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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySection 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

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1651 English Page · Branch 707 of 1495

Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

1651 English

438

But Austin. lib. 15. de civit. Dei doth acknowledge it; Erastus de Lamiis, Jacobus Sprenger and his colleagues &c. Zanchius cap. 16. lib. 4. de oper. Dei. Dandinus in Arist. de Animâ lib. 2. Text. 29. com. 30. Bodin lib. 2. cap. 7. and Paracelsus, a great champion of this Tenent amongst the rest, which give sundry peculiar instances, by many testimonies, proofs and confessions evince it.

Hector Boethius in his Scottish history, hath three or four such examples, which Cardan confirms out of him lib. 16. cap. 43. of such as have had familiar company many years with them, and that in the habit of men and women.

Philostratus in his fourth book de vita Apollonii, hath a memorable instance in this kinde, which I may not omit, of one Menippus Lycius a yong man 25. years of age, that going betwixt Cenchreas and Corinth, met such a phantasm in the habit of a fair gentlewoman, which taking him by the hand, carried him home to her house, in the suburbs of Corinth, and told him she was a Phœnician by birth,

and if he would tarry with her, he should hear her sing and play, and drink such wine as never any drank, and no man should molest him; but she being fair and lovely would live and die with him, that was fair and lovely to behold.

The yong man a Philosopher, otherwise staid and discreet, able to moderate his passions, though not this of love, tarried with her a while to his great content, and at last married her, to whose wedding, amongst other guests, came Apollonius, who by some probable conjectures, found her out to be a Serpent, a Lamia, and that all her furniture was like Tantalus gold described by Homer, no substance, but meer illusions.

When she saw her self descried, she wept, and desired Apollonius to be silent, but he would not be moved, and thereupon She, Plate, House, and all that was in it vanished in an instant: many thousands took notice of this fact, for it was done in the midst of Greece.

Sabine in his Comment on the 10th of Ovids Metamorphosis, at the tale of Orpheus, telleth us of a Gentleman of Bavaria, that for many months together bewailed the loss of his dear wife; at length the Divel in her habit came and comforted him, and told him, because he was so importunate for her, that she would come and live with him again, on that condition he would be new married, never swear and blaspheme as he used formerly to do; for if he did, she should be gone:

He vowed it, married, and lived with her, she brought him children, and governed his house, but was still pale and sad, and so continued, till one day falling out with him, he fell a swearing; she vanished thereupon, and was never after seen. This I have heard, saith Sabine, from persons of good credit, which told me that the Duke of Bavaria did tell it for a certainty to the Duke of Saxony.

438

The Anatomy of Melancholy: Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

p. 707

But Augustine, in The City of God, book 15, acknowledges it; so do Erastus in On Witches, Jacob Sprenger and his colleagues, Zanchi in On the Works of God, book 4, chapter 16, Dandini’s commentary on Aristotle’s On the Soul, book 2, text 29, comment 30, Bodin, book 2, chapter 7, and Paracelsus, a leading defender of this opinion. They offer particular instances and demonstrate it through many testimonies, proofs and confessions.

Hector Boece, in his Scottish History, gives three or four such examples, repeated in confirmation by Cardano, book 16, chapter 43: people who had intimate company for many years with these beings, appearing in the form of men and women.

Philostratus, in the fourth book of his Life of Apollonius, gives a memorable example of this kind that I must not omit. A young man of twenty-five, Menippus of Lycia, was travelling between Cenchreae and Corinth when he met such a phantom in the form of a beautiful gentlewoman. She took his hand and led him home to her house in the suburbs of Corinth, saying that she was Phoenician by birth.

If he would stay with her, “he would hear her sing and play, drink wine such as no one had ever drunk, and no man would trouble him. Beautiful and lovely as she was, she would live and die with him, who was himself so beautiful and lovely to behold.”

The young man was a philosopher, otherwise steady and judicious, able to control his passions—though not this passion of love. He stayed with her for a while in great contentment and eventually married her. Among the wedding guests came Apollonius, who, from certain plausible indications, discovered that she was a serpent, a lamia, and that all her furnishings were like Tantalus’s gold as described by Homer: without substance, mere illusions.

When she saw that she had been discovered, she wept and asked Apollonius to be silent. But he would not yield; whereupon she, her silverware, her house and everything in it vanished in an instant. “Many thousands knew of this event, for it happened in the midst of Greece.”

Sabinus, in his commentary on book 10 of Ovid’s Metamorphoses, at the story of Orpheus, tells of a gentleman of Bavaria who mourned the loss of his dear wife for many months. At last the devil came in her form and comforted him, saying that, because he was so insistent in longing for her, she would return and live with him again, provided he married her anew and never swore or blasphemed as he had formerly done. If he did, she would leave.

“He made the vow, married her and lived with her. She bore him children and managed his household, but remained pale and sad. This continued until one day, during a quarrel, he began to swear. She immediately vanished and was never seen again.” “I have heard this,” says Sabinus, “from people of good repute, who told me that the Duke of Bavaria related it to the Duke of Saxony as a certain fact.”

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.