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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyDemocritus Junior to the Reader

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Modern English Page · Branch 59 of 1495

Democritus Junior to the Reader

1651 English

33

Alexander was sorry, because there were no more worlds for him to conquer, he is admired by some for it, animosa vox videtur, & regia, ’twas spoken like a Prince, but as wise Seneca censures him, ’twas vox inquissima & stultissima, ’twas spoken like a bedlam fool: and that sentence which the same Seneca appropriates to his father Philip and him, I apply to them all, Non minores fuere pestes mortalium quàm inundatio, quàm conflagratio, quibus, &c. they did as much mischief to mortall men as fire and water, those mercilesse elements when they rage.

Which is yet more to be lamented, they perswade them, this hellish course of life is holy, they promise heaven to such as venture their lives bello sacro, and that by these bloody wars, as Persians, Greeks, and Romans of old, as modern Turks do now their Commons, to encourage them to fight, ut cadant infeliciter, If they dy in the field, they go directly to heaven, and shall be canonized for saints, (O diabolical invention!) put in the Chronicles, in perpetuam rei memoriam, to their eternal memorie:

when as in truth, as some hold, it were much better (since wars are the scourge of God for sin, by which he punisheth mortal mens peevishnes and folly) such brutish stories were suppressed, because ad morum institutionem nihil habent, they conduce not at all to maners, or good life. But they will have it thus neverthelesse, & so they put a note of divinity upon the most cruel, and pernicious plague of humane kinde, adore such men with grand titles, degrees, statues, images, honor, applaud and highly reward them for their good service, no greater glory then to die in the field.

So Africanus is extolled by Ennius: Mars, and Hercules, & I know not how many besides of old were deified, went this way to heaven, that were indeed bloody butchers, wicked destroyers, and troublers of the world, prodigious monsters, hel-hounds, feral plagues, devourers, common executioners of human kinde, as Lactantius truely proves, & Cyprian to Donat, such as were desperate in wars, and precipitately made away themselves (like those Celtes in Damascen, with ridiculous valour, ut dedecorosum putarent muro ruenti se subducere, a disgrace to run away for a rotten wall, now ready to fall on their heads) such as will not rush on a swords point, or seek to shun a canons shot, are base cowards, & no valiant men.

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The Anatomy of Melancholy: Democritus Junior to the Reader

p. 59

Alexander grieved because there were no more worlds for him to conquer, and some admire him for it: “It seems a spirited and kingly utterance”; he spoke like a prince. But, as wise Seneca rebukes him, it was “a most unjust and foolish utterance”; he spoke like a mad fool. And I apply to them all the judgement that Seneca passes on Alexander and his father Philip: “They were no less a plague to humanity than a flood or a conflagration, by which,” and so on. They did as much harm to human beings as fire and water, those merciless elements when they rage.

More lamentable still, they persuade men that this hellish way of life is holy. They promise heaven to those who risk their lives “in a holy war”, and say that through these bloody wars—as the Persians, Greeks, and Romans told their people long ago, and the Turks tell theirs now, to encourage them to fight, “so that they may fall miserably”—if they die on the battlefield, they go straight to heaven and will be canonized as saints. What a diabolical invention! They will be entered in the chronicles “as a perpetual memorial of the event,” so that they are remembered for ever.

Yet in truth, as some hold, it would be much better to suppress such brutal histories, since wars are God’s scourge for sin, with which he punishes human perversity and folly. For “they contribute nothing to moral education”; they do nothing to improve conduct or teach a good life. Nevertheless, people insist on it, and so they place the mark of divinity on the cruellest and most destructive plague of humanity. They worship such men with grand titles, ranks, statues, and portraits; honour, applaud, and richly reward them for their good service. There is no greater glory, they say, than to die in battle.

Thus Ennius praises Scipio Africanus. Mars, Hercules, and I do not know how many others in ancient times were made gods and reached heaven by this route, though they were really bloody butchers, wicked destroyers and disturbers of the world, monstrous prodigies, hellhounds, deadly plagues, devourers, public executioners of humankind, as Lactantius truly demonstrates, and Cyprian in his address to Donatus. Such men were reckless in war and rushed headlong to their deaths, like the Celts described by Nicolaus of Damascus, whose courage was so absurd “that they thought it disgraceful to get out of the way of a falling wall”—a disgrace to run from a rotten wall about to fall on their heads. Anyone who will not rush onto a sword’s point, or who tries to avoid a cannon shot, is a base coward, they say, and no brave man.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.