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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 2 How Love Tyrannizes Over Human Beings. Love, or Heroical…

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1651 English Page · Branch 712 of 1495

Subsection 2 How Love Tyrannizes Over Human Beings. Love, or Heroical…

1651 English

441–442

Sed vide si lubet eorundem Catalogum apud eundem Baleum; Puellæ (inquit) in lectis dormire non poterant ob fratres necromanticos. Hæc si apud votarios, monachos, sanctos (scilicet homousiones, quid in foro, quid in aula factum suspiceris; quid apud nobiles, quid inter fornices, quam non fœditatem, quam non spurcitiem?

Sileo interim turpes illas, & ne memorandas quidem monachorum mastrupationes, masturbatores. Rodericus a Castro vocat, tum & eos qui se invicem ad Venerem excitandam flagris cædunt, Spintrias, Succubas, Ambubeias, & lasciviente lumbo Tribades illas mulierculas, quæ se invicem fricent, & præter Eunuchos etiam ad Venerem explendam, artificiosa illa veretra habent.

Immo quod magis mirere, fœmina fœminam Constantinopoli non ita pridem deperiit, ausa rem plane incredibilem, mutato cultu mentita virum de nuptiis sermonem iniit, & brevi nupta est: sed authorem ipsum consule, Busbequium.

Omitto Salinarios illos Ægyptiacos, qui cum formosarum cadaveribus concumbunt, & eorum vesanam libidinem, qui etiam idola & imagines depereunt. Nota est fabula Pigmalionis apud Ovidium: Mundi & Paulinæ apud Ægesippum belli Jud. lib. 2. cap. 4.

Pontius C. Cæsaris legatus, referente Plinio, lib. 35. cap. 3. quem suspicor eum esse qui Christum crucifixit, picturis Atalantæ & Helenæ adeo libidine incensus, ut tollere eas vellet si natura tectorii permisisset, alius statuam bonæ Fortunæ deperiit, (Ælianus lib. 9. cap. 37.) alius Bonæ deæ, & ne qua pars probro vacet.

Raptus ad stupra (quod ait ille) & ne os quidem a libidine exceptum. Heliogabalus, per omnia cava corporis libidinem recepit, Lamprid. vita ejus.

Hostius quidam specula fecit, & ita disposuit, ut quum virum ipse pateretur, aversus omnes admissarii motus in speculo videret, ac deinde falsa magnitudine ipsius membri tanquam vera gauderet, simul virum & fœminam passus, quod dictu fœdum & abominandum.

Ut verum planè sit, quod apud Plutarchum Gryllus Ulyssi objecit, Ad hunc usque diem apud nos neque mas marem, neque fœmina fœminam amavit, qualia multa apud vos memorabiles & præclari viri fecerunt: ut viles missos faciam, Hercules imberbem sectans socium, amicos deseruit, &c.

441–442

The Anatomy of Melancholy: Subsection 2 How Love Tyrannizes Over Human Beings. Love, or Heroical…

p. 712

If you wish, see their catalogue in that same Bale. “Girls,” he says, “could not sleep in their beds because of the necromantic friars.” If such things occurred among vowed religious, monks and saints—those consubstantial beings, forsooth—what would you suspect went on in the marketplace or at court, among nobles or in brothels? What foulness, what filth would be absent?

Meanwhile I pass over those shameful practices of the monks, unfit even to be mentioned: their masturbations—Rodrigo de Castro calls them “masturbators”—and those who whip one another to arouse sexual desire; male prostitutes, women who take the receptive role, flute girls, and those lustful little women, the tribades, who rub themselves against one another and, besides eunuchs, use artificial penises to satisfy their desire.

Indeed, more astonishing still, not long ago in Constantinople a woman fell desperately in love with another woman. She dared something scarcely credible: changing her clothes and passing herself off as a man, she opened negotiations for marriage and was soon married. But consult the author himself, Busbecq.

I pass over those Egyptian embalmers who have intercourse with the bodies of beautiful women, and the insane lust of people who even fall in love with statues and images. The story of Pygmalion in Ovid is well known, as is that of Mundus and Paulina in Hegesippus’s Jewish War, book 2, chapter 4.

Pontius, a legate of Gaius Caesar—whom I suspect to be the man who crucified Christ—was so inflamed with lust for pictures of Atalanta and Helen, Pliny reports in book 35, chapter 3, that he wished to take them away, had the nature of the plaster permitted it. Another man fell in love with a statue of Good Fortune—Aelian, book 9, chapter 37—and another with the Good Goddess. No part is left free of disgrace.

“Abductions for sexual violation,” as that author says, “and not even the mouth is exempt from lust.” Elagabalus received lust through every opening of his body, according to Lampridius’s Life of him.

A certain Hostius had mirrors made and arranged so that, while being penetrated by a man, he could face away and see every movement of his stallion in the mirror, delighting in the falsely magnified size of the man’s penis as though it were real. At the same time he submitted to a man and a woman—foul and abominable even to describe.

So what Gryllus charged against Ulysses in Plutarch may well be true: “Down to this day, among us no male has loved a male, nor female a female, as many memorable and celebrated men have done among you. To leave the common people aside, Hercules deserted his friends while pursuing a beardless companion,” and so forth.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.