DiotimosReading Desk

Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

Explore the Lexicon
The Anatomy of MelancholySection 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

Swipe or use the arrow keys.

Facing Pages · Branch 705 of 1495

Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

1651 English

436–437

If any man think this which I say to be a tale, let him read that story of two palm trees in Italy, the male growing at Brundusium, the female at Otranto (related by Jovianus Pontanus in an excellent Poem, sometimes Tutor to Alphonsus junior, King of Naples, his Secretary of State, and a great Philosopher) ⁱwhich were barren, and so continued a long time, till they came to see one another growing up higher, though many Stadiums asunder.

Pierius in his Hieroglyphicks, and Melchior Guilandinus Memb. 3. tract. de papyro, cites this story of Pontanus for a truth. See more in Salmuth Comment. in Pancirol. de Nova repert. Tit. 1. de novo orbe, Mizaldus Arcanorum lib. 2. and Sands voyages lib. 2. fol. 103. &c.

If such fury be in vegetals, what shall we think of sensible creatures, how much more violent and apparent shall it be in them.

Omne adeo genus in terris hominumque, ferarum, Et genus æquoreum, pecudes, pictæque volucres In furias ignemque ruunt; amor omnibus idem.All kinde of creatures in the earth, And fishes of the Sea, And painted birds do rage alike; This love bears equal sway.Hic Deus & terras & maria alta domat.

Common experience and our sense will inform us, how violently brute beasts are carried away with this passion, horses above the rest,

—— furor est insignis equarum.

Cupid in Lucian bids Venus his mother be of good cheer, for he was now familiar with Lions, and oftentimes did get on their backs, hold them by the mane, and ride them about like horses, and they would fawn upon him with their tails.

Bulls, Bears and Boars are so furious in this kinde they kill one another: but especially Cocks, Lions, and Harts, which are so fierce that you may hear them fight half a mile off, saith Turbervile, and many times kill each other, or compell them to abandon the rut, that they may remain masters in their places; and when one hath driven his corrivall away, he raiseth his nose up into the ayr, and looks aloft, as though he gave thanks to nature, which affords him such great delight.

How birds are affected in this kind, appears out of Aristotle, he will have them sing ob futuram venerem, for joy or in hope of their venery which is to come.

Aeriæ primum volucres te Diva, tuumque Significant initum, perculsæ corda tua vi.

Fishes pine away for love and wax lean, if Gomesius authority may be taken, and are rampant too, some of them: Peter Gellius lib. 10. de hist. animal. tells wonders of a Triton in Epirus: There was a well not far from the shore, where the country wenches fetched water, they, Tritons, stupri causâ would set upon them and carry them to the Sea, and there drown them, if they would not yeeld; so love tyrannizeth in dumb creatures.

436–437

The Anatomy of Melancholy: Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

p. 705

If anyone thinks what I say is a fable, let him read the story of two palm trees in Italy, the male growing at Brindisi and the female at Otranto. Giovanni Pontano relates it in an excellent poem; he was once tutor to the younger Alfonso, king of Naples, his secretary of state, and a great philosopher. The trees “were barren, and remained so for a long time,” until, growing taller, they came within sight of one another, although many stadia apart.

Pierio Valeriano, in his Hieroglyphics, and Melchior Guilandinus, in the third section of his treatise On Papyrus, cite Pontano’s story as true. See further Salmuth’s commentary on Panciroli’s New Discoveries, title 1, “On the New World”; Mizaldus’s Secrets, book 2; and Sandys’s Travels, book 2, page 103, and so forth.

If there is such frenzy in plants, what are we to think of sentient creatures? How much more violent and evident must it be in them!

Every race on earth, of humans and wild beasts, The creatures of the sea, the herds and brightly coloured birds, Rush into frenzy and fire: love is the same for all.

All kinds of creatures on the earth, And fishes in the sea, And brightly coloured birds rage alike: This love rules all equally.

This god subdues both the lands and the deep seas.

Common experience and our senses show us how violently animals are carried away by this passion, horses above all—

The frenzy of mares is extraordinary.

In Lucian, Cupid tells his mother Venus to be cheerful: he has now become familiar with lions, often climbs on their backs, holds them by the mane and rides them about like horses, while they fawn on him with their tails.

Bulls, bears and boars are so furious in this passion that they kill one another; especially cocks, lions and stags. The stags are so fierce that you can hear them fight half a mile away, says Turbervile. Often they kill each other or force their rivals to abandon the rut, so that they may remain masters in their place. “When one has driven his rival away, he raises his nose into the air and looks upwards as though thanking nature,” which affords him such great delight.

How birds are affected in this way appears in Aristotle: he maintains that they sing “in anticipation of mating,” from joy or hope of the sexual pleasure to come.

First the birds of the air proclaim you, goddess, And your arrival, their hearts struck by your power.

“Fish waste away for love and grow thin,” if we may accept Gomesius’s authority; some of them are sexually ravenous too. Pierre Gilles, in his History of Animals, book 10, tells wonders of a Triton in Epirus. There was a well near the shore where country girls fetched water. These Tritons would attack them “for the purpose of sexual violation,” carry them into the sea and drown them if they would not submit. So love tyrannizes over creatures without speech.

705

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.