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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySection 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

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1651 English Page · Branch 702 of 1495

Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

1651 English

433–434

SECT. 2. MEMB. 1. SUBSECT. 1. Heroicall love causing Melancholy. His Pedegree, Power, and Extent.

IN the precedent Section mention was made amongst other pleasant objects, of this comeliness and beauty which proceeds from women, that causeth Heroicall, or love-melancholy, is more eminent above the rest, and properly called Love. The part affected in men is the liver, and therefore called Heroicall, because commonly Gallants, Noblemen, and the most generous spirits are possessed with it.

His power and extent is very large, and in that twofold division of Love, φιλεῖν and ἐρᾶν those two Veneries which Plato and some other make mention of, it is most eminent, and κατ’ ἐξοχὴν called Venus, as I have said, or Love it self. Which although it be denominated from men, and most evident in them, yet it extends and shews it self in vegetall and sensible creatures, those incorporeall substances (as shall be specified) and hath a large dominion of soveraignty over them.

His pedegree is very ancient, derived from the beginning of the world, as Phædrus contends, and his parentage of such antiquity, that no Poet could ever finde it out. Hesiod makes Terra and Chaos to be Loves parents, before the Gods were born:

Ante deos omnes primum generavit Amorem.

Some think it is the self same fire Prometheus fetched from heaven. Plutarch amator. libello, will have Love to be the son of Iris and Favonius; but Socrates in that pleasant Dialogue of Plato, when it came to his turn to speak of Love, (of which subject Agatho the Rhetoritian, magniloquus Agatho, that Chanter Agatho, had newly given occasion) in a poeticall strain, telleth this tale:

When Venus was born, all the Gods were invited to a banquet, and amongst the rest, Porus the God of bounty and wealth; Penia or poverty came a begging to the door; Porus well whitled with Nectar (for there was no wine in those daies) walking in Jupiters garden, in a Bowre met with Penia, and in his drink got her with child, of whom was born Love; and because he was begotten on Venus birth day, Venus still attends upon him. The morall of this is in Ficinus.

Another tale is there borrowed out of Aristophanes: In the beginning of the world, men had four arms and four feet, but for their pride because they compared themselves with the Gods, were parted into halfes, and now peradventure by love they hope to be united again and made one.

Otherwise thus, Vulcan met two lovers, and bid them aske what they would and they should have it; but they made answer, O Vulcane faber Deorum, &c. O Vulcan the Gods great Smith, we beseech thee to work us anew in thy fornace, and of two make us one; which he presently did, and ever since true lovers are either all one, or else desire to be united. Many such tales you shall finde in Leon Hebræus, dial. 3. and their morall to them.

433–434

The Anatomy of Melancholy: Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

p. 702

SECTION 2 MEMBER 1, SUBSECTION 1 Love melancholy: its ancestry, power and reach.

In the preceding section, among other pleasing objects, we mentioned the grace and beauty of women that causes “heroical,” or love, melancholy. It stands above the other kinds and is properly called Love. The part affected in men is the liver. It is called “heroical” because gallants, noblemen and the noblest spirits are commonly possessed by it.

Its power and reach are very great. In that twofold division of love into “affection” and “erotic desire”—those two Venuses mentioned by Plato and others—it is the foremost, called Venus “in the pre-eminent sense,” as I have said, or Love itself. Although named with reference to human beings, and most evident in them, it extends to plants, sentient creatures and those incorporeal beings to be described below, exercising a wide dominion over them.

Love’s ancestry is very ancient, reaching back to the beginning of the world, as Phaedrus argues. His parentage is so old that no poet could ever discover it. Hesiod makes Earth and Chaos Love’s parents, before the gods were born:

Before all the gods, she first brought forth Love.

Some think Love is the very fire Prometheus brought from heaven. Plutarch, in his little work on love, makes Love the son of Iris and the West Wind. But Socrates, in that delightful dialogue of Plato, when his turn came to speak about love—a subject just introduced by Agathon the rhetorician, “grandiloquent Agathon,” that singer Agathon—tells this tale in a poetic vein:

When Venus was born, all the gods were invited to a banquet, among them Porus, the god of abundance and wealth. Penia, or Poverty, came begging at the door. Porus, thoroughly drunk on nectar—for there was no wine in those days—was walking in Jupiter’s garden when he met Penia in a bower. In his drunkenness he made her pregnant, and she gave birth to Love. Because he was conceived on Venus’s birthday, Venus always attends upon him. Ficino gives the moral interpretation of this story.

Another tale there is borrowed from Aristophanes. At the beginning of the world, human beings had four arms and four feet. But because they proudly compared themselves with the gods, they were divided into halves; now, perhaps, they hope through love to be reunited and made one.

Or the story runs this way: Vulcan met two lovers and told them to ask for whatever they wished, and they would have it. They answered, “O Vulcan, smith of the gods,” and so on: “O Vulcan, the gods’ great smith, we beg you to forge us anew in your furnace and make us one instead of two.” He immediately did so; ever since, true lovers are either wholly one or desire to be united. You will find many such tales, with their moral interpretations, in the third dialogue of Leone Ebreo.

702

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.