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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 2 Bodily Deformity, Sickness, Low Birth, and Particular Discontents

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Facing Pages · Branch 547 of 1495

Member 2 Bodily Deformity, Sickness, Low Birth, and Particular Discontents

1651 English

315–316

And what is their ordinary exercise? sit to eat, drink, lie down to sleep, and rise to play: wherein lies their worth and sufficiency? in a few coats of armes, eagles, lions, serpents, bears, tygers, dogs, crosses, bends, fesses, &c. and such like babies, which they commonly set up in their galleries, porches, windowes, on boles, platters, coches, in tombs, churches, mens sleeves, &c.

If he can hawk and hunt, ride an horse, play at cards and dice, swagger, drink, swear, take tobacco with a grace, sing, dance, wear his clothes in fashion, court and please his mistris, talk big fustian, insult, scorn, strut, contemn others, and use a little mimical and apish complement above the rest, he is a compleat, (Egregiam verò laudem) a well qualified gentleman; these are most of their imployments, this their greatest commendation.

What is gentry, this parchment nobility then, but as Agrippa defines it, a sanctuary of knavery and naughtines, a cloke for wickednesse and execrable vices, of pride, fraud, contempt, boasting, oppression, dissimulation, lust, gluttony, malice, fornication, adultery, ignorance, impiety? A nobleman therefore in some likelihood, as he concludes, is an Atheist, an oppressor, an Epicure, a gull, a disard, an illiterate idiot, an outside, a gloworm, a proud fool, an arrant asse, Ventris & inguinis mancipium, a slave to his lust and belly, solaque libidine fortis.

And as Salvianus observed of his Countrymen the Aquitanes in France, sicut titulis primi fuere, sic & vitiis; & Cabinet du Roy, their own writer distinctly of the rest; The Nobles of Berry are most part leachers, they of Tourraine theeves, they of Narbone covetous, they of Guyenne coyners, they of Province Atheists, they of Rhemes superstitious, they of Lions treacherous, of Normandy proud, of Picardy insolent, &c. we may generally conclude, The greater men, the more vicious.

In fine, as Æneas Sylvius addes, they are most part miserable, sottish and filthy fellows, like the walls of their houses, fair without, foul within. What dost thou vaunt of now? What dost thou gape and wonder at? admire him for his brave apparell, horses, dogs, fine houses, manors, orchards, gardens, walks? Why? a fool may be possessor of this as well as he, and he that accounts him a better man, a Nobleman for having of it, he is a fool himself. Now go and brag of thy gentility.

This is it belike, which makes the Turkes at this day scorn nobility, and all those huffing bumbast titles, which so much elevate their poles: except it be such as have got it at first, maintain it by some supereminent quality, or excellent worth.

315–316

The Anatomy of Melancholy: Member 2 Bodily Deformity, Sickness, Low Birth, and Particular Discontents

p. 547

And how do they usually occupy themselves? They sit down to eat and drink, lie down to sleep, and rise to play. Where are their worth and ability? In a few coats of arms: eagles, lions, serpents, bears, tigers, dogs, crosses, diagonal bands, horizontal bands, and similar baubles, which they commonly display in their galleries, porches, windows, on bowls, platters, coaches, in tombs, churches, on people’s sleeves, and so on.

If he can hawk and hunt, ride a horse, play cards and dice, swagger, drink, swear, smoke tobacco gracefully, sing, dance, dress fashionably, court and please his mistress, spout grandiose nonsense, behave arrogantly, sneer, strut, despise others, and perform a little more theatrical, apish courtesy than the rest, he is an accomplished, well-qualified gentleman—“splendid praise indeed!” These are their chief occupations, this their highest recommendation.

What, then, is gentility, this parchment nobility, but what Agrippa defines: a refuge for knavery and wickedness, a cloak for evil and detestable vices—pride, fraud, contempt, boasting, oppression, deceit, lust, gluttony, malice, fornication, adultery, ignorance, and impiety? A nobleman, then, is likely, as he concludes, to be an atheist, an oppressor, a sensualist, a dupe, a fool, an ignorant idiot, a mere exterior, a glow-worm, a proud fool, an absolute ass, “a slave to his belly and groin”: a slave to his lust and belly, “strong only in lust.”

As Salvian observed of his fellow-countrymen, the Aquitanians in France, “as they were foremost in titles, so also in vices.” And the Cabinet du Roy, their own writer, distinguishes the others: the nobles of Berry are mostly lechers; those of Touraine, thieves; those of Narbonne, greedy; those of Guyenne, counterfeiters; those of Provence, atheists; those of Reims, superstitious; those of Lyon, treacherous; of Normandy, proud; of Picardy, insolent, and so on. We may conclude generally: the greater the men, the more vicious.

Finally, as Aeneas Sylvius adds, they are mostly miserable, foolish, filthy fellows, like the walls of their houses: fine outside, foul within. What do you boast about now? What are you gaping and marvelling at? Do you admire him for his fine clothes, horses, dogs, handsome houses, manors, orchards, gardens, and walks? Why? A fool can own all this as well as he; whoever thinks him a better man, a nobleman, because he has it is himself a fool. Now go and boast of your gentle birth.

Presumably this is what makes the Turks today scorn nobility and all those blustering, inflated titles that so swell people’s heads—unless those who first acquired the honour sustain it by some outstanding quality or exceptional worth.

547

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.