DiotimosReading Desk

Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

Explore the Lexicon
The Anatomy of MelancholyMember 2 Subsection 1 Human Love, Which Varies With Its Objects: The Useful…

Swipe or use the arrow keys.

Modern English Page · Branch 684 of 1495

Member 2 Subsection 1 Human Love, Which Varies With Its Objects: The Useful…

1651 English

419

And even those that were now familiar and dear unto us, our loving and long friends, neighbours, kinsmen, allies, with whom we have conversed and lived as so many Geryons for some years past, striving still to give one another all good content and entertainment, with mutual invitations, feastings, disports, offices, for whom we would ride, run, spend our selves, and of whom we have so freely and honourably spoken, to whom we have given all those turgent titles, and magnificent elogiums, most excellent and most noble, worthy, wise, grave, learned, valiant, &c. and magnified beyond measure:

If any controversie arise betwixt us, some trespass, injury, abuse, some part of our goods be detained, a peece of Land come to be litigious, if they cross us in our suit, or touch the string of our commodity, we detest and depress them upon a sudden: neither affinity, consanguinity, or old acquaintance can contain us, but rupto jecore exierit Caprificus. A golden apple sets altogether by the ears, as if a marrow bone, or hony comb were flung amongst Bears: Father and Son, Brother and Sister, kinsmen are at odds:

and look what malice, deadly hatred can invent, that shall be done, Terribile, dirum, pestilens, atrox, ferum, mutuall injuries, desire of revenge, and how to hurt them, him and his, are all our studies. If our pleasures be interrupt, we can tolerate it: our bodies hurt, we can put it up and be reconciled:

but touch our commodities, we are most impatient; fair becomes foul, the Graces are turned to Harpyes, friendly salutations to bitter imprecations, mutuall feastings to plotting villanies, minings and counterminings; good words to Satyres and invectives, we revile e contra, nought but his imperfections are in our eyes, he is a base knave, a Divel, a Monster, a Caterpiller, a Viper, an Hog-rubber, &c.

Desinit in piscem mulier formosa superne:

The Scene is altered on a sudden, love is turned to hate, mirth to melancholy: so furiously are we most part bent, our affections fixed upon this object of commodity, and upon money, the desire of which in excess is covetousness: Ambition tyrannizeth over our souls, as I have shewed, and in defect crucifies as much, as if a man by negligence, ill husbandry, improvidence, prodigality, waste and consume his goods and fortunes, beggery follows, and melancholy, he becomes an abject, odious and worse then an Infidel, in not providing for his family.

419

The Anatomy of Melancholy: Member 2 Subsection 1 Human Love, Which Varies With Its Objects: The Useful…

p. 684

Even those who were just now close and dear to us—our loving friends of long standing, neighbours, relatives and connections—with whom we have associated and lived for years like so many Geryons, always striving to please and entertain one another through invitations, feasts, recreations and services; people for whom we would ride, run and spend ourselves, of whom we have spoken so freely and honourably, bestowing all those swollen titles and magnificent praises—most excellent, most noble, worthy, wise, dignified, learned, brave and so on—and exalting them beyond measure:

If any dispute arises between us—some trespass, injury or abuse, some of our property withheld, a piece of land brought into litigation—if they oppose our claim or touch the string of our self-interest, we suddenly detest and disparage them. Neither marriage ties, blood relationship nor old acquaintance can restrain us; instead, “the wild fig tree bursts out through the ruptured liver.” A golden apple sets everyone fighting, as if a marrowbone or honeycomb had been thrown among bears. Father and son, brother and sister, relatives are at odds.

Whatever malice and deadly hatred can devise will be done: “terrible, dreadful, deadly, savage, brutal” acts. Mutual injuries, the desire for revenge, and ways to harm them—a man and his family—occupy all our thoughts. If our pleasures are interrupted, we can tolerate it; if our bodies are hurt, we can bear it and be reconciled.

But touch our interests, and we lose all patience. Beauty becomes ugliness, the Graces become Harpies, friendly greetings turn into bitter curses, mutual feasts into plots of villainy, schemes and counter-schemes; kind words become satires and invective. We answer praise with abuse; we see nothing but his faults. He is a base rogue, a devil, a monster, a devouring pest, a viper, a boor, and so on.

A woman beautiful above ends below in a fish.

The scene changes suddenly: love turns to hatred, cheerfulness to melancholy. So furiously are most of us bent upon material advantage and money, with our affections fixed on them; excessive desire for money is greed. Ambition tyrannizes over our souls, as I have shown; and deficiency torments us just as much. If through negligence, bad management, lack of foresight or extravagance a man wastes and consumes his possessions and fortune, poverty follows, and melancholy. He becomes an outcast, “hateful and worse than an unbeliever, in failing to provide for his family.”

684

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.