and the like. To speak ad rem, who is free from passion? Mortalis nemo est quem non attingat dolor, morbusve, as Tully determins out of an old Poem, no mortal men can avoid sorrow & sicknes, and sorrow is an unseparable companion of melancholy.
Chrysostome pleads farther yet, that they are more then mad, very beasts, stupified and void of common sense: For how (saith he) shall I know thee to be a man, when thou kickest like an ass, neighest like an horse after women, ravest in lust like a bull, ravenest like a bear, stingest like a scorpion, rakest like a wolf, as subtile as a fox, as impudent as a dog? Shall I say thou art a man, that hast all the symptomes of a beast? How shall I know thee to be a man? by thy shape? That affrights me more, when I see a beast in likenesse of a man.
Seneca cals that of Epicurus, magnificam vocem, an heroical speech, A fool still begins to live, and accounts it a filthy lightnesse in men, every day to lay new foundations of their life, but who doth otherwise? One travels, another builds; one for this, another for that busines, and old folks are as far out as the rest; O dementem senectutem, Tully exclaims. Therefore yong, old, middle age, all are stupid, and dote.
The Anatomy of Melancholy: Democritus Junior to the Reader
p. 72A third argument follows from the preceding one. Everyone is carried away by passion, discontent, lust, pleasures, and so forth; people generally hate the virtues they ought to love and love the vices they ought to hate. They are therefore more than melancholy: quite mad, brute beasts, without reason—so Chrysostom argues. Or rather, they are dead and buried alive, as Philo the Jew concludes with certainty of all who are carried away by passions or suffer from any disease of the mind.
Where there is fear and sorrow, Lactantius firmly maintains, wisdom cannot dwell. Whoever desires will also fear; Whoever lives in fear will never, to my mind, be free. Seneca and the other Stoics hold that wisdom cannot be found wherever there is even the slightest disturbance of the emotions.
What could be more ridiculous, as Lactantius asks, than to hear how Xerxes whipped the Hellespont, threatened Mount Athos, and so on? To come to the point, who is free from passion? “There is no mortal whom pain or sickness does not touch,” as Cicero declares, quoting an old poem. No mortal can avoid sorrow and sickness, and sorrow is melancholy’s inseparable companion.
Chrysostom goes further still: they are more than mad, actual beasts, stupefied and without common sense. “How,” he asks, “am I to recognise you as a man when you kick like an ass, neigh after women like a horse, rage with lust like a bull, gorge like a bear, sting like a scorpion, prey like a wolf, and are as cunning as a fox and as shameless as a dog? Shall I call you a man when you show every sign of a beast? How shall I recognise you as a man? By your shape? That frightens me still more, to see a beast in the likeness of a man.”
Seneca calls that saying of Epicurus a magnificent utterance, a heroic speech: “A fool is always beginning to live.” He considers it shameful fickleness to lay new foundations for one’s life every day. But who does otherwise? One travels, another builds; one pursues this business, another that, and old people are as far astray as the rest. “O foolish old age!” Cicero exclaims. Thus young, old, and middle-aged are all senseless and foolish.
Socrates
Reading The Anatomy of Melancholy · Democritus Junior to the Reader
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
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Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
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