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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 5 Against Sorrow Over the Death of Friends or Other Causes, Groundless…

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Member 5 Against Sorrow Over the Death of Friends or Other Causes, Groundless…

1651 English

327 [340]–341

MEMB. 5. Against sorrow for death of friends or otherwise, vain fear, &c.

Death and departure of friends are things generally grievous, Omnium quæ in humana vita contingunt, luctus atque mors sunt acerbissima, the most austere and bitter accidents that can happen to a man in this life, in æternum valedicere, to part for ever, to forsake the world and all our friends, ’tis ultimum terribilium, the last and the greatest terrour, most irkesome and troublesome unto us. Homo toties moritur, quoties amittit suos.

And though we hope for a better life, eternall happiness, after these painfull and miserable daies, yet we cannot compose our selves willingly to dye; the remembrance of it is most grievous unto us, especially to such who are fortunate and rich: they start at the name of death, as an horse at a rotten post. Say what you can of that other world, with Metezuma that Indian Prince, Bonum est esse hic, they had rather be here.

Nay many generous spirits, and grave staid men otherwise, are so tender in this, that at the loss of a dear friend they will cry out, roare, and tear their hair, lamenting some months after, houling O Hone, as those Irish women, and Greeks at their graves, commit many undecent actions, and almost go besides themselves. My dear father, my sweet husband, mine only brother’s dead, to whom shall I make my moan? O me miserum!

Quis dabit in lachrymas fontem, &c.

What shall I do?

Sed totum hoc studium luctu fraterna mihi mors Abstulit, hei misero frater adempte mihi!My brothers death my study hath undone, Woe’s me, alas my brother he is gone!

Mezentius would not live after his son:

Nunc vivo, nec adhuc homines lucemque relinquo, Sed linquam ——

And Pompey’s wife cryed out at the news of her husbands death,

Turpe mori post te solo non posse dolore,

Violenta luctu & nescia tolerandi, as Tacitus of Agrippina, not able to moderate her passions. So when she heard her son was slain, she abruptly broke off her work, changed countenance and colour, tore her hair, and fell a roaring down right,

—— subitus miseræ color ossa reliquit, Excussi manibus radii, revolutaque pensa: Evolat infelix & fœmineo ululatu Scissa comam ——

Another would needs run upon the swords point after Euryalus departure,

Figite me, si qua est pietas, in me omnia tela Conjicite ô Rutili; ——

O let me dye, some good man or other make an end of me. How did Achilles take on for Patroclus departure? A black cloud of sorrows overshadowed him, saith Homer. Jacob rent his clothes, put sack-cloth about his loines, sorrowed for his son a long season, and could not be comforted, but would needs go down into the grave unto his son, Gen. 37. 37.

327 [340]–341

The Anatomy of Melancholy: Member 5 Against Sorrow Over the Death of Friends or Other Causes, Groundless…

p. 579

MEMBER 5 Against sorrow over the death of friends or other causes, groundless fear, and so on.

Death and the departure of friends are generally grievous things. “Of everything that happens in human life, bereavement and death are the bitterest”: the harshest and most bitter events that can befall anyone in this life. “To say farewell for ever,” to part for ever, to leave the world and all our friends: this is “the ultimate terror,” the last and greatest terror, most distressing and troubling to us. “A person dies as often as he loses those dear to him.”

Although we hope for a better life, eternal happiness after these painful and miserable days, we cannot bring ourselves to die willingly. The thought of it is most grievous to us, especially to the fortunate and rich: they shy at the name of death like a horse at a rotten post. Say what you will about that other world: with Montezuma, that Indian prince, they say, “It is good to be here,” and would rather stay here.

Indeed, many noble spirits, people otherwise grave and composed, are so sensitive in this matter that, when they lose a dear friend, they cry out, roar and tear their hair, lamenting for months afterwards. They howl “O hone,” like those Irish women and Greeks at their graves, behave in many unseemly ways, and almost lose their minds. “My dear father, my sweet husband, my only brother is dead: to whom can I cry out? Oh, wretched me!”

Who will give a fountain for tears, and so on?

What shall I do?

But my brother’s death has taken all this pursuit from me in grief. Alas, my brother, taken from wretched me!

My brother’s death has put an end to my study. Woe is me! Alas, my brother is gone!

Mezentius would not live after his son:

Yet I live, and still do not leave humankind and the light; But I will leave them.

And Pompey’s wife cried out at the news of her husband’s death:

It is shameful that, after you, I cannot die of grief alone.

“Violent in grief and unable to endure it,” as Tacitus says of Agrippina: unable to govern her emotions. So, when she heard that her son had been killed, she abruptly broke off her work, her expression and colour changed, she tore her hair, and burst into howling:

Suddenly the colour left her wretched frame; The shuttles fell from her hands, her work unravelled. The unhappy woman rushes out, with a woman’s wailing, Her hair torn.

Another was determined to rush onto the sword’s point after Euryalus’s death:

Pierce me, if there is any mercy; hurl all your weapons At me, O Rutulians.

Oh, let me die; let some good man put an end to me. How Achilles raged over Patroclus’s death! A black cloud of sorrow overshadowed him, says Homer. Jacob tore his clothes, put sackcloth around his waist, mourned his son for a long time, and could not be comforted. He insisted that he would go down to his son in the grave: Genesis 37:37.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.